(1856 - 1943)
Resting in the living room
Handcoloured drypoint and soft ground
(1856 - 1943)
At the water's edge
Drypoint and aquatint, impression in purple and green
(1856 - 1943)
Faces
Drypoint, impression in yellow
(1856 - 1943)
Les calanches ( Calanques) di Piana (Corse)
Charcoal et pastel
(1856 - 1943)
Styling
Charcoal et pastel
(1856 - 1943)
Young woman with red flowers
Charcoal et pastel
(1856 - 1943)
By the seaside n°2
Handcoloured etching and drypoint
(1856 - 1943)
Sketch of faces and eye n°2
Drypoint
(1856 - 1943)
Woman and child
Etching, silver painting.
(1856 - 1943)
Nude on a chair
Etching, impression in yellow.
(1856 - 1943)
Coming out of the bath
Charcoal and pastel
(1856 - 1943)
[Selfportrait]
Etching and soft ground
(1856 - 1943)
Sketch of faces and eye
Drypoint
(1856 - 1943)
[Celebration, Legion of Honor]
Drypoint and soft ground
(1856 - 1943)
The pray
Drypoint and aquatint, impression in purple, ochre and blue.
(1856 - 1943)
Nude woman in the wind
Drypoint, aquatint and soft ground
(1856 - 1943)
The bath
Drypoint and aquatint, impression in brown and blue
(1856 - 1943)
The hairstyle
Drypoint and aquatint, impression in purple
(1856 - 1943)
Nude on a chair
Etching and aquatint
(1856 - 1943)
[Woman in a landscape]
Etching in colours
(1856 - 1943)
[Woman in a landscape]
Etching, impression in yellow
(1856 - 1943)
At the fireside
Drypoint and soft ground
(1856 - 1943)
The rest
Drypoint and soft ground, impression in brown and green
(1856 - 1943)
The perfume
Drypoint and soft ground, impression in brown
(1870-1933)
Homme nu appuyé contre un arbre
Woodcut
(Montluçon 1869 - 1929 Paris)
Arrival of fishermen at the port
Woodcut
(Montluçon 1869 - 1929 Paris)
Woman and mermaid entwined
Woodcut, two colors
(Paris 1881 - 1962 Châtillon-sous-Bagneux)
[Plowed fields]
Woodcut
(Paris 1881 - 1962 Châtillon-sous-Bagneux)
Two prisoners soldiers
Woodcut
(Paris 1881 - 1962 Châtillon-sous-Bagneux)
Two prisoners soldiers
Woodcut, impression in two tones
(Paris 1881 - 1962 Châtillon-sous-Bagneux)
Countryside
Woodcut, impression in two tones
(1881 - 1962)
The tuesday night's dance
Woodcut
(Paris 1881 - 1962 Châtillon-sous-Bagneux)
Woman sewing
Woodcut
(Paris 1881 - 1962 Châtillon-sous-Bagneux)
Landscape
Woodcut, impression in two tones
(Paris 1881 - 1962 Châtillon-sous-Bagneux)
[The concert]
Woodcut
(Paris 1882 - 1962 Méounes les Montrieux)
LES ARBRES FACE AU LOUVRE.
Woodcut
(Paris 1882 - 1962 Méounes les Montrieux)
Notre-Dame, vers le Quai d'Orléans
Woodcut
(Paris 1882 - 1962 Méounes les Montrieux)
Young girl and her bucket
Woodcut
(1882 - 1962)
Notre-Dame
Woodcut
(Paris 1874 - 1977)
Mask
Woodcut
(1874 - 1977)
Mother and child
Woodcut, impression in two tones
(1874 - 1977)
Ships in the port
Woodcut, impression in two colors.
(1874 - 1977)
River in the forest
Woodcut, impression in two colors.
(1886 - 1972)
Leaving the bath
Woodcut, impression in colors
(1886 - 1972)
Le Vert Galant
Woodcut, impression in colors
(XXe siècle)
Boat in the dock
linocut
(1869 - 1954)
Nacked woman lying in a bed
Etching and drypoint
(1882 - 1947)
Portrait of a man wearing a hat
Drypoint
(Monaco 1921- 2009 Paris)
LA TABLE
Mezzotint
(Monaco 1921 - 2009 Paris)
CET ETE EN ECOSSE
Mezzotint in colours
(Monaco 1921 - 2009 Paris)
PIPE ET COUPELLE
Mezzotint and etching
(Monaco 1921 - 2009 Paris)
LES COQUILLAGES D'AMAGANSETT
Mezzotint
(Monaco 1921 - 2009 Paris)
Zèbres
Mezzotint
(Monaco 1921 - 2009 Paris)
Rhinoceros
Mezzotint
(Monaco 1921 - 2009 Paris)
Où l'oeuf reste blanc
Mezzotint, impression in colors.
(1921 - 2009)
Armadillo
Mezzotint
(1921 - 2009)
Owls
Mezzotint
(Longwy 1927 - 2009 Paris)
[Composition]
Etching and aquatint, impression in blue and ochre
(Mennecy 1895 - Paris 1980)
VILLAGE
Lithograph
(Mennecy 1895 - Paris 1980)
FEUILLAGES
Lithograph in colours
(1851 - 1898)
Senalando la estocada
after Daniel Vierge (1851 - 1904)
Etching
(1847 - 1904)
Saludo de la cuadrilla
after Daniel Vierge (1851 - 1904)
Etching
(1874 - 1977)
THE PLAINS
Lithograph on wove paper, signed and numeroted 73/108 in pencil, 'Société des Peintres-Graveurs' stamp
(1870 - 1934)
Olympia, after Manet
Etching and aquatint in colors
(1864 - 1951)
La Pointe de Bretteuille
Lithograph in colours
(1854 - 1927)
Naked woman
Aquatint
(1854 - 1927)
Naked woman
Aquatint
(1854 - 1927)
Naked woman
Aquatint
(1854 - 1927)
Naked woman
Aquatint, impression in colours
(1881 - 1963)
La Charité sur Loire
La Blancherie
Eau-forte
(1818-1898)
Environs de Lyon (large plate)
Etching
(1818-1898)
The port of Monaco
Etching
(Lyon 1818 - 1898)
Souvenir
Etching
(1818-1898)
Bords du ruisseau à Rossillon (Ain)
Etching
(Lyon 1818 - 1898)
Retour de la pêche à Collioure
Etching on laid paper, signed and dated in the plate
(Lyon 1818 - 1898)
Le Port de Monaco
Etching
(1821 - 1887)
Le soir
Etching
(1824 - 1906)
Dompteur d'Amours
After J. L. HAMON (1821 - 1874)
Lithograph
(1842-1885)
View of Gravesend on the Thames
Etching
(1839 - 1899)
Marine
Etching
(1842-1885)
Vieux ponton sur la Tamise (Old pontoon on the Thames)
Etching
(1842-1885)
View of Gravesend on the Thames
Etching
(1788 - 1869)
The Big Tree leaning to the right
Etching
(1788 - 1869)
Farm near Aix-les-Bains
Etching and soft-ground etching
(1876 - 1960)
La Samaritaine au puits
Etching
(1876 - 1960)
Forest with a house below
Etching
(Quimperlé 1876 - 1960 Larmor)
La moisson près des dunes
Etching
(Quimperlé 1876 - 1960 Larmor)
Sur les quais, à Douëlan
Etching
(Quimperlé 1876 - 1960 Larmor)
Le borgne de Pont-Ar-Schutz
Etching
(1876 - 1960)
The road turning at Ain Taya
Etching
(1876 - 1960)
The flight into Egypt
Etching
(1876 - 1960)
Tenès Cape
Etching
(1867 - 1931)
La Butte aux cailles
Etching
(1867 - 1931)
Sketch in Grenade
Etching
(1867 - 1931)
Trocadéro. Paris.
Etching
(1867 - 1931)
Quai de Montebello. Paris.
Etching
(1867 - 1931)
Auteuil
Etching
(1867 - 1931)
The Sainte-Chapelle
Etching
(1867 - 1931)
De la pointe de l'île Saint-Louis
Etching
(1867 - 1931)
Ponton du quai Bourbon
Etching
(1867 - 1931)
Le palais de Justice
Etching
(1867 - 1931)
Lambeth bridge
Etching and aquatint
(1867 - 1931)
Le port de Dunkerque
Etching
(1867 - 1931)
Le pont Marie
Etching
(1867 - 1931)
Le bassin du Commerce, Le Havre
Etching
(1867 - 1931)
Notre-Dame. Paris.
Etching
(Paris 1845 - 1902)
En vue de Tanger
etching
(1860 - 1936)
Bohemian
Etching, soft-ground etching and aquatint
(1854 - 1927)
Jeune femme nouant le ruban de son chapeau
Etching and aquatinte, impression en couleurs
(1854 - 1927)
MARGOT EN CHAPEAU NOIR
Etching
(1854 - 1927)
[The model and the lute]
Etching
(1854 - 1927)
Naked woman leaning on a bed
Soft ground etching
(1854 - 1927)
[Naked woman lying]
Etching
(Paris 1736 - ?)
Flowers
Crayon manner, impression in black.
(17.. - 1775)
Tête de femme penchée à droite
After François BOUCHER (1703 - 1770)
Crayon manner engraving, impression in red
(17.. - 1775)
À quelque chose malheur est bon.
After Marc-Antoine PARELLE (active c.1766 - c.1774)
Crayon manner engraving, impression in sanguine
(Paris 1736 - 1793)
Joseph's head
after Jean-Baptiste-Henri Deshayes (Colleville 1729 - Paris 1765)
Crayon manner, impression in blood-orange.
(Paris 1736 - 1793)
TETE DE JEUNE FILLE PROFILEE A GAUCHE
After François BOUCHER (1703 - 1770)
Crayon manner, impression in black and blood orange.
(1736 - 1793)
Portrait of painter's daughter, Marie-Rosalie Van Loo
after Carle van Loo (1705 - 1765)
Crayon manner, impression in red
(Paris 1736 - 1793)
Jeune femme assise sur un lit
After François BOUCHER (1703 - 1770)
Crayon manner, impression in black.
(Paris 1736 - 1793)
The Bird-trapper
After François BOUCHER (1703 - 1770)
Crayon manner, impression in red
(Paris 1736 - 1793)
After François Le Moine (1688-1737)
Vertume and Pomonne
Crayon manner, impression in colours
(Paris 1736 - 1793)
Le sommeil de Vénus
After François BOUCHER (Paris 1703 - 1770)
Crayon manner on blue paper, impression in black and white
(Paris 1736 - 1793)
You man's face
After Guido RENI (1575 - 1642)
Crayon manner, impression in red.
(1736 - 1793)
Tête de Laitière Moscovite and Tête de Servante Finoise
after Jean-Baptiste Leprince (1734 - 1781)
Crayon manner, impression in black and white
(1736 - 1793)
Portrait of painter's daughter, Anna Van Loo
after Carle van Loo (1705 - 1765)
Crayon manner, impression in black with highlights of white chalk
(1736 - 1793)
The Young Widow
after Jacques-Philippe Caresme (1734 - 1796)
Crayon manner, impression in red and black
(1736 - 1793)
Young woman putting her clothes back on
after Jean-Baptiste Le Prince (1734 - 1781)
Crayon manner, impression in red
(1736 - 1793)
Young woman stand out viewed in three-quarter
after Jean-Baptiste Le Prince (1734 - 1781)
Crayon manner, impression in red
(1736 - 1793)
Young woman seated on her bed
after François Boucher (1703 - 1770)
Crayon manner, impression in red
(1736 - 1793)
Venus and Love on a dolphin
after François Boucher (1703 - 1770)
Crayon manner
(Paris 1751 – 17..)
Ornements de la colonne Trajane
Crayon manner, impression in blood orange
(active end of the 18th century - beginning of the 19th century)
La Joye tranquille
after Marie-Geneviève BOULIARD (1763 - 1825)
Crayon manner
(1754 – ?)
The three Graces
After CLODION (1738 – 1814)
Crayon manner, impression in blood orange
(1722 - 1776)
JEUNE HOMME NU.
after Carle van Loo (1705 - 1765)
Crayon manner, impression in brown.
(1722 - 1776)
Jeune fille russe, en buste, de face
After Jean-Baptiste Le Prince (1734 - 1781)
Crayon manner engraving, impression in red
(Liège 1729 - Paris 1776)
TETE DE JEUNE FILLE A LA COURONNE DE LAURIER.
after Edmé BOUCHARDON (1698 - 1762)
Crayon manner, impression in orange.
(1762 - 1817)
Portrait of Jean-Baptiste Poquelin, Molière (1622 - 1673)
after Jean-François Garnerey (1755 - 1837)
Etching, engraving and aquatint in colours
(Active near 1750 - 1785)
La femme mise à la raison par son mary
Etching handcoloured
(1736 - 1793)
THE SUMP.
after Jean-Baptiste HUET (1745 - 1811)
Stipple en graving, impression in colours.
(Paris 1736 - 1793)
Le Matin, de la suite Les Quatres heures du Jour
After Jean Frédéric SCHALL (1752-1825)
Crayon manner, impression in colours
(Paris 1736 - 1793)
VENUS AU BAIN.
after Jacques-Antoine BEAUFORT (1721 - 1784)
Stipple engraving, impression in colours.
(Paris 1736 - 1793)
La Basse Cour
After Jean-Baptiste HUET (1745 - 1811)
Crayon manner handcoloured
(Paris 1736 - 1793)
L'Après-Midi, de la suite Les Quatres heures du Jour
After Jean Frédéric SCHALL (1752-1825)
Crayon manner, impression in colours
(Paris 1736 - 1793)
Le Soir, de la suite Les Quatres heures du Jour
After Jean Frédéric SCHALL (1752-1825)
Crayon manner, impression in colours
(active end of the 18th century - beginning of the 19th century)
La Balanceuse
after Sigmund Freudenberger (1745 - 1801)
Aquatint in colors
(1717 - 1755)
L' homme de robe ; La femme de l'homme de robe
Engraving and etching, handcolored
(1732 - 1786)
The procession of the Eucharist the day of Corpus Christi
Etching handcoloured
(17.. - 1801)
Le trente-un, ou la maison de prêt sur nantissement.
After ean Urbain Guérin (1760 - 1836)
Stipple engraving, handcoloured.
(1755 - 1832)
Promenade au Bois de Vincennes
Etching handcoloured
(1755 - 1832)
Les deux baisers
Aquatint in colours
(1755 - 1832)
The Palais Royal gallery's walk
Aquatint, printed in colors with markers
(1755 - 1832)
Le coup de vent
after Carle Vernet (1758 - 1836)
Aquatint handcoloured
(1755 - 1832)
Anglais en habit habillé
after Carle Vernet (1758 - 1836)
Aquatint handcoloured
(1755 - 1832)
The rose
Aquatint in colors
(1755 - 1832)
Almanach national
Etching, roulette and aquatint in colors
(Gerrmany 1711 - 1783)
[Commedia dell'arte : Arlequin and the frog]
after Matthias SILLER (1710 - 1790)
Etching, vintage colours
(1722 - 1776)
LA MISSIVE (SCÈNE CHAMPÊTRE)
after François BOUCHER (1703 - 1770)
Etching and aquatint, impression in colours.
(1722 - 1776)
Painture and Sculpture
After Alexis Peyrotte (1699 - 1769)
Crayon manner, red impression
(1722 - 1776)
Woman give the breast to her dog
after François Boucher (1703 - 1770)
Crayon manner, red impression
(Active between 1680 and 1720)
Femme de qualité estant a sa toilette
Etching and engraving
(Active between 1680 and 1720)
Femme de Qualité en Attendant Visitte
Etching and engraving
(Active between 1680 and 1720)
Femme de qualité habillée en Corps de Robbe
Etching and engraving
(Active between 1680 and 1720)
Fille de qualité en habit d'Esté ala Vestalle
Etching and engraving
(Active between 1680 and 1720)
Homme de qualité en habit d'espée
Etching and engraving
(Active between 1680 and 1720)
Fille de qualité en deshabillé détoffe Siamoise
Etching and engraving
(Active between 1680 and 1720)
Homme de qualité en habit Despée
Etching and engraving
(Active between 1680 and 1720)
Fille de Marchand, estant à sa toilette
Etching and engraving
(Active between 1680 and 1720)
Homme de qualité en habit d'hiver
Etching and engraving
(Active between 1680 and 1720)
Fille de qualité, en deshabillé d'esté
Etching and etching
(Active between 1680 and 1720)
Femme de qualité en habit d'Esté ala grec
Etching and engraving
(Active between 1680 and 1720)
Femme de qualité habillée en Sultane
Etching and engraving
(Active between 1680 and 1720)
Femme de Marchand en deshabillé d'Esté
Etching and engraving
(1661 - 1721)
Acis et Galatée
After François MAROT (1666 - 1719)
Etching
(Paris 1698 - 1772)
TETE TURQUE, plate from a set of six
After Charles Parrocel (1688 - 1752)
Etching
(Paris 1698 - 1772)
TETE TURQUE, plate from a set of six
After Charles Parrocel (1688 - 1752)
Etching
(1698 - 1772)
Le Passe Temps
after Antoine Watteau (1684 - 1721)
Etching and engraving
(1667 - 1756)
PERSONNAGE COMIQUE
after Antoine Watteau
Etching
(Lyon 1667 - Paris 1756)
[Woman's back]
Figures de Différents Caractères du Recueil Jullienne
plate 56, Figures de Différents Caractères, Recueil Jullienne
after Antoine Watteau (Valenciennes 1684 - Nogent-sur-Marne 1721)
Etching
(French school of the 18th century)
Don Quichotte
Etching
(1718 - ca. 1780)
Etude de femme allongée, planche issue de Livre de diverses figures d'académies, dessinées d'après le naturel
After Edme BOUCHARDON (1698 - 1762)
Etching
(1702 - 1760)
La famille - Familia
After Jean-Antoine WATTEAU (1784 - 1721)
Etching and copper engraving
(1702 - 1760)
L'enseigne de Gersaint
after Antoine WATTEAU (1684 - 1721)
etching and engraving
(1638 - 1711)
The adoration of the golden calf
after Nicolas Poussin (1594 - 1665)
Engraving
(1633 - 1710)
Saint Luc Evangeliste
D'après Valentin de BOULOGNE (1591 - 1632)
Copper engraving
(1615 - 1687)
Le Parnasse ridicule de la place Maubert
Etching and engraving
(1603 - 1692)
Joseph and Putiphar's wife
after Jacques Blanchard (1600 - 1638)
Engraving
(1642 - 1711)
Homme de qualité
Etching and engraving
(1642 - 1711)
Gallant peintre
Etching and engraving
(1642 - 1711)
L'Asie
Etching and engraving
(1637 - 1718)
L'Astrologie
Etching
(1637 - 1718)
Uranie chantant avec Damon
Etching and engraving
(1637 - 1718)
Robe du Palais
Etching and engraving
(1637 - 1718)
La Sculpture
Etching and engraving
(1637 - 1718)
L'Automne
Etching and engraving
(1652 - 1733)
Dame en habit de velour
Etching and engraving
(1602 - 1676)
Death of the Rich Man
Etching and engraving
(1602 - 1676)
[Woman reading]
etching
(1602 - 1676)
[The chimney swipper]
etching
(1602 - 1676)
[The oyster man]
etching
(1602 - 1676)
[The Merchant of Rat Death]
etching
(1602 - 1676)
[Woman sewing]
etching
(1602 - 1676)
[Water carrier]
etching
(1602 - 1676)
[Woman carrying two baskets]
etching
(1602 - 1676)
[Luth player]
etching
(1602 - 1676)
Le Mariage à la campagne : Les Présents à la mariée
etching
(1602 - 1676)
Return from the Christening
Etching and engraving
(1792 - 1850)
Phrosine and Mélidore
after Louis Edouard Rioult (1790 - 1855)
Engraving
(1773 - 1821)
Le coup de vent
after Jean Baptiste ISABEY (1767 - 1855)
Aquatint and etching
(1787 - 1858)
The plague in Marseille in 1720
after François Gérard (1770 - 1837)
Lithograph
(Saint-Valery-en-Caux 1787 - 1854)
Le poète inspiré
Lithograph
French school, the beginning of the XIXth century
Le Voleur désappointé
Lithograph
French School, beginning of XIXth Century
Le Chasseur blessé
Stipple engraving
French School, beginning of XIXth Century
L'Amour sortant d'un Pucelage
Stipple engraving
French School, beginning of XIXth Century
La Sensitive
Stipple engraving
French School, beginning of XIXth Century
L'Amour fait danser les Graces
Stipple engraving
French School, beginning of XIXth Century
L'Amour dans une Bonbonière
Stipple engraving
(Beginning of the XIXe century)
Mister Fualdès, former prosecutor of the king
Crayon manner
(1744 - 1831)
Cincinnatus receiving the ambassadors of Rome
after Jean Jacques François Le Barbier (1738 - 1826)
Engrving and etching
(1744 - 1831)
Lycurgue. Magnanimity.
after Jean Jacques François Le Barbier (1738 - 1826)
Engrving and etching
(1744 - 1831)
Penelope and Ulysse or the Modesty
after Jean Jacques François Le Barbier (1738 - 1826)
Engrving and etching
(1761 - 1824)
La Danse des Poupées Ambulantes
Engraved by LAMEAU and figures realized by MISBACH
Etching
(First half of the XIX century)
The bath
Lithograph
(First half of the XIX century)
Psyche offering gifts to her sisters
Psyche before the tribunal of Venus
after Alexandre Evariste Fragonard (1780 - 1850)
Lithograph
(1826 - 1883)
The Water's edge
Handcoloured lithograph enhanced with arabic gum
(1826 - 1883)
Stems of the same Stalk
Handcoloured lithograph enhanced with arabic gum
(1741 - 1803)
Song of the far angel hurry the hunter's foot ...
after Domenico Maggiotto (1712 - 1794)
Engraving and etching
(1724 - 1787)
Entertainment laid on for the Grand Duke and Duchess of Russia in St Benoit theater in Venice, the 22th of January 1782.
after Giambattista Canal (1745 - 1825)
Etching and engraving
(Active between 1771 - 1789)
Inside the Sistine Chapel
after Francesco Pannini (1738 - 1800)
Etching and engraving
(1727 - 1815)
Neptune and Amphitrite, from a series of four
D'après Giovanni Battista CIPRIANI (1727 - 1785)
Etching and aquatint
(Florence 1727 - 1815 Lisbon)
Amours mangeant du raisin
After Giovanni Battista CIPRIANI (1727 - 1785)
Etching and stipple engraving printed in brown
(Florence 1610 - 1664)
La statue de Ferdinand Ier, grand-duc de Toscane, plate 1 from Vues du port de Livourne
Etching
(1707 - 1783)
Sophia Laughs
after Anton Hickel (1745 - 1798)
Stipple engraving
(1728 - 1788)
Mentre dell'acque i muti abotatori...
After Giuseppe ZAIS (1709 - 1784)
Etching
(Active in the XVIIth Century)
Il Famosissimo Triompho di Bacco
after Giulio Romano (1499 - 1546) and Raphaël (1483 - 1520)
Copper engraving
(1510 - 1570)
Venus and Cupid
after Titian (1489/90 - 1576)
Woodcut
(1611 - 1688)
Bacchus meeting Ariadne abandoned in Naxos island
after Guido Reni, called The Guide (1575 - 1642)
Etching
(1765 - 1820) and (Active at the beginning of the XIXth)
The three Graces
after Antonio Canova (1757 - 1822) and Giovanni Battista Borani (active c. 1810)
Etching and engraving
(1727 - 1793)
Bearded man with a feathered hat
(1727 - 1793)
Man with a hat, of profile
(Middle of the XVIIIth century)
Nel loco istesso ove sorgean poc'anzi torregiar fanno gli atterrati avanzi (On the very spot where they stood just now towered the earthly remains)
after Marco Ricci (1676 - 1730)
Etching
Le géomètre
After Giovanni Battista PIAZZETTA (1683 - 1754)
Etching
(1560 - 1609)
Madonna of the Swallow
Copper engraving
(1609 - 1664)
A bearded man looking down
Etching
(c.1715 - c.1804)
Musicians
after Giovanni Battista Piazzetta (1682 - 1754)
Etching
(1570-1641)
Ornaments: fauna, lion and putti
Etching
(1570-1641)
Ornaments: Victory and putti
Etching
(1570-1641)
Ornaments: faunae, nymph and putti
Etching
(1862 - 1938)
Muse with a lyre
Etching, impression in red
(1830 – 1910)
LE PIFFERARI
Etching, signed in the plate, after a Cortazzo's painting
Published by Cadart
(1764 - 1836)
Echo
after Guy Head (1762 - 1800)
Engraving
(Saint-Omer 1825 - 1901 Paris)
Jeunes bergers des environs de Chieti (Italie)
etching
(italian 1846 - 1884)
La danseuse Holoke-Go-Zen.
Etching
(italian 1846 - 1884)
Derrière l'éventail.
Etching
(italian 1846 - 1884)
Gabrielle
Drypoint
(1846 - 1920)
During the church service in Rome
Etching
(Turin 1853 - Nernier 1951)
[Self portrait with rats]
Etching
(1872 - 1958)
Coin de boulevard
Aquatint, impression in colors
(1872 - 1958)
Couple on a balcony
Aquatint in colors
(1872 - 1958)
Couple on a small boat
Aquatint in colors
(1869 - 1940)
Colin-Maillard
Etching and aquatint, impression in coulours
(1564 - 1589)
Christ on the Cross between the Two Thieves
Probably after Agostino Carracci (1557 - 1602)
Copper engraving
(Venetian, middle of the 16th century)
Pandora Opening Her Box
Etching and engraving
(1509-1566)
Deposition from the cross
engraving
(1663 - 1743)
Descent from the cross (Lucae de Somer...)
After Daniele de VOLTERRA (1509 - 1566)
Etching
(1757 - 1821)
Jésus Christ praying
After Giovanni Francesco Barbieri, dit GUERCINO (1591 - 1666)
Etching
(1757 - 1821)
The Virgin, the child Jesus and saint john the baptist
Giovanni Francesco Barbieri, dit GUERCINO (1591 - 1666)
Etching
(1757 - 1821)
Jésus Christ au Mont des Oliviers tenant le calice
After Giovanni Francesco Barbieri, dit GUERCINO (1591 - 1666)
Etching
(c.1644-1711)
Landscape with a river
after Adam Frans VAN DER MEULEN (1632-1690)
etching
(1644 - 1711)
Landscape with two draped women conversing in centre foreground
After Abraham GENOELS (1640 - 1723)
Etching
(c.1644-1711)
Nobill.mo D. Dno. Carolo le Brun Equiti (...)
after Adam Frans VAN DER MEULEN (1632-1690)
etching
(1607 - 1641)
Junon déchaîne la peste Egine, plate from "Métamorphoses d'Ovide"
Etching
(1607 - 1641)
Livre nouveau de diverses nations
Set of eight etchings
(1603 - 1692)
S. Benedictus
after Giovanni Angelo CANINI (1617-1666)
Copper engraving
(1603 - 1692)
Assumpta est Maria...
Copper engraving
(1603 - 1692)
Eminentissimo principi Francico Peretto S.R.E Cadinali Montalto
Burin
Copper engraving
(1640 - 1690)
Pietas
After Gérard de LAIRESSE (1640 - 1711)
Mezzotint
(1705 - 1792)
Le jeune musicien
After Godfried SCHALCKEN (1643 - 1706)
Mezzotint
(1705 - 1792)
Le jeune éplucheur
After P. MIERIS
Mezzotint
(1706 - 1782)
Inside a church
after Bartholomeus Breenbergh (1598 - 1657)
Etching and engraving
(1580-1633)
The adoration of the shepherds
after Abraham Bloemaert (1564 - 1651)
Engraving
(1586 - 1659)
Stormy coast landscape
Engraving
(1610 - 1652)
The Ox-Cart (View between Ancona and Sinigaglia)
Etching
(1701? - 1779)
Correspondence, receiving intelligence
Mezzotint
(1779 - 1852)
[Studies of people]
Etching
(Active in the 19th century)
Pastor, Köhler, Goebel, Ries?, Linck et Clostoï?
Lithograph
(1866 - 1922)
A canal in Ghent
Etching
(1872 - 1899)
Woman with a basket and workers in the background
Etching
(German 1869 - 1940)
Portrait of a woman
Etching
(Lattrop 1819 - Saint-Egrève 1891)
Entrée du port de Honfleur
Etching
(1819 - 1891)
View of the city of Maaslins (Holland)
Etching
(1857 - 1920)
Psyche on the wateredges of the Tartarus
Etching and aquatint
(1770 - 1830)
Farmers with their herd
after Johann Heinrich ROOS (1631 - 1685)
Aquatint
(1769 - 1815)
Le Jeune Taureau
after Paul POTTER (1625-1654)
Handcoloured etching
(Belgian 1842 - 1890)
Head of a Gypsy
Etching
(Groningen 1831 - 1915 La Haye)
In the sea
etching and drypoint
(Groningen 1831 - 1915 La Haye)
The ships arrival
Drypoint
(Groningen 1831 - 1915 La Haye)
Seagull's flight
etching and drypoint
(Groningen 1831 - 1915 La Haye)
Ship stuck in the ice
etching and drypoint
(Groningen 1831 - 1915 La Haye)
Ships at the sunrise
etching and drypoint
(Groningen 1831 - 1915 La Haye)
The waves
etching and drypoint
(Groningen 1831 - 1915 La Haye)
Fishing trip
Drypoint
(Belgian 1771 - 1836)
Achille
Etching
(Anvers 1848 - 1903)
The harbor of Antwerp
Original etching
(1853 - 1922)
Swiss school
MARE AND FOAL
Lithograph on Chine laid on wove paper, signed and dated in the stone, signed in pencil in the margin
(1866 - 1922)
A canal in Ghent
Etching
(1905 - 1993)
Eduard Mörike
Lithograph
(1870 - 1945)
L'aquafortiste au travail
Etching
(active c. 1925)
[Snowy landscape]
Etching and aquatint, impression in blue
(1870 - 1944)
Waldarbeit
Etching in brown
(Dresden 1871 - 1950 Bad Reichenhall)
In Sturm und Regen
Aquatint
(Köln 1881 - 1908 Oetzsch)
Frühling
Drypoint
(1866 - 1930)
Birds of prey
Lithographe
(1886 - 1974)
[Sailing ship in a harbour]
Etching
(Leipzig 1896 - 1930)
Nu assis
Etching and drypoint
(1881 - 1962)
Small boats moored along the riverbank
Etching and aquatint in colors
(1881 - 1962)
The Barclay-Vesey Building, Manhattan
Etching and aquatint in colors
(Germany 1939 - 1987)
Walken landschaft
Aquatint, impression in two tones
(Cassel 1872 - 1952 Genoa)
Frigate in the Harbor
Etching and aquatint
(german 1871 - 1954)
Fra cielo e mar
Woodcut in colors
(German 1871 - 1954)
Sunset in Venice
Woodcut in colors
(German 1871 - 1954)
Sailor in Venice
Woodcut in colors
(1896-1968)
Landscape with a church
Etching
(1735 - 1808)
Still life with Paprika
Aquatint
(1872 - 1936)
Selfportrait
Lithograph
(Dutch 1878 - 1961)
Harbor city
Etching
(Dutch 1878 - 1961)
Rotterdam
Etching
(Dutch 1878 - 1961)
Steamboats
Etching
(1500 - 1550)
Three soldiers with a dog
Etching
(1494/1500 - 1569)
Adam
Engraving
(1566 – 1628)
The Death of the Shunemmite Woman's Son
after Marten de Vos (1532 – 1603)
Engraving
(1566 – 1628)
Elisha Welcomed into the House of the Shunemmite Woman and Given a Room There
after Marten de Vos (1532 – 1603)
Engraving
(1566 – 1628)
The Shunemmite Woman Goes to Find Elisha
after Marten de Vos (1532 – 1603)
Engraving
(1783 - 1821)
Saint Eustace, Plate from Six Penitent Saints
After Girolamo MUZIANO (1528/1532 - 1592)
Engraving
(1783 - 1821)
The triump of Riches : Opulentia
After Maarten Jacobsz VAN HEEMSKERCK (1498-1574)
Engraving
(1783 - 1821)
Triumphal chariot : Invidia
After Maarten Jacobsz VAN HEEMSKERCK (1498-1574)
Engraving
(1783 - 1821)
The triumphe of Pride : Superbia
After Maarten Jacobsz VAN HEEMSKERCK (1498-1574)
Engraving
(1533 - 1578)
The Adoration of the Trinity
after Titian (1489/90 - 1576)
Engraving
(1471-1528)
Hercules and Cacus
Woodcut
(1523 - 1605)
Danus
Engraving
(1537 - 1612)
The Last Judgement
after Marteen van Heemskerck (1498 - 1574)
Engraving
(1558 - 1617)
Horatius Cocles
Engraving
(1558-1617)
Summer
Engraving
(Duffel 1573 - vers 1649)
Judicium Christi (Justice of Christ)
The woman caught in adultery (St John's gospel chapter 8)
after Karel I VAN MANDER (1548-1606)
Engraving
(1500? - 1563?)
Portrait of Sixtus IV (1414 - 1484)
Etching
(1565 - 1639)
Autumn (Bacchus)
after Maarten DE VOS (1532 -1603)
engraving
(c. 1494 - 1533)
The Faith
Engraving
(c. 1494 - 1533)
The Charity
Engraving
(Active between 1481 - 1497)
James the Greater
after Martin Schongauer (1450?-1491)
Engraving
(active 1530 - 1560)
Aeneas and Anchises running away from Troy
after Raphael (1483 - 1520)
Engraving
(1562 - 1621)
Soldier holding a lance
after Paulus Maÿr (1595 - 1625)
Engraving
(1562 - 1621)
Soldier reloading his rifle
after Paulus Maÿr (1595 - 1625)
Engraving
(1726-1801)
Les effets de la sensibilité sur les quatre différens tempéramens / Non omnes pariter tanta infortunia terrent
Four characters are watching the Chodowiecki's painting Les Adieux de Calas à sa famille
etching
(1743 - 1822)
Sakespeare / King Lea act I. scene I
after Heinrich II Füssli (1755-1829)
Handcoloured stipple engraving and etching
(1607 - 1677)
Diversité d'Animaux de Fleurs de Fruits et d'Insectes [...]
Etching
(1741 - 1797)
St John the Baptist
after Guido Reni (1575 - 1642)
Etching and engraving
(1857 - 1934)
Ships on the harbour
Etching
(Paris 1881 - 1962 Châtillon-sous-Bagneux)
Woman in a britain interior
Woodcut, impression in colours
(1802 - 1877)
Walker
Lithograph
(19th century)
The happy engagment
Chromolithograph
(1865 - 1922)
Head of young woman
Lithograph in colors
(Swiss 1852 - 1922)
LA RUE SAINT JULIEN LE PAUVRE
Etching
(Swiss 1852 - 1922)
SAINT-JULIEN-LE-PAUVRE
Etching
(Swiss 1852 - 1922)
LA COUR DE SAINT-JULIEN-LE-PAUVRE
Etching
(Swiss 1852 - 1922)
LE CHEVAL DU CHARBONNIER
Etching
(Swiss 1852 - 1922)
DIRT TRACK, ON THE EVENING
Etching
(Swiss 1852 - 1922)
THE COALMAN'S HORSE
Etching on pearly laid paper, signed and dated in the plate, signed in pencil in the margin
(1838-1874)
Kabyle mort
etching
(1746 - 1828)
El diestrísimo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skilful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body)
Etching and aquatint
(1746 - 1828)
Que Guerrero ! (Quel guerrier)
Etching and aquatint
(Second half of the XIXth century)
Oriental harbor
Etching
(1876 - 1938)
[Ships on the Thames]
etching
(1876 - 1938)
Mill
etching
(1876 - 1938)
Cargo
etching
(1876 - 1938)
Jack
Drypoint
(1853-1922)
Head of Lion
Etching
(American 1837 - 1911)
Sail boats in the moonlight.
Etching
(1876 - 1938)
Boats in the port
Etching and aquatint
(1864 - 1949)
Palace of the Doges
Aquatint in colors
(Armenia 1864 - Paris 1949)
Boats in the sunset
Aquatint in colors
(1892 - 1960)
In the Claddagh, Galway
Etching
(XXth)
Chicago
Lithograph
(Swiss 1930 - 2000)
COMPOSITION
Woodcut and embossing in colours
(Odessa 1887 - 1971 Paris)
Flamenco dancer
Woodcut
(1891 - 1980)
Bird and butterflies
Mezzotint
(1884 - 1967)
FLEUR DE GRENADE
Etching and aquatint, impression in colours
(Swiss, 1884 - 1967)
Cléopâtre ; Didon
2 etchings and aquatints in colours
(Swiss 1884 - 1967)
GYPSIES
Etching and aquatint, impression in colours
(Suisse 1929 - 2011)
UNTITLED
Woodcut
(1876 - 1938)
Le port de Boulogne-sur-mer
Etching
(Spanish 1893 - 1983)
Exposition d'oeuvres récentes, Galerie Maeght 1953
Lithograph in colours
(Swiss 1913 - 1985)
Les chevaux récalcitrants
Etching and aquatint
(1866 - 1925)
Project drawing for the Harper's magazine in January 1899
Lithograph
(1875 - 1946)
POPLARS
Woodcut
(1875 - 1946)
Rue de l'Ile
Soft-ground etching
(Plainpalais, Swiss 1862 - 1931)
[Squirrels on a branch]
Aquatint, impression in colours.
(1862 - 1931)
Les Meules
Etching and aquatint in colors
(1884 - c.1934)
RESTING WOMAN
Etching and drypoint
(1884 - c.1934)
THE SMILING WOMAN
Etching and drypoint
(1884 - c.1934)
THE REST
Etching and drypoint
(1707 - 1783)
Sophia Laughs
after Anton Hickel (1745 - 1798)
Stipple engraving
(1724 - 1793)
Molly Milton, the Pretty Oyster Woman
Mezzotint enhanced in colors
(1749 - 1815)
And thou, divine Linnaeus, traced my reign ...
after Philip Reinagle (1749 - 1833)
Stipple printed in colours
(1749 - 1815)
Andromache weeping over the ashes of Hector
after Angelica Kauffman (1741-1807)
Mezzotint
(ca. 1744 - 1819)
Beer street
After William HOGARTH (1697 - 1764)
Copper engraving and etching
(1652 - 1743)
Miss Fordyce
after Joshua REYNOLDS (1723 - 1792)
Mezzotint
(1652 - 1743)
[A full moon light]
Mezzotint
(1737 - 1799)
The folly of 1771
after Brandon
Etching
(1744 - 1811)
Joseph's Brethren Bringing him Presents
after Giovanni Francesco Barbieri called Guercino (1591 - 1666)
Mezzotint
(1743 - 1822)
Parnassus with Minerva visiting the Muses
after Claude Gellée called Le Lorrain (1600 - 1682)
Etching and aquatint
(Angleterre 1743 - 1822)
Orpheus
After Giovanni Benedetto CASTIGLIONE (1609 - 1664)
Mezzotint
(1743 - 1822)
The interview of Augustus and Cleopatra
after Anton Raphael Mengs (1728 - 1779)
Mezzotint
(1743 - 1822)
A Grey-hound's head
after Thomas WIJCK (1616/24 - 1677) and Joseph FARINGTON (1747 - 1821)
Mezzotint with stipple and etching
(1743 - 1822)
A fruit market
after Frans Snyders (1579 - 1657) and Jan Boeckhorst (vers 1604 - 1668)
Mezzotint
(1743 - 1822)
A flower piece
Mezzotint with stipple and etching
(1743 - 1822)
Agrippina lands at Brundusium with the ashes of Germanicus
After Benjamin West (1738 - 1820)
Mezzotint
(1743 - 1822)
Landscape with satyr and nymph dancing
after Claude Gellée called Le Lorrain (1600 - 1682)
Etching and aquatint
(1743 - 1822)
Landscape with shepherds and livestock near a river
after Claude Gellée called Le Lorrain (1600 - 1682)
Etching and aquatint
(1743 - 1822)
Coast scene
after Claude Gellée called Le Lorrain (1600 - 1682)
Etching and aquatint
(1743 - 1822)
Venus Appearing to Aeneas as a Huntress
after Claude Gellée called Le Lorrain (1600 - 1682)
Etching and aquatint
"Astrologie"
Engraving
19th Century School
CLIFF
Etching
(1877-1962)
Houses
Color lithograph, signed and dated in the stone
(? - 1842)
The expiation of Orestes
after Richard Westall (1765 - 1836)
Stipple engraving
(1867 - 1956)
The Mountebank (Le Saltimbanque)
Etching in brown
SOLD
(1867 - 1956)
Old houses
Etching in brown
(1792 - 1878)
Traveling in France or Le départ de la diligence
Etching in colors
(1792 - 1878)
The rage or shepherds I have lost my waist
Etching handcolored
(1790 - 1848)
View of a village on fire at night
Mezzotint and etching
(1859-1941)
SCARBOROUGH
Aquatint in colors
[Night landscape]
Woodcut in colours
(1836-1919)
RICHMOND ON THE THAMES
Etching on laid paper 'B&C Blauw' (watermark visible)
Published by Cadart
(1857 - 1929)
Troyes, Church of St. John
Etching and drypoint
(1764 - 1836)
Echo
after Guy Head (1762 - 1800)
Engraving
(Active in the 19th century)
EPISODE DE L'HISTOIRE D'ECOSSE
Lithograph in colors
(1843-1929)
BEEST HEAD
Etching on laid paper 'D&C Blauw' (watermark visible), signed and date in the plate
Published by Cadart
(1843-1929)
POACHER
Etching
Published by Cadart
(active 1831 - 1835)
The Jews brought captive to Babylon
Mezzotint
(Haydon Bridge 1789 - 1854 Île de Man)
The Deluge
Mezzotint
(Haydon Bridge 1789 - 1854 Île de Man)
Joshua commanding the sun to stand still
Mezzotint
(1874/77 - 1936)
City on an hill
Etching
(England 1809 - 1870)
Trouble ahead
Lithograph in colours
(England 1809 - 1870)
[Woman and Dog approaching a Windmill]
Photolithograph
(1881 - 1966)
Westminster
Etching
(1857 - 1935)
Place nationale in Dieppe
Lithograph
(1874 – 1943)
Burgos cathedral
Drypoint
(1874 – 1943)
EDFU TEMPLE
Etchig and aquatint on wove paper, signed and numbered in pencil
(Isleworth 1891 - 1972)
The Gentleman Farmer
Woodcut
Character with a crane
Watercolour on paper
(middle of the 19th century)
Ceremony
Watercolour on rice paper
Flowers in a basket
Watercolour on paper
The flight
Watercolour on rice paper
The flight
Watercolour on fabrik laid on board
(1893 - 1978)
Pesant farmers #1
Watercolour
(1893 - 1978)
Pesant farmers #6
Watercolour
Kâma-Sûtra's scene
gouache with golden brushstrokes
Two lovers
gouache with golden brushstrokes
Ceremony with lotus
gouache with golden brushstrokes
Kâma-Sûtra's scene
gouache with golden brushstrokes
Interior scene
Gouache on paper
(actif 1768 - 1801)
Mappe-Monde [...]
Handcoloured etching
( Middle of 19 century)
Montevideo
Wood engraving with gouache
(1814/15 - 1896)
View of New York and Brooklyn
Lithograph in colours
(1801 - 1850) and (1810 - 1871)
Entrée des forêts de la rivière Sedger
After Louis LEBRETON (1818 - 1866)
Liithograph in colors with arabic gum
(1802 - 1828)
Entrée de la rade de Rio-Janeiro
After Johann Moritz RUGENDAS (1802 – 1858)
Lithograph
(Active in the beginning of the XIXth century)
Easter Island
Aquatint handcoloured
(Chaumont 1767 - Créteil 1832)
Drawing by Nicolas Marie OZANNE (Brest 1728 - Paris 1811)
"View from the River"
Etching and engraving
(Chaumont 1767 - Créteil 1832)
Drawing by Nicolas Marie OZANNE (Brest 1728 - Paris 1811)
"Saint Domingue Island"
Etching and engraving
(1819 - 1898)
The city of Louisville
after Asa Coolidge Warren (1819 - 1904)
Lithograph handcoloured
(1819 - 1898)
Golden gate
after James David Smillie (1833 - 1909)
Lithograph handcoloured
(1826 - 1889)
Interior of Iturbide theatre
Liithograph, impression in two tones
Castro (1826 - 1889) and Campillo (actif au XIXe siècle)
Dresses of Mexican
Liithograph, impression in two tones
Castro (1826 - 1889) and Campillo (actif au XIXe siècle)
Road from Tacubaya to Chapultepec.
Liithograph, impression in two tones
(Middle of 18th Century)
New-Yorck
Etching handcoloured
(Middle of 18th Century)
Vue perpective de la descente des Francois à l'Isle de terre Neuve du côté de St jean à l'Occidnent
Etching handcoloured
(Middle of 18th Century)
Le débarquement des Francois pour l'Etablissement de la Nouvelle colonie dans le Port de la Nouvelle Cayenne ou la France Equinoxialle
Etching handcoloured
(1813 - 1890) and (1813 - c. 1880)
Rio de Janeiro, a Prainha
Lithograph
(1813 - 1890) and (1813 - c. 1880)
Rio de Janeiro, as Praïas santa Luzia a Gloria
Lithograph
(active at the end of the 18th century)
A woman of Oonalshka
After John Webber (1751-1793)
Etching
(1797 - 1886)
Wall street
after Augustus Köllner (1813 - 1906)
Handcoloured lithograph
(XXth)
Chicago
Lithograph
(Active in the XXth century)
Port-au-Prince
(1810 - 1871)
Intérieur d'une case d'esquimaux à Frederikshaab. [Groënland]
after CORNULIER
Lithograph handcoloured
(1810 - 1871)
Bords du Lagarfliot (Islande)
after Auguste MAYER (1805 - 1890)
Lithograph handcoloured
(1810 - 1871)
Case Laponne sur l'île Seiland, en Finmark [Norvège]
after Auguste MAYER (1805 - 1890)
Lithograph handcoloured
(1810 - 1871)
Fishing establishment (Island)
after Auguste MAYER (1805 - 1890)
Lithograph handcoloured
(1810 - 1871)
Hvítá, near Skálholt (Island)
after Auguste MAYER (1805 - 1890)
Lithograph handcoloured
(1801 - 1850) and (1810 - 1871)
Dykes near Djúpivogur (Island)
after Auguste MAYER (1805 - 1890)
Lithograph handcoloured
(1801 - 1850) and (1810 - 1871)
Olafsvik (Island)
after Robert
Lithograph handcoloured
(17.. - 17..)
Vue perspective du château et du jardin du Roy de Danemark à Copenhague
after Alexandre ROSLIN (1718 - 1793)
Handcoloured etching
(1783 - 1853)
Herkules-loge I Rosenborg have. [Copenhagen]
after C. F. Harsdorff and Gerhard Ludwig LAHDE (1765 - 1833)
Aquatint
(1729 - 1802)
Peasant from Finland
Etching handcoloured
(1809 - 1877)
Barr, near Diupagur (Island)
after Auguste MAYER (1805 - 1890)
Lithograph handcoloured
(1810 - 1876)
Bridge of Ouguedal, road to Christiania to Drontheim (Norway)
after Auguste MAYER (1805 - 1890)
Lithograph handcoloured
(1810 - 1876)
Fishermen Establishment in Reykiavik (Island)
after Auguste MAYER (1805 - 1890)
Lithograph handcoloured
(1810 - 1876) and (1810 - 1871)
Laugarnes, near Reykiavik (Island)
after Auguste MAYER (1805 - 1890)
Lithograph handcoloured
(1801 - 1844)
Rosenborg palace [Copenhague]
Handcoloured lithograph
(1798 - 1874) and (1810 - 1871)
Fishing spot of salmons in Arholmar, near Reykiavik (Island)
after Auguste MAYER (1805 - 1890)
Lithograph handcoloured
(1798 - 1874) and (1810 - 1871)
Small waterfall of Selialands Foss (Island)
after Auguste MAYER (1805 - 1890)
Lithograph handcoloured
(? - 1887) and (1810 - 1871)
Grande cascade de Selialands Foss. (Islande)
after Auguste MAYER (1805 - 1890)
Lithograph handcoloured
(? - 1887) and (1810 - 1871)
Intérieur de la grotte de Surtshellir (Islande)
after Auguste MAYER (1805 - 1890)
Lithograph handcoloured
(1874/77 - 1936)
Antwerp cathedral
Etching
(French school, middle of 19 century)
Maison du Roi à Bruxelles
Lithograph
(1702 - 1760)
Lyege, city of the Seigneury and the Diocese of the same name
Etching handcoloured
(1866 - 1922)
A canal in Ghent
Etching
(Active near 1750 - 1785)
Vue du Palais Royal à Bruxelles
Handcoloured etching
(Active near 1750 - 1785)
VUE DES ENVIRONS DE LEYDEN
Vue perspective des environs de Leyden en Hollande
Handcoloured etching
(1759 - 1829)
View of the Royal Square in Brussels
Etching handcoloured
(1803 - 1874)
Belfry, Gand [Ghent]
Chromolithograph
(1803 - 1874)
Byloke, Ghent
Chromolithograph
(1803 - 1874)
Fish market in Antwerp
Elderly's hospice in Gand
Chromolithograph
( Active middle of 19 century)
Vue prise hors de la porte de Haarlem
Lithograph
(1819 - 1874)
CHEMIN DE FER DE MONS A MANAGE, Station de la Louvière
Lithography
(18th century)
VUE D'AMSTERDAM
Vue perspective du fossé des seigneurs de la rue des Miroirs vers le Fossé de Leyde d'Amsterdam
Etching handcoloured
(1668 - 1731)
DE WEESEPER POORT
Engraving
(1668 - 1731)
D'AMSTEL SLUYS EN BRUGH
Engraving and etching
(1797 - 1851)
View of the Great Square and the Hôtel de ville of Anvers
Lithography
(19th century)
[View with three people in front of a river]
Watercolour
(1814 - 1871)
After Wynantz
Rokin à Amsterdam
Lithograph
(1820 - 1873)
Hôtel de Ville à Bruges
Original lithograph
(1820 - 1873)
Interior of the Law Court
Lithograph
(1478 - 1551)
Vlissinghe Dlant van Walcheren (Vlissingen)
Copper engraving
(1533 - 1588)
URBIS CAMPENSIS, AD ISALAM FLUVIUM, ICON
Handcoloured engraving
(1804 - 1889)
Dinant (Belgium)
Lithography
(1730-1805)
Vue de la Place de Grosnevor à Londres
Etching handcoloured
(Middle of 19th Century)
Liverpool
Drawing
(Active near 1750 - 1785)
Vue de la place et de la colonne Nelson à Édimbourg
Handcoloured etching
(1690 - 1748)
Vue de l'Édifice de l'Observatoire et du Collège des Jésuites
Etching handcoloured
(Active 1750-1785)
Vue de Londres, prise de la Tamise
Copperplate in color of time
(1867 - 1931)
Lambeth bridge
Etching and aquatint
(1813 - c. 1880)
Canterbury cathedral
Lithograph handcoloured
(active XVIII - XIX)
Billingsgate Market
after Thomas ROWLANDSON & Augustus Charles PUGIN
Etching and aquatint handcoloured
(1802 - 1828)
View of Edinburgh from St Anthony chapel
after François Alexandre Pernot (1793 - 1865)
Lithograph
(1802 - 1828)
View of Edinburgh from Calton-hill
after François Alexandre Pernot (1793 - 1865)
Lithograph
(1727-1794)
Britannic islands with the kingdom of England, Scotland and Ireland
Handcoloured etching
(circa 1743 - 1803)
Map of the United Kingdom
Handcoloured etching
(Middle of 18th Century)
Vue et perspective d'un Jardin du Roy d'Angleterre aux environs de Londres
Etching handcoloured
(1688 - 1776)
Edinburgh
Etching handcoloured
(Middle of 18th Century)
Vue Intérieure de la Bourse Royale à Londres
Etching handcoloured
(Middle of 18th Century)
Le Choeur de la Cathédrale de St Paul de Londres
Etching handcoloured
Publisher and dealer (active between 1740-1775)
Daumont, 89e Vuë Intérieure de la Bourse Royale à Londres
Etching handcoloured
(Middle of 18th Century)
View of London
Etching handcoloured
(c. 1575)
Edenburg. Edenburgum, Scotiae Metropolis
Handcoloured engraving
(1808 - 1893)
Westonbirt house
Chromolithograph
(1808 - 1893)
Trafalgar house
Chromolithograph
(1808 - 1893)
Brantingham-thorpe
Chromolithograph
(1808 - 1893)
Cobham hall
Chromolithograph
(1808 - 1893)
Coughton court
Chromolithograph
(1702 - 1760)
Dresde, city of Misnie's Marquisate upon the Elbe river
Etching handcoloured
(18.. - 18..) and (1801 - 1850)
Palais d'Othon Henry au château d'Heidelberg
after CHAPUY
Lithograph, impression in two tones
(Active near 1750 - 1785)
Perspective view of the Visendic palace and the famous Academy of Painting and Sculpture builded by Caesar
Etching handcoloured
(1810 - 1871) and (1810 - 1864)
Église Notre Dame et belle fontaine à Nuremberg
Lithograph, impression in two tones
(1801 - 1850)
Drawn by Theodor Verhas (1811-1872)
De la Terrasse du Château de Heidelberg
Lithograph
(18th century)
Façade de l'Église de St Laurent à Nuremberg
Etching handcoloured
(1732 - 1786)
Vuë perspective de la Ville de Dresde
Etching handcoloured
(18th century)
L'Hotel des Ambassadeurs à Vienne en Autriche
Etching handcoloured
(1688 - 1776)
Augsburg
Etching handcoloured
(1813-1890)
Drawn by Chapuy
Stolzenfels von der Secte
Lithograph
(1682 - 1738)
Prospectus Fori Piscarii Herbipolitani
after Salomon KLEINER (1700 - 1761)
Etching handcoloured
(1682 - 1738)
On the corner of the streets Singerstraße and Seilerstätte in Wien
after Salomon KLEINER (1700 - 1761)
Etching handcoloured
(1683 - 1738)
Fori Lubek (Wien)
after Salomon KLEINER (1700/03 - 1761)
Etching and engraving
(1683 - 1738)
Ballhausplatz
after Salomon KLEINER (1700/03 - 1761)
Etching and engraving
(1683 - 1738)
The church and monastery of Saint Ursula
after Salomon KLEINER (1700/03 - 1761)
Etching and engraving
(1683 - 1738)
Jesuit monastery with observatory tower, Dominican church on the left
after Salomon KLEINER (1700/03 - 1761)
Etching and engraving
(1683 - 1738)
Judenplatz
after Salomon KLEINER (1700/03 - 1761)
Etching and engraving
(1683 - 1738)
Neupauer-Breuner palace
after Salomon KLEINER (1700/03 - 1761)
Etching and engraving
Publisher and dealer (active between 1740-1775)
Vue perspective de la Ville de Berlin capital du Royaume de Prusse
Etching handcoloured
(Active c. 1740 - 1775)
Le Palais de César dans le Faubourg à Vienne appellé Favorita
Handcolored etching
(1804 - 1868)
Interior of the basilica of Munich
after Nicolas Chapuy (1790 - 1858)
Lithography in two colors
(1723 - 1796)
Aqueduc dans le Jardin Elect. de Schwetzingen
Aquatint, impression in brown
(1723 - 1786)
Oberhasli valley
Outline etching handcoloured
(1723 - 1786)
View from castle of Thoun
Etching handcoloured
(1723 - 1786)
City and lake of Brienz
Etching handcoloured
(Middle of the XIXth century)
Geneva 7th of October 1846, attack of the Saint Gervais district by the governmentals troops
Lithograph
(Active near 1750 - 1785)
Perspective view of the city of Basel in Switzerland from Saint Alban neighbourhood
Etching handcoloured
(Second half of the XIXth century)
Geneva
Lithograph
(17? - 17?)
Ober-Gletscher or glacier in the Grindelwald valley
After Alexandre-Charles Besson (1725 - 1809)
Etching
(1767 - 1841)
View of the city of Thun
Lithograph
(16? - 17?)
Old map of Switzerland with abbreviated remarks on various events and revolutions
Etching
(1710 - 1771)
IIE vue de la grande glacière au Grindelwald. Canton de Berne.
after Jean Jacques François LE BARBIER (1738 - 1826)
Etching
(15? - 1584)
Syon : with her two castle and the church cathedral called Valeria
Woodcut
(15? - 1584)
The city of Choures (Coire) which is the capital of the Rhétiens or Grisons like we call them
Woodcut
(15? - 1584)
The city of Bern as it is today in 1549
Woodcut
(Active circa 1840 - 1850)
Geneva - Jean-Jacques Rousseau island, Quai des Bergues and du Mont Blanc
Lithography in colors
(1750 - 1807?)
View of a part of mount Grimsel, in the county of Bern
After Jean Jacques François le Barbier (1738 - 1826)
Etching
(Active between 1740 - 1775)
Perspective view of the city of Geneva, from lake side
Handcoloured engraving
(19th century)
Woman of Meyringen (County of Bern)
after Armand Leleux (1818 - 1885)
Lithograph handcoloured
(1745 - 1807)
Vue de la ville d'Yverdun. Prise de la Prairie
after Jean Jacques François LE BARBIER (1738 - 1826)
Etching
(Abbeville 1745 - 1807 Paris)
View of the bridge of the devil (Uri canton in Switzerland)
after Jean-Jacques-François Le Barbier (1738 - 1826)
Etching
(1797 - 1886)
View of Thoune lake
after Guyot
Lithograph
(1760? - 1829?)
IInd view of a way to St. Gothard mount
after Claude-Louis Châtelet (1753 - 1795)
Etching
(1743 - 1806)
View of the Val-travers mountains
After Jean Jacques François le Barbier (1738 - 1826)
Etching
(active 1852 - 1866)
Evening. Back from hunting
Lithograph hancoloured
Vue du Staubbach. Canton de Berne.
Handcoloured lithograph
(1526 - 1613)
The Colosseum
Engraving
(1808 - 1871)
VEDUTA DEL CORTILE DI S.DAMASO AL VATICANO
(1801 - 1874)
FONTANA SULLA PIAZZA DI S.MARIA IN COFMEDIN
Etching
(1801 - 1874)
PONTE ELIO IN OGGI DETTO PONTE S.ANGELO
(1777? - 1831?)
VEDUTA DEL TEMPIO DI VENERE E ROMA DETTO DEL SOLE E DELLA LUNA
(1777? - 1831?)
VEDUTA DEL LATO MERIDIONALE DEL TEMPIO MINERVA MEDICA
Etching
(1777? - 1831?)
PALAZZO, PORTICO LATERALE ED OBELISCO LATERANENSE
Etching
(1777? - 1831?)
VEDUTA DELL'ARCO DI SETTIMIO SEVERO
(1777? - 1831?)
VEDUTA DELL'ARCO DI TITO
Etching
(1777? - 1831?)
VEDUTA DELLA BASILICA LIBERIANA
(1777? - 1831?)
VEDUTA INTERNA DELLA BASILICA LIBERIANA
(1777? - 1831?)
VEDUTA INTERNA DELLA BASILICA LATERANENSE
Etching
(1777? - 1831?)
VEDUTA DEL ARCO DI COSTANTINO
Etching
(1777? - 1831?)
AVANZI DELL ARCO DI DRUSO
(1777? - 1831?)
INTERNO DELLA BASILICA DI S PIETRO IN VATICANO FONDATA DA COSTANTINO MAGNO
(1777? - 1831?)
VEDUTA DI S PAOLO NELL ANTICO STATO
(1777? - 1831?)
VEDUTA DEL TEMPIO D'ERCOLE DETTO DI VESTA
Etching
(1777? - 1831?)
After Antonio Aquaroni (1801-1874)
PROSPETTO DELL'ARCO DI GIANO QUADRIFRONTE
(Viarmes 1718 - Rome 1762)
VEDUTA DELLA BASILICA DI S. PAOLO FUORI, plate from LES PLUS BEAUX EDIFICES DE ROME MODERNE
Printed by FREICENET (Active between 1761 and 1783)
Etching
(Viarmes 1718 - Rome 1762)
Chiese e Monasteri di S. Domenico e Sisto..., plate from LES PLUS BEAUX EDIFICES DE ROME MODERNE
Etching
(circa 1618 - 1678)
Façade of Santa Maria della Pace's church with Pope Alexander VII and his suite on the square
Etching
(1775-1855)
After Sigurani
LE DEDANS DE L'ÉGLISE ST MARC
PONTE SULLA LAGUNA
Lithograph hancoloured, arabic gum
(1728 - 1788)
Propizia e al pescator di luna il lume, planche de la série Six Capricci
After Antonio Canaletto (1697 - 1768)
Etching
(1716/1718 - 1796)
Bucentaurus et Nundinae Venetae in die Ascensionis
After Giovanni Antonio Canal, dit CANALETTO (1697 - 1768)
Etching
(1716/1718 - 1796)
Piazza San Marco
after Antonio Canaletto (1697 - 1768)
Etching
(1716/1718 - 1796)
Biblioteca Marciana
after Antonio Canaletto (1697 - 1768)
Etching
(1697-1768)
Santi Giovanni e Paolo, Venice
Etching
(circa 1810 - circa 1875)
Arsenal in Venice
Aquatint handcoloured
(1727 - 1791)
Élévation d'un Temple dédié Jupiter Serapis à Pouzzol près de Naples
after Hubert Robert (1733 - 1808)
Etching
(1804 - 1879)
Inside St Mark's Basilica
Lithograph handcolored
(1767 - 1855)
Inside Saint Mark's Basilica
Lithograph
After Philippe Benoist (1813-1905)
QUAI DES ESCLAVONS
Lithograph hancoloured, arabic gum
(active in the 19th century)
LAITIERES, VENISE
Handcoloured lithograph
(active in the 19th century)
PALAZZO GIOVANELLI ste Fosca
After Marco Moro (italian school, middle of the 19th century)
Lithograph hancoloured, arabic gum
(active in the middle of the 19th century)
PALAZZO LABIA a st Geremia
After Marco Moro (école italienne circa XIX)
Lithograph hancoloured, arabic gum
(active in the middle of the 19th century)
PALAZZO CORNER CA GRANDE ora J.R Delegazione
After Marco Moro (école italienne circa XIX)
Lithograph hancoloured, arabic gum
(active in the 19th century)
PALAZZO DARIO
After Marco Moro (école italienne circa XIX)
Lithograph hancoloured, arabic gum
(1626 - 1683)
[Gondolas in Venice]
after Johann Wilhelm BAUR (1607 - 1641)
Etching
(Paris 1707 - 1783)
Foire de Venise
After Charles PARROCEL (1688 - 1752)
Etching
(1710 - 1743)
Basilica San Marco and Piazza san Marco
Etching
(1817 - 1885)
Quai des esclavons
Hôtel royal Danieli
Lithograph hancoloured, arabic gum
(1817 - 1885)
Pont des Soupirs
Lithograph hancoloured, arabic gum
(1874/75 - 1935/36)
Giotto's tower in Firenze
Etching
(1726 - 1788)
and Carl Wilhelm Weisbrod (1743-1806)
Vue du Temple Exastile Periptere de Pestum près de Salernes à 20 lieues de Naples
After Hubert ROBERT (1733-1808)
(1726 - 1788)
and François Allix (1752?-1794)
Vue de la Ville de Taormina, prise en dehors et aux pieds de l'Avant Scene de son ancien Théâtre
After Claude-Louis Châtelet (1753-1795)
Etching
(1872 - 1958)
Couple on a balcony
Aquatint in colors
(1872 - 1958)
Couple on a small boat
Aquatint in colors
(1813 - v. 1880)
Modena, courtyard of the Ducal Palace
Lithograph
(1813 - v. 1880)
Florence
Lithograph handcolored
(1737-1831)
Vue prise à l'entrée des excavations faites dans les Thermes de Catane aux frais du prince de Biscaris
After Louis-Jean Desprez (1743-1804)
Etching
(Guiscard 1767 - 1841 Passy)
VUE D'UN ANCIEN MONASTERE A ARPINO PRES ISOLA, ROYAUME DE NAPLES
Lithograph
(Italian school of 18 th Century)
Vue de l'intérieur du corridor de l'Amphithéatre de PouzzolLithograph
Etching
(Middle of 18th Century)
Vue de la Place du Dôme de Milan
Etching handcoloured
(1813 - 1890)
After Frédéric de Mercey (1805-1860)
Capri
Lithograph
(1813 - 1890)
Lac de Tresimène
after Frédéric Bourgeois de Mercey (1803 - 1860)
Lithograph
(1813 - 1890)
Amalfi
after Frédéric Bourgeois de Mercey (1803 - 1860)
Lithograph
(1813 - 1890)
Nisida
after Frédéric Bourgeois de Mercey (1803 - 1860)
Lithograph
(1813 - 1890)
Capuchin Covent in Amalfi
after Frédéric Bourgeois de Mercey (1803 - 1860)
Lithograph
(1761- 1809)
Vue générale de la ville et du Port de Termini // avec l'aspect d'une partie des Montagnes...
after CHATELET
Etching
(Active in the middle of the 19th century)
SIENNE, PLACE DU CAMPO
After Nicolas Chapuy (1790-1858)
Lithography (2 colors)
(1752 - 1794)
View of the port of Carthagena
after Noël Hallé (1711 - 1781)
Etching and engraving
(1752 - 1794)
View of the port of Cadix
after Noël Hallé (1711 - 1781)
Etching and engraving
(1788-1865)
After GP de Villa Amil Dibujo
Capilla Muzarabée de la Catédral de Cordoba. Chappelle Muzarabé dans la Cathédrale de Cordoue
Lithograph hancoloured, arabic gum
(1808 - 1889)
After GP de Villa-Amil Dibuyo
Palais du Parc de L'Infantado
Lithograph hancoloured, arabic gum
(1808 - 1889)
View of the foutain of Cisne, in Aranjuez
after Fernando Brambilla (1763 - 1834)
Lithograph hancoloured
(1808 - 1889) and (1810 - 1871)
After GP de Villa-Amil Dibuyo
Interior de la Capilla de S Isidro. Intérieur de la Chapelle de St Isidro dans la paroisse de St André à Madrid
Lithograph hancoloured, arabic gum
(1801-1866)
Una Corrida de Toros.
Lithograph hancoloured, arabic gum
At the biginning of century XIX
Ballad singers in the place of Rocio plate n°39
Aquatint
(At the biginning of century XIX)
A Woman selling bread in the Place St Paul, plate N°41
Aquatint
(At the biginning of century XIX)
The Mendiant Friar, plate n°43
Aquatint
(At the biginning of century XIX)
The Bénéficiary, plate n°44
Aquatint
(At the biginning of century XIX)
A Female peasant from the neigbourghood of Caldas da Rainha, plate n°49
Aquatint
(At the biginning of century XIX)
A woman going to Market, plate n°49
Aquatint
(At the biginning of century XIX)
A Peasant girl leading a waggong, plate n°50
Aquatint
(At the biginning of century XIX)
The Rosary or the Lithanies, plate n°51
Aquatint
(At the biginning of century XIX)
Females going to church or visiting, plate n°7
Aquatint
(At the biginning of century XIX)
A lady of Coimbra in Mantilla, plate n°10
Aquatint
(At the biginning of century XIX)
A countryman in the environs of Lisbon, plate n°8
Aquatint
(At the biginning of century XIX)
A sick woman going to the Hospital, plate n°13
Aquatint
(At the biginning of century XIX)
A Peasant of the neigbourhood of Mafra, plate n°10
Aquatint
(At the biginning of century XIX)
A pretty beauf, plate n°17
Aquatint
(At the biginning of century XIX)
The street porter, plate n°19
Aquatint
(At the biginning of century XIX)
The French Capucin, plate n°31
Aquatint
(At the biginning of century XIX)
The Blind man, plate n°29
Aquatint
(Active near 1750 - 1785)
Perspective view of the Place des Peintres called Perlach from the lower town in Prague
Etching handcoloured
(1673 - 1721)
Stanislas, 1er Roy de Pologne fut couronné par l'Archeveque de Léopol le 2 Octobre 1705
(1673 - 1721)
Auguste Roy de Pologne et Electeur de saxe, élu le 27 Août 1697
Etching handcoloured with rehaut gold
(1755 - 1832)
Cossacks at the Bivouac
Aquatint enhanced in colors
(1684 - 1756)
Pandour, hungarian foot-soldiers
Etching
(1810 - 1893)
Cossack girl of Tcherrlennaia
Lithograph
(XIXth)
Fishing on the river Theiss
Lithograph in colors
(XIX)
After Garnerey
Montagnes Russes d'été à Varsovie
Etching handcoloured
(17? - 18?)
Farmers of Hanac in Bohemia
after Jacques Grasset de Saint-Sauveur (1757 - 1810)
Etching handcoloured
(1781 - 1857)
Femme de Pola petite ville de l'Istrie, plate from Costumes de différentes nations
Lithograph in colours
(1781 - 1857)
Femme de Spolatro, ville de la Dalmatie en habit de fête, plate from Costumes de différentes nations
Lithograph in colours
(1723 - 1807)
View of a garden, of the Tartars' Kan in Topolova
after Louis Carmontelle (1717 - 1806)
Etching hancolored
(1593 - 1650)
Le jardin d'agrément de Schlaccowerdt
Engraving
(1745 - 1830)
Przemysl's election for the Czech king
Etching
(17? - 18?)
Hungarian woman ; Hungarian Man
Etching handcoloured
(1805 - 1856)
Pest
after Jacob Alt (1789 - 1872)
Lithograph
(1745 - 1800)
La Garde Noble Hongroise en Gala, à Pied
Etching handcoloured
(1819 - 1879)
Gulyas (shepherd) du comitat de Pesth
Etching
(1737 - 1831) and (1745 - 1807)
2nd view of the entrance and the interior of Malta harbour
Etching
(17? - 18?)
Turkey of Europe
Etching handcoloured
(1652 - 1728)
Rhodes
Etching and engraving
(1652 - 1728)
Rhodes
Etching and engraving
(Sotteville-lès-Rouen 1901 - 1988 Paris)
[View of Mykonos]
Engraving
(1745 - 1807)
View of a gate in Ephesus
after Auguste de Choiseul-Gouffier (1752 - 1817)
Etching
(1789-1837)
THE ACROPOLIS
View from the Mr. Fauvel French Consul's House
Lithograph handcoloured
(1789 - 1837)
Vasili Gouda : Aide de Camp de Marco Botzaris, Plate XXV from Voyage à Athènes et à Constantinople, ou Collection de portraits, de vues et de costumes grecs et ottomans
Lithograph
(1789 - 1837)
Un grec de Janina, Plate X from Voyage à Athènes et à Constantinople, ou Collection de portraits, de vues et de costumes grecs et ottomans
Lithograph
(1789 - 1837)
Un grec logothète de Livadie, Plate XV from Voyage à Athènes et à Constantinople, ou Collection de portraits, de vues et de costumes grecs et ottomans
Lithograph
(1809 - 1876)
Vue prise de l'ancienne Darse , at Rhodes, plate 5 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Face latérale du Palais des Grands-Maîtres (Rhodes), plate 24 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Porte St. Pierre (Rhodes), plate 10 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Maison et porte latérale de St. Jean faisant face au Palais des Grands-Maîtres (Rhodes), plate 25 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Fort saint Nicolas (Rhodes), plate 9 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Ruines d'une église (Rhodes), plate 27 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Aqueduc (Rhodes), plate37 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Restes d'une caserne (Rhodes), plate 19 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Rue des chevaliers at Rhodes, plate 15 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Entrée du château de Lindos at Rhodes, plate 40 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Porte de la façade du couvent ou quartier des chevaliers à Rhodes, plate 13 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Portion de la rue des chevaliers vers le milieu at Rhodes, plate 19 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Porte de Ste Catherine at Rhodes, plate 8 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Façade latérale de la cathédrale St Jean à Rhodes, plate 26 from "L'Orient"
Lithograph in colours
(XIX)
Vue d'un des Château d'Archangel en Russie
Etching handcoloured
(1782 - 1849)
Moskova battle, the 7th of September 1812
Etching
(1782 - 1849)
The entry of the French into Moscow
Etching
(1763 - 1827)
Vue de la perspective de Nevsky. (Saint Petersburg)
Aquatint in colours
(Active between 1740 - 1775)
Optic view representing the Great Square of St Petersburg
Handcoloured engraving
(1755 - 1832)
Cossacks at the Bivouac
Aquatint enhanced in colors
(1755 - 1832)
Soldiers of the russian and german Imperial guard
Aquatint enhanced in colors
(1797-1886)
Vue de la place des boutiques à Moscou
after Auguste J.-Bapt. A. CADOLLE (1782-1849)
Lithograph
Vue perspective des Bords de la Nera en descendant la Riviere entre le Palais d'hyver de sa Majesté Imperiale et les Batimens de l'Accademie des Sciences a Petersburg.
Etching and engraving
(1817)
Russian general
Lithograph
(1810 - 1893)
Cossack girl of Tcherrlennaia
Lithograph
(1773 - 1841)
Tartare, Courrier de la Porte Ottomane
after Manzoni
Etching handcoloured
(Active in the beginning of the 19th century)
Officiers et soldats russes
Handcoloured etching
(Échallens, Switzerland 1806 - 1880 Paris)
Vue d'une partie de Moscou et de ses environs
Prise à la suite de la Vue générale de cette ville
after Auguste CADOLLE (1782-1849)
Lithograph
(17? - 18?)
Baschkir woman ; Baschkir Man
after Jacques Grasset de Saint-Sauveur (1757 - 1810)
Etching handcoloured
(17? - 18?)
Kabardinienne ; Kabardinien
after Jacques Grasset de Saint-Sauveur (1757 - 1810)
Etching handcoloured
(17? - 18?)
Barabinze Woman ; Barabinze man
after Jacques Grasset de Saint-Sauveur (1757 - 1810)
Etching handcoloured
(1759 - 1849)
Tialiagi ou voituriers d'été
Lithograph
(1734 - 1781)
Fortune teller
Etching
(1734 - 1781)
Woman of the people
Etching
(1734 - 1781)
Halte de Calmouks
Wash drawing manner, printed in red
(1734 - 1781)
La Baraque Russe
Wash drawing manner, printed in red
(1734 - 1781)
Le Pont Russe
Wash drawing manner, printed in red
(1781 - 1857)
Femme russe de l'Ingrie, plate from Costumes de différentes nations
Lithograph in colours
(1801 - 1866)
The volcano Mascareigne taken from the Great burned Land
after Jean-Baptiste Bory de Saint-Vincent (1778 - 1846)
Etching
(XVIIIth century)
City of Loango
Etching and engraving
(XVII century)
Portrait of Hiempsal
Etching and engraving
(1814 - 1868)
St Louis chapel in Carthage
after Charles de Chassiron (1818 - 1871)
Lithograph in colors enhanced with watercolor
(1752 - 1820)
Philae island, pl. 12
Engraving
(1810 - 1871)
Main gate of the citadel Bâb El-A'zab (XIIIth century)
after Emile Prisse d'Avennes (1807 - 1879)
Handcoloured lithograph and highlights of arabic gum
(1876 - 1960)
The road turning at Ain Taya
Etching
(1826 - 1880)
Woman of Soudan : woman of Gorée island ; Mousgou chief, Hottentots
Lithograph hancolored
(1850 - 1913)
Sketches of in inhabitants of Chateaudun-du-Rhumel (Algeria)
Pen and brown ink
(1850 - 1913)
Seated women in Biskra
Pen and brown ink on pencil
(1652 - 1728)
View of Kairo
Etching and engraving
(1652 - 1728)
Clothing of Arabs and Jews in Cairo
Etching and engraving
(1652 - 1728)
The great Kairo
Etching and engraving
(1710- 1777)
View of the Cape of Good Hope
After William Hirst
Etching
(1796-1860)
Taken a daguerrotype of Bettinger
Lithographie hancoloured, arabic gum (very attractive color of time, rare)
(1705 - 1762)
Procession to the Snake temple
Etching
(1705 - 1762)
View of Rufisco
after Charles-Nicolas Cochin (1715 - 1790)
Etching handcoloured
(1705 - 1762)
View of the British and Dutch forts of Sukkondi
Etching handcoloured
(1813 - 1890) et (1810 - 1871)
Arrival of the sovereigns in Suez
Lithograph
(1750 - 1806)
Wedding of the Negers
After Amédée Fréret (active in the second half of the 18th century)
Etching handcoloured
(1750 - 1806)
Wedding of the Negroes
after Amédée Fréret (active in the second half of the 18th century)
Etching and stipple engraving
(1750 - 1806)
Religion of the Negroes
after Amédée Fréret (active in the second half of the 18th century)
Etching and stipple engraving
(1755 - 1805)
Sâys or groom
Watercolor lithograph
(1775 - 1863)
Aden
Lithograph
(1755 - 1803)
Egyptian Antiquities in the Vestibule of a Country House at Bulac, plate from "Views in Egypt, Palestine and Other Parts of the Ottoman Empire"
Aquatint handcoloured
(Middle XIX)
Libanon (Liban)
Lithograph, impression in colours
(1764 - 1846)
Thèbes. Memnonium
Coupe longitudinale du tombeau d'Osymandyas.
Plate from the Description de l'Égypte, ou Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française.
After Jean-Baptiste LEPÈRE (1761-1844)
engraving
(1642 - 1711)
Chrétien maronnite habitant au mont Liban
Etching and engraving
(1637 - 1718)
Princesse de Perse
Etching handcoloured with rehaut gold
(The Hague 1652 - 1726)
Alexandria
From the Voyage au Levant [...]
Etching
(1652 - 1728)
Caravan in Coraming village ; Bridge on the Kiesilosan river, Sargabrand village
Etching and engraving enhanced in colors
(1652 - 1728)
Sattalia (Antalya)
Etching and engraving
(1652 - 1728)
Palmyra alias Tadmor (Palmyre)
Etching and engraving
(1652 - 1728)
Tyrus (Tyr)
Etching and engraving
(1652 - 1728)
Rama (Rameh)
Etching and engraving
(1673 - 1721)
Mehmed Rizabeg
Etching
(1673 - 1721)
L'Audiance magnifique donnée par le Roy à l'Ambassadeur du Roy de Perse à Versaille le 19 février 1715
Etching
(1809 - 1876)
Palace of pacha of Bayahid
Lithograph handcoloured
(1809 - 1876)
Cheeristan near Isfahan
Lithograph handcoloured
(1809 - 1876)
View of Kazbïn
Lithograph handcoloured
(1809 - 1876)
View of Teheran
Lithograph handcoloured
(1809 - 1876)
View of khoûm (Persia)
Lithograph handcoloured
(1809 - 1876)
Nassr-Abad caravanserai, on the way to Isfahan
Lithograph handcoloured
(1809 - 1876)
Khouroud village, on the road from Teheran to Isfahan
Lithograph handcoloured
(1809 - 1876)
The Bosphorus by the Black Sea
Lithograph handcoloured
(1809 - 1876)
Courtyard of a mosque built on the ruins of a church
Lithograph handcoloured
(1809 - 1876)
Tekir-seraï
Lithograph handcoloured
(1768 - 1839)
Thèbes. Memnonium
ue du tombeau d'Osymandyas et d'une partie de la chaine lybique. Prise du nord-est.
Plate from the Description de l'Égypte, ou Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française.
After François-Charles CECILE (1766-1840)
etching
(Active in the first half of 19 th century at London)
Drawn by T. Allom
Close of the Atttack on Shapoo- The suburks on fire
Engraving on steel handcoloured
(XVIIIth century)
Asia
Etching and engraving
(Active 1750-1785)
Optic view of the Cochinchine
Copperplate in color of time
(1818-1879)
Carte de l'Isle de Cheu-Chan, de la province de Che-Kiang
Lithograph in colours
(1801-1850)
Drawn by Barthélémy Lauvergne (1805-1871)
French school, active in the first half of 20 th century)
French school, active in the first half of 20 th century)
French school, active in the first half of 20 th century)
French school, active in the first half of 20 th century)
La vierge de Ningpo" Croquis de Chine"
French school, active in the first half of 20 th century)
Examination-Hall à Nankin" Croquis de Chine"
French school, active in the first half of 20 th century)
Stupa " Croquis de Chine"
French school, active in the first half of 20 th century)
Stèle" Croquis de Chine"
French school, active in the first half of 20 th century)
Hâleurs de bateau " Croquis de Chine"
(1642 - 1711)
L'Asie
Etching and engraving
(Second half of the XVIIIth century)
Map of China
Etching handcoloured
(1823 - 1907)
Eene Inlansche School in de Kampong (Java)
Lithograph
(Active in the first half of 19 th century at London)
Drawn by T. Allom
Hurdwar, a place of Hindoo Pilgrimage
Engraving on steel handcoloured
(Active in the first half of 19 th century at London)
Drawn by T. Allom
King's fort - Boorhanpore
Engraving on steel handcoloured
(19th century)
[British officer and Indian sailors]
Watercolour
(XIXth century)
Milicia post (Tonkin)
Lithograph
(Active in the first half of 19 th century)
(Active in the first half of 19 th century)
(Active in the first half of 19 th century)
(Active in the first half of 19 th century)
(?-?)
After Louis Le Breton (1818-1866)
Pirogue des Naturels de l'Ile Toud (Détroit de Torrès) Plate 79 from "Voyage au Pôle sud et dans l'Océanie" de Durmont d'Urville, ordonné par le Roi de 1837 à 1840
Lithograph handcoloured
(1801 - 1866)
Costumes of papuan chiefs and papuans in New Guinea
After Louis-Auguste de Sainson (1800 - 1874)
Lithograph hancoloured
(1801 - 1866)
Mister Merkus, governor of Moluques giving Babi-Roussas to the Expedition of the Astrolabe
after Louis-Auguste de Sainson (1800 - 1874)
Lithograph in colors with gum Arabic
(1801 - 1866)
Civil and war costume of the inhabitants of Tongatabou
After Louis-Auguste de Sainson (1800 - 1874)
Lithograph hancoloured
(1801 - 1866)
Jervis Bay (New Holland)
after Louis-Auguste de Sainson (1800 - 1874)
Lithograph hancoloured
(1801 - 1866) and (1801 - ?)
Umata convent serving of hospital for the Astrolabe's sailors
after Louis-Auguste de Sainson (1800 - 1874)
Lithograph handcoloured with gum Arabic
(1788 - 1865)
Dorey's village, inhabitants are getting ready to fight
after Louis-Auguste de Sainson (1800 - 1874)
Lithograph handcoloured with gum Arabic
(1814 - 1868)
After Louis -Auguste de Sainson(1801-1887)
Célèbes et Java from "voyage de Dumont d'Urville dans le pôle Sud et l'Océanie"
Lithograph handcoloured
(1814 - 1868)
Pirogues of Viti and Vanikoco islands
after Louis-Auguste de Sainson (1800 - 1874)
Lithograph handcoloured with gum Arabic
(1727 - 1815)
A young woman of Otaheite, bringing a present
after John Webber (1751 - 1793)
Etching
(1810 - 1871)
After Ernest Goupil (?-1841)
Jeune Fille d'Apia (Ile Opoulou) Plate 84 from "Voyage au Pôle sud et dans l'Océanie" de Durmont d'Urville, ordonné par le Roi de 1837 à 1840
Lithograph handcoloured
(1810 - 1871)
After Marescot
Peha, chef du district d'Opoulou et le fils de Peha, Plate 80 from "Voyage au Pôle sud et dans l'Océanie" de Durmont d'Urville, ordonné par le Roi de 1837 à 1840
Lithograph handcoloured
(? - ?)
View of the Resolution's bay in the Marquesas Islands
Etching
(1734 - ?)
View of Anamooka
Engraving
(? - ?)
The Otahiti's fleet assembled in Oparee
Etching
(1790 - 1830)
Resolution Bay in the Marquesas
after William Hodges (1744 - 1797)
Aquatint handcoloured
(1805-1873)
After Louis Le Breton (1818-1866)
Aiguade d'Amboine preès de la mer, Plate 112 from "Voyage au Pôle sud et dans l'Océanie" de Durmont d'Urville, ordonné par le Roi de 1837 à 1840
Lithograph handcoloured
(1805-1873)
After Ernest Goupil (?-1841)
Intérieur de la Maison Publique d'Apia (Ile Opoulou), Plate 71 from "Voyage au Pôle sud et dans l'Océanie" de Durmont d'Urville, ordonné par le Roi de 1837 à 1840
Lithograph handcoloured
(1805-1873)
After Ernest Goupil (?-1841)
Temple des Esprits à Lebouka (Iles Viti), Plate 92 from "Voyage au Pôle sud et dans l'Océanie" de Durmont d'Urville, ordonné par le Roi de 1837 à 1840
Lithograph handcoloured
(1805-1873)
After Louis Le Breton (1818-1866)
Mosquée de Ternate (Iles Moluques), Plate from "voyage au Pôle sud et dans l'Océanie" de Durmont d'Urville, ordonné par le Roi de 1837 à 1840
Lithograph handcoloured
(1805-1873)
After Louis Le Breton (1818-1866)
Grotte sur le bord de la mer à Lebouka (Ile Viti) Plate 90 from "Voyage au Pôle sud et dans l'Océanie" de Durmont d'Urville, ordonné par le Roi de 1837 à 1840
Lithograph handcoloured
(1805-1873)
After Louis Le Breton (1818-1866)
Vue de l'Observatoire ( Ile Amboine ) Plate 110 from "voyage au Pôle sud et dans l'Océanie" de Durmont d'Urville, ordonné par le Roi de 1837 à 1840
Lithograph handcoloured
(1805-1873)
After Louis Le Breton (1818-1866)
Vue de l'Observatoire ( aux Iles Aükland) Plate 177 from "voyage au Pôle sud et dans l'Océanie" de Durmont d'Urville, ordonné par le Roi de 1837 à 1840
Lithograph handcoloured
(1805-1873)
After Louis Le Breton (1818-1866)
Grotte sur l'Ile Enderby (Iles Auckland), Plate 179 from "Voyage au Pôle sud et dans l'Océanie" de Durmont d'Urville, ordonné par le Roi de 1837 à 1840
Lithograph handcoloured
(1805 - 1890)
Gust of wind
After Louis Le Breton (1818-1866)
Liithograph in colors with arabic gum
Mayer (Brest 1805 - 1890) ; Sabatier (? - 1887)
Découverte de la terre Adélie le 19 janvier 1840. (Parages Antartiques)
After Louis LE BRETON (1818-1866)
Liithograph in colors with arabic gum
(Paris 1698 - 1772)
TETE TURQUE, plate from a set of six
After Charles Parrocel (1688 - 1752)
Etching
(Paris 1698 - 1772)
TETE TURQUE, plate from a set of six
After Charles Parrocel (1688 - 1752)
Etching
(Active 1750-1785)
Vue de la Place et de la Fontaine de Top-Hané
(16? - 17?)
Carnival of the turquish and Hussein party
Etching and engraving
(1773 - 1847)
Portrait of Passewandoglu
Mezzotint
(Active milieu XIX)
Constantinople, l'Amirauté (Embarcation de l'Amiral)
Lithograph in colours
(1652 - 1728)
Sattalia (Antalya)
Etching and engraving
(1652 - 1728)
Haselaar
Etching and engraving
(1749 - 1822)
View of the royal palace and mosque of Persia
Etching handcoloured
(1673 - 1721)
La Grande Sultane
(1673 - 1721)
Mehmed Rizabeg
Etching
(Gigors 1838 - Paris 1924)
After Charles de Tournemine (1812-1872)
Mamelucks
Lithograph handcoloured with arabic gum
(Active at the XVIIIth Century)
Le Portrait de l'Ambassadeur de Turquie Mehmet Effendy
Etching and engraving
(1700 - 1786)
Cavalcade of the Great Lord and the Mongolian Weight Party
after Louis Dubourg (1693 - 1775)
Etching and engraving
(1809 - 1876)
Petit champ des morts de Pera, Constantinople, plate 17 from "L'Orient"
Lithograph in colours
(1809 - 1876)
L'Obélisque de l'Hippodrôme (Constantinople), plate 26 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Murailles et cimetières de Galata, Constantinople, plate 16 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Détroit des Dardanelles, plate 46 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Kilitch Djiamissi ou Mosquée du Sabre à Eyoub (Constantinople), plate 35 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Murailles et Café de la Porte du Fanar (Constantinople), plate 28 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Fontaine du Champ des morts à Scutari, plate 43 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Mosquée de la Sultane validé à Scutari, plate 42 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Cafés près de la porte dite Top-Kapoy (Constantinople), plate 38 from "L'Orient"
Lithograph in colours
(1809 - 1876)
Murailles près de la Porte Dorée (Constantinople), plate 39 from "L'Orient"
Lithograph in colours
(1752 - 1820)
Philae island, pl. 12
Engraving
(1810 - 1871)
Main gate of the citadel Bâb El-A'zab (XIIIth century)
after Emile Prisse d'Avennes (1807 - 1879)
Handcoloured lithograph and highlights of arabic gum
(1652 - 1728)
View of Kairo
Etching and engraving
(1652 - 1728)
Clothing of Arabs and Jews in Cairo
Etching and engraving
(1652 - 1728)
The great Kairo
Etching and engraving
(1813 - 1890) et (1810 - 1871)
Arrival of the sovereigns in Suez
Lithograph
(1755 - 1805)
Sâys or groom
Watercolor lithograph
(1639 - 1689)
Pyramids of Egypt
Etching
(1836 - 1900)
A street in Kairo
Etching
(1836 - 1900)
A street in Boulac
Etching
(1836 - 1900)
A street in Souk-el-Selali in Kairo
Etching
(1836 - 1900)
The Nile (Lower Egypt)
Etching
(1836 - 1900)
A street in Kairo
Etching
(1836 - 1900)
Mosque of Saiedna el Halaii in Boulac
Etching
(1836 - 1900)
Somewhere in Kairo
Etching
(1836 - 1900)
Entrance of Okelle (in Kairo)
Etching
(1836 - 1900)
View of the port of Boulac
Etching
(1796-1860)
After Jean-Baptiste Coste (1746-1819)
Ruine d'une Mosquée dans le cimetière Saïd Enfisseh, plate from série " Architecture Arabe ou monuments du Kaire mesurés et dessinés de 1818 à 1825"
Watercolor lithograph
(1796-1860)
After Jean-Baptiste Coste (1746-1819)
Ruine d'une Mosquée dans le cimetière Saïd Enfisseh, plate from série " Architecture Arabe ou monuments du Kaire mesurés et dessinés de 1818 à 1825"
Watercolor lithograph
(1796-1860)
After Jean-Baptiste Coste (1746-1819)
Vue des Tombeaux de la Famille de Mohamed-Aly-Pacha dans le cimetière de l''Imam, plate from série " Architecture Arabe ou monuments du Kaire mesurés et dessinés de 1818 à 1825"
Watercolor lithograph
(1796-1860)
After Jean-Baptiste Coste (1746-1819)
Vue de la Fontaine et de l'école d'Jsmayl-Bey sur la rue Souo-el-Asr, plate from série " Architecture Arabe ou monuments du Kaire mesurés et dessinés de 1818 à 1825"
Watercolor lithograph
(1796-1860)
After Emile Edmond Ollivier (1800-1864)
Vue extérieure de la Mosquée Barrauk, plate from série " Architecture Arabe ou monuments du Kaire mesurés et dessinés de 1818 à 1825"
Watercolor lithograph
(1796-1860)
After Jean-Baptiste Coste (1746-1819)
Vue extérieure de la Mosquée Hassan et de la Place de Rouemyleh, plate from série " Architecture Arabe ou monuments du Kaire mesurés et dessinés de 1818 à 1825"
Watercolor lithograph
(1796 - 1860)
View of a small house on the El Khalyc canal outside the Bab-el-Charyeh entrance
after Pascal-Xavier Coste (1787 - 1879)
Watercolor lithograph
(19th century - after Friedrich Salathé 1793 - 1858)
General aspect of Paris, view from the Jardin des plantes
Etching, aquatint.
(1737 - 1831)
Vue perspective du pont projetté par le Sr. Perronet pour être construit sur la Seine
after Jean Louis Desprez (1743 - 1804)
Etching
(Saint-Maur-des-Fossés 1737 - Paris 1831) and (Paris 1747 - Paris 1819)
Vue intérieure de Paris prise du milieu du Pont-royal regardant le pont neuf /dédiée à Monseigneur Charles Alexandre de Calonne
After Chevalier Louis-Nicolas de Lespinasse (Pouilly-sur-Loire 1734 - Paris entre 1803 et 1808)
Etching
(1610 - 1664)
The perspective of the Pont Neuf of Paris
Etching and engraving
(active in the 18th century)
Plan en perspective de la ville de Paris telle qu'elle était sous le règne de Charles IX
etching
View of Paris from the countryside
Handcoloured etching
(Paris vers 1646 - Paris 1720)
Septième plan de la ville de Paris, son acroissement et ses embelissemens sous Henry IIII et Louis XIII depuis 1589 jusqu'en 1643 ... par M.L.C.D.L.M.
Handcoloured etching
(vers 1646 - 1720)
Huitième Plan de Paris divisé en ses Vingts Quartiers
Handcoloured etching
(1802 - 1880)
Le nouveau Paris
Panorama de tous ses monuments, jardins, promenades, pris sous un aspect nouveau
etching in colours with arabic gum
(Active in the 19th century)
Plan de la ville de Paris indiquant tous les nouveaux changements
Handcoloured etching
(1759 - ...)
Le plan routier de la ville et des faubourgs de Paris, divisé en douze municipalités
etching wit handcoloured lines
(1754 - 1829)
Le plan routier de la ville et des faubourgs de Paris, divisé en douze mairies
etching wit handcoloured lines
(1754 - 1829)
Map Paris
Etching handcouloured
(1796 - 1860)
View of Paris
after Jacques Dominique Gavard (1794 - 1871)
Lithograph handcouloured
(active in the 19th - 20th centuries)
Paris nouveau
lithograph in colours with arabic gum
(1756 ? - 1803)
Nouveau plan de Paris avec ses augmentations tant finies que projettées
Etching with handcouloured lines
(Saint-Mandé, 1968)
Balade au fil des toits, Paris
Aquatint
(Saint-Mandé, 1968)
Balade au fil des toits, Paris
Aquatint
(Paris, 1973)
In heaven as in Paris n°08 - In the shadow of the roof
Linocut
(Paris, 1973)
In heaven as in Paris n°17 - fluttering
Linocut
(Paris, 1973)
Workshop
Linocut
(Paris, 1973)
In heaven as in Paris n°12 - Flamboyance
Linocut
(1761- 1824)
CARREFOUR DE LA MADELEINE
Vue perspective de la Place Royal à Paris ou est posée la statue Equestre de Louis 13
Etching handcoloured, 18th century
(1659 - 1733)
"L'ARC DE TRIOMPHE", PL.32
Drawn by Perelle
Etching
(1659 - 1733)
"LA PORTE ST ANTHOINE", PL.25
Etching
(1659 - 1733)
"LA NOUVELLE PORTE ST HONORE, LE DÔME DES FILLES DE L'ASSOMPTION" PL.30
Drawn by Perelle
Etching
(1659 - 1733)
"LA PORTE DE LA CONFERENCE OU PORTE DES THUILLERIES", PL.27
Drawn by Perelle
Etching
(1659 - 1733)
"LA PORTE ST MARTIN", PL.29
Etching
(1814 - 1868)
After Chapuy
EMBARCADÈRE DU CHEMIN DE FER DE STRASBOURG (east's station)
Lithograph hancoloured and arabic gum
(1814 - 1868)
After Chapuy
8éme Arrondissement correspond au 4,1 et 12 éme arrondissements actuellement
Lithograph
( Ecole française milieu XVIII)
OUVRAGE ÉPHÉMÈRE SUR LE PONT NEUF, à l'occassion du mariage de Madame de France Première et de Don Philippe II Infant d'Espagne
Copperplate engraving
(1691 - 1743)
Vue et perspective du palais des Tuileries du côté de la cour
Etching
(1656-1722)
VUE ET PERSPECTIVE DU PALAIS DES TUILERIES DU CÔTÉ DU JARDIN
(1761-1824)
LE GARDE MEUBLE ( Ancien garde meuble près de la place de la concorde)
Lithograph
(1761-1824)
BOULEVARD DES BAINS CHINOIS
Lithograph
(1764 - 1846)
Vue de la tour du Louvre / Prise pendant l'exposition des produits de l'industrie française dans les jours complémentaires de l'An IX
etching and aquatint
Publisher (active between 1750 - 1785)
Vue de la Marche Cérémoniale observée pour la Publication de la Paix en arrivant à l'Hôtel de Ville à Paris
Etching handcoloured
(Active near 1750 - 1785)
Vue perspective de la Place de Louis XV en entrant par la Porte S. Honoré à Paris
Etching handcoloured
(Active near 1750 - 1785)
A view of a firework let off in front of the city hall to celebrate the peace
Etching handcoloured
(Active between 1750 - 1785)
Vue perspective des Réjouissance faites vis à vis de la Place de Louis quinze pour la paix (Now Place de la Concorde)
Etching handcoloured
(Active near 1750 - 1785)
Vue de la Place du Chatelet ( edtion 19 century)
Etching handcoloured
(Active near 1750 - 1785)
Vue de l'intérieur du Louvre. Salle des Cariatides (edtion 19 century)
Etching handcoloured
(Active near 1750 - 1785)
View of Paris from Notre-Dame until the bridge of Tournelle
Etching handcoloured
(Active near 1750 - 1785)
Perspective view of Porte Saint-Denis
Etching handcoloured
(Active near 1750 - 1785)
View and perspective view of the Samaritaine
Etching handcoloured
(French school of the begenning of century's XIX))
VUE GÉOMÉRALE DU GRAND PORTAIL DE ST SULPICE (projet)
Etching colored,color of time
(1659 - 1733)
PALAIS D'ORLEANS à Paris
Etching
(1788 - 1865)
Vue perspective et plan de la Citadelle d'Anvers avec le cours de l'Escaut et le tracé approximatif des Opérations de siège
After Alexandre Delaroche
Lithograph
(1814-1868)
Facade principale de l'Hôtel des Invalides
Lithograph in colours
(1752-1814)
After Durand
VUE DU PALAIS DES BEAUX-ARTS,ci-devant collège Mazarin (prise du pont des arts)
Aquatint
(1752-1814)
After Durand
VUE DU PALAIS DES BEAUX-ARTS,ci-devant collège Mazarin (prise du pont des arts)
Aquatint
(1656-1722)
VUE ET PERSPECTIVE DU COLLEGE DES QUATRE NATIONS, BÂTI A PARIS PAR LE CARDINAL MAZARIN L'AN 1661
Etching
(Active near 1750 - 1785)
Perspectibve view of the Place Dauphine in Paris
Etching handcoloured
(Active near 1750 - 181?)
Vue du Pont du Jardin du Roi. Entre le Faubourg St. Antoine et le Jardin du Roi.
Engraving handcoloured
(Active near 1750 - 181?)
View of the Saint-Sulpice church
Engraving handcoloured
(Active near 1750 - 1785)
View of the Glacière de Gentilly
Etching handcoloured
(1759 - 1829)
VUE PERSPECTIVE DE LA FACADE DE L'ABBAYE ROYALE DU VAL DE GRACE
Etching handcoloured
(1759 - 1829)
View of the Pont des arts
Etching handcoloured
(1867 - 1931)
La Butte aux cailles
Etching
(Paris 1867 - 1931)
Quai de Montebello (Paris Ve)
Etching
(1867 - 1931)
La Seine vue du Pont-Royal
Etching
(1867 - 1931)
Quai de Montebello. Paris.
Etching
(1867 - 1931)
Auteuil
Etching
(1882 - 1962)
Notre-Dame
Woodcut
(1818 - 1896)
JARDIN DES PLANTES (Vue générale à vol d'oiseau)
Encolored lithography
(1813 - c. 1880)
ECOLE MILITAIRE. Façade sur la place Fontenoy
Lithograph in colours
(1818-1896)
EGLISE Ste GENEVIÈVE (Ancien Panthéon)
Handcolored lithography
(1813-1905?)
LES INVALIDES. Vue prise de la place Vauban
Handcolored lithography
(1813-1905?)
LES INVALIDES. Façade principale du côté de l'Esplanade
Handcolored lithography
((1691-1743)
VEUE DU CHATEAV NEUF DE ST GERMAIN EN LAYE
(1718 - c.1780)
Veüe du chasteau de St Cloud
Etching
(1718 - c.1780)
Veüe du chasteau de Meudon du côté de l'entrée
Etching
(Active near 1750 - 1785)
View of the choir of the gorgeous Chruch of Abbaye de Port Royal des Champs at 4 leagues from Paris destroyed the 29th of November 1709
Etching handcoloured
(Active near 1750 - 1785)
View of the Glacière de Gentilly
Etching handcoloured
(Active near 1750 - 1785)
New optic view representing the perspective of Jardin des Marchands at one of the Paris gates
Etching handcoloured
(Active in the 18th and 19th century)
Fontainebleau castle
Handcolored etching
(Active in the 18th and 19th century)
Vue de St Denis prise du pont
Handcolored etching
(1759 - 1829)
Vue de St Denis prise du Pont
Etching original
(1867 - 1931)
Gentilly
Pencil
(Guiscard 1767 - 1841 Passy)
Vue du pont de St Cloud prise des hauteurs de Sèvres. Dépt. de Seine et Oise.
Lithograph
(Guiscard 1767 - 1841 Passy)
Vüe de l'Acqueduc du village de Buc. Dépt. de Seine et Oise.
Lithograph
(1768- 18??)
SURROUNDINGS OF PARIS. ST CLOUD CASCADE AND CASTLE.
Taken with a Daguerreotype.
Etching
(1768- 18??)
LAKE OF BOULOGNE BOIS
Etching
(1768- 18??)
CHÂTEAU DE VERSAILLES (côté de Paris)
Taken with a Daguerreotype.
Etching
(Active c. 1740 - 1775)
Grosbois castle
Handcolored etching
Publisher and dealer (active between 1740-1775)
La façade du Chateau de St. Cloud
Etching handcoloured
(Middle of 18th Century)
Vue et Perspective de la Place de Louis le Grand ( Actuellement Place Vendôme) A l'envers en haut de l'épreuve ( Foire St Ovide)
Etching handcoloured
Vue du château de Vincennes prise du côté du Parc.
After COURVOISIER
Handcolored etching
(1866)
Ancienne Chapelle près de Vitry (Seine)
Pencil drawing
(1866)
à Vitry sur Seine
Pencil drawing
(1691-1743)
Vue et perspective de la grande et petite Ecurie, et des deux Cours du Chateau de Versailles
Etching
(1691-1743)
Vue et Perspective de l'Entrée de Trianon de Versailles
Handcolored etching
(1680-1747)
Draw by Delamonce in 1714
L'ARC DE TRIOMPHE dans un des jardins de Versailles
Etching handcoloured
(1790 - 1858)
Vue générale de Versailles prise du bassin d'Appollon
Handcoloured lithograph
(1790 - 1858)
Vue du château et de l'orangerie de Versailles
Etching and aquatint handcoloured
Publisher (1742-1794)
Fontaine de Cerès représentant l'Eté, dans les Jardins de Versailles, le bassin est de marbre blanc et la Sculpture de métal est de Regnandin, du dessein de M. le Brun
Handcolored etching
Publisher (1742-1794)
Vue et perspective du jardin de Versailles
Handcolored etching
Publisher and merchant (active around 1740-1775)
Vue d'optique représentant la Salle des Festins dans les Jardins de Versailles. Epularis aula in hortis Versalicis
Handcolored etching
Publisher and merchant (active around 1740-1775)
LA GRANDE SALLE DES BOSQUETS À VERSAILLES
Handcolored etching
Vue de la Place de Louis XV le Bien aimez ( place de la concorde) ( edition 19 century)
Etching handcoloured
(1673-1715?)
Plan du palais de Trianon
Etching
(1804 - 1868)
LE TAPIS VERT, PALAIS DE VERSAILLES
Handcoloured lithograph, partially glazed
Publisher (1640-1703)
Plan de la ménagerie de Versailles
Etching
(1640-1703)
LE BASSIN DE SATURNE représente l’Hiver […], il est de figure ronde, ses bords sont ornés de glaçons ; au milieu est représenté ce dieu accompagné de plusieurs anfants […]
Etching
(Metz 1637 - Paris 1714)
CÉRÉMONIE de la prestation de serment de fidélité entre les mains du Roy, dans la chapelle de Versailles, par M.r le marquis de Dangeau, à cause de la grande maîtrise de l'ordre de Notre Dame du Mont Carmel, et de S.t Lazare, le 18 décembre 1695....
Handcolored etching
(1638 - 1695)
Vue du Canal de Versailles
Etching
(1638 - 1695)
Vue en perspective du Château de Versailles du côté de l'Entrée
Etching
(1659 - 1733)
"ROUEN, CAPITALE DE NORMANDIE"
Etching
(1659 - 1733)
HAVRE DE GRACE, CAEN, DIEPPE
Etching
(1801 - 1866)
SOUVENIRS DE LA NORMANDIE, N°2
Lithograph in colours
(1814 - 1868)
ROUEN EN BALLON. Vue prise au dessus de la côte Sainte Catherine
Lithography
(1814 - 1868)
LE HÂVRE EN BALLON. Vue prise au dessus des nouveaux bassins de la Floride et de l'Eure
Lithography
(1808 - 1889)
HAVRE, Vue du Bassin de commerce prise du foyer du théâtre
Handcoloured lithography
(1808 - 1889)
Alençon
Lithography
(1784 - 1856) and (1788 - 1839)
La grande maison aux Andelys
Lithopgraph
(1867 - 1931)
Le bassin du Commerce, Le Havre
Etching
(1818 - 1894)
Vue de Fécamp, Prise de la Batterie de l'Avant-Port
Original etching
(1878 - 1941)
Mont Saint Michel
Watercolor
(1802 - 1828)
L'Eglise de St. Gervais et St. Protais à Gisors, plate from Voyages pittoresques et romantiques dans l'ancienne France
(Caen 1822 - 1864)
VUE DU MONT ST MICHEL
Original lithograph
(Caen 1822 - 1864)
MONT ST MICHEL. Vue de la Merveille
Lithography
(1803 - 1874)
St Laurent, Rouen [France]
Chromolithograph
(1803 - 1874)
Rue de la grosse horloge, Rouen [France]
Chromolithograph
(1803 - 1874)
L'abbaye St Amand, Rouen
Chromolithograph
(1803 - 1874)
Tour de Remy, Dieppe [France]
Chromolithograph
(1813-1890)
After Charles Séchan (1803-1874)
EGLISE St ETIENNE, ABBAYE AUX HOMMES A CAEN
Lithography
(1813-1890)
After Armand Cambon (1813-1890)
LE VIEUX SAINT-SAUVEUR A CAEN, Normandie 2ème partie
Lithography
(1786 - 1833)
ROUEN - HOTEL DU BOURGTHEROUDE
Etching
(1659 - 1733)
DIJON Capitale du Duché de Bourgogne
Etching
(1659 - 1733)
Carte du Gouvernement de Bourgogne suivant les Nouvelles Observations de Mrs. de l'Académie Royale des Sciences
Etching
(1659 - 1733)
Carte du Nivernois
Etching
(1881 - 1963)
La Charité sur Loire
La Blancherie
Eau-forte
(1698-1777)
La Ville de Dijon Capitale de la Province de Bourgogne dans le Royaume de France.
Etching
(1814 - 1868)
After Alfred Guesdon (1808-1876)
Besançon, Vue prise de la Porte Battant
Lithography, two colors
(1530 - 1583)
"LE POURTRAICT DU CHASTEAU DE PAULMY"
Woodcut
(1530 - 1583)
"LE VRAY PORTRAIT DE LA VILLE ET CHASTEAU DE NEVERS"
Woodcut
(1530 - 1583)
"POURTRAICT DE LA VILLE DE MASCON"
Woodcut
(1530 - 1583)
"LE VRAY PORTRAICT DE LA VILLE DE DIJON"
Woodcut
(1530 - 1583)
"PLANT ET POURTRAICT DE LA VILLE D'AUTHUN"
Woodcut
(1530 - 1583)
"LE VRAY POURTRAICT DE LA VILLE DE BEAULNE"
Woodcut
(1785 - 1852)
Young wine-grower of Burgundy
after Victor Olagnon (1786 - 18?)
Stipple engraving
(1571-1638)
Nivernium ducatus, Gallice Duché de Nevers
Original handcolored print.
(1802-1828)
VUE GÉNÉRALE DE L'EGLISE DE L'ABBAYE DE TOURNUS from "du voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Lithograph
(1828-1890)
DIJON
Lithograph
(1844-1914)
VIEUX BESANÇON (Ancien quai de Batttant,démoli en Mars 1865)
Etching
(1745 - 1807)
Quatre vues de Macon: Vue de l'église cathédrale et Vue de l'église de St Pierre gravé par Claude FESSARD,Vue d'un reste de fortifications gravé par Jean François BORGNET, Vue d'une partie du faubourg st Laurent et du pont gravé par DECQUEVAUVILLER
After Jean Baptiste Lallemand (1716-1803?)
Etching
(1749 - 18?)
Vue du Prieuré de Larrey, près la fontaine d'Ouche, avec la Ville de Dijon, et la Rivière d'Ouche dans l'éloignement
Etching
(Active in second half of XVIII)
After Le May (1734-1797)
Etching and engraving
(1740-1803)
After Lallemand
VUE DE LA PRINCIPALE ENTRÉE DE LA PROMENADE DE BEAUNE..(Généralité de Bourgogne) A.P.D.R (extrait du voyage de Laborde en France)
Etching and copper engraving
(1780-1850)
COLLÈGE DES JÉSUITES À DÔLE from "du voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Lithograph
(1595 - 1629)
La Bresse
Etching
(1804-1889)
PONT DE MAISON-NEUVE
Original lithograph from "Jura"
(1814 - 1868)
Orléans en ballon
Vue prise au dessus du Faubourg St Jean
Handcolored lithograph
(1702 - 1760)
Tours, Ville Capitale de la Province de Touraine et Siège d'Archevêché
Etching
(1530 - 1583)
Portrait ou plan de la ville de Châteaudun
Woodcut
(1530 - 1583)
Le vif Portrait de la Noble Ville & cité de Tours
Woodcut
(1571-1638)
LOUDONOIS and MIREBALAIS
(Map of la Touraine and le Poitou, France)
Copperplate engraving
(1727-1794)
CARTE des gouvernements du BERRI, du NIVERNOIS, de la MARCHE, du BOURBONNOIS, du LIMOUSIN et de l'AUVERGNE
Handcoloured etching
(1803 - 1874)
St André, Chartres [France]
Chromolithograph
(1803 - 1874)
S. Porch of Chartres cathedral
Chromolithograph
(1790 - 1858)
LANTERNE DE CHAMBORD
Original lithograph handcolored with arabic gum
(1790 - 1858)
CHATEAU DE BLOIS
Original lithograph handcolored with arabic gum
(1559? - 1616)
Gergeau petite ville sur la rivierre de Loire avec le paizaige prochain ; Le petite ville de Gergeau comme elle se voit du costé doriant (Jargeau)
Etching
(Active in the middle of the 19th century)
TOURS
After Guesdon Alfred (1808-1876)
Lithograph
(1797 - 1886)
CATHEDRALE D'ORLEANS
Lithography
(1646 - 1720)
Veüe du Chateau et Maison Royale de Chambor[d]
Handcolored etching
(1806 - 1880)
PORTE GUILLAUME À CHARTRES,(Eure et loir) plate from "Chemin de fer de l'Ouest-Ligne de Bretagne"
Original lithograph printed in colors
(1806 - 1880)
Castle of Nogent-Le-Rotrou (Eure et Loir.)
Plate from Chemin de fer de l'Ouest.
(1806 - 1880)
Castle of COURTALIN (Eure et Loir.)
Plate from Chemin de fer de l'Ouest.
(1806 - 1880)
Castle of MAINTENON (Eure et Loir.), parc side.
Plate from Chemin de fer de l'Ouest, line of Bretagne
(1806 - 1880)
Ruins of the BONNEVAL Abbey (Eure et Loir)
Plate from Chemin de fer de l'Ouest.
(1806 - 1880)
CHARTRES (Eure et Loir)
Plate from Chemin de fer de l'Ouest.
(1659 - 1733)
La Principauté d'Orange et Comté de Venaissin
Copperplate engraving
(1659 - 1733)
Trois vues: Orange, Capitale de la Principauté du même nom - Plan de la Ville d'Avignon - Avignon, ville de la Provence.
Copperplate engraving
(1808 - 1889)
HÔTEL DE VILLE ET LE THEÂTRE A AVIGNON, N°216
Lithograph impression in colours
(1761-1847)
Vue de face du Monument de St Chamas en Provence
Etching
Publisher (active between 1750 - 1785)
Vue perspective de la ville de Nice
Etching handcoloured
(1530 - 1583)
Le vray portraict de la ville de Marseille
Engraved Wood
Publisher, XIXe
Vue des carrières des Iles du Frioul, prise après l'explosion de la mine monstre tirée en avril 1857, en présence du grand Duc Constantin de Russie.
Chromolithograph, Plate 11
(1707-1792)
MARSEILLE, Ville et port fameux en Provence
Etching handcoloured
(1825-1901)
Troupeau de boeufs en Camargue
Etching after Eugène Burnand (1850 - 1921)
(1813 - 1890)
SAORGE, Vallée de la Roya (Alpes-Maritimes)
After Félix BENOIST (1818 - 1896)
Lithography
VUË DU COURS DE MARSEILLES
Publisher (1646 - 1720)
Carte maritime des côtes de Provence
Handcolored etching
Publisher (1646 - 1720)
Carte maritime: Partie de Provence, Ile du Titan
Handcolored etching
Publisher (1646 - 1720)
Carte maritime: Méditerranée, côtes de Provence, La Crau Champs pierreux
Handcolored etching
(1797 - 1886)
Vue générale de Marseille, plate from Ports de mer d'Europe - France
Lithograph in colours
(1797 - 1886)
Vue générale de Marseille, planche de la série Ports de mer d'Europe - France
Lithograph in colours
(1783 - 1857)
"IERE VUE DE MARSEILLE, PRISE DE L'ENTREE DU PORT"
Aquatint.
(1783 - 1857)
VUE DE CANNES ET DES ILES STE MARGUERITE
Aquatint
(1783 - 1857)
Vue du Port-de-Bouc prise de l'entrée du Canal des Martigues
Aquatint
(1850 - 1925)
LA CANNEBIÈRE A MARSEILLE, plate from in the "Art" in 1884
Etching
(1850 - 1925)
La nouvelle cathédrale de Marseille
Etching
(1648-1709)
Les Iles d'Hyères et le fort de Brégançon et autres forces de Provence
Etching
Publisher (1595 - 1629)
La principauté d'Orange et Comtat de Venaissin.
Etching
(1822 - 1864)
Vue du Port Militaire, prise de la prairie de Rosne
Original lithograph printed in colors
(1808 - 1889)
La Tour de l'horloge à la Rochelle
Lithograph impression in colours
(1808 - 1889)
Vue de la rive à la Rochelle
Original lithograph impression in colours
(1808 - 1889)
Les Arènes à Saintes
Lithograph impression in colours
(1808 - 1889)
Cour de l'Hôtel de Ville à la Rochelle
Lithograph impression in colours
(1813 - c. 1880)
La Rochelle, vue prise du Café Arrignon, plate from Ports de mer d'Europe - France
Lithograph in colours
(Active middle of XVIII)
After Lomet
LE PORT D'OLERON (vu en face de l'entrée)
Copperplate engaving hancoloured
(1712-1780)
LA ROCHELLE
Eau forte
ILE D'AIX, LA BATAILLE DE 1757
Coperplate engraving handcoloured
(1806 - 1880)
CHÂTEAU DE LA PREUILLE
After Baron de Wismes (1814 - 1887)
Lithography
(1806 - 1880)
CHÂTEAU DE GOULAINE
After Baron de Wismes (1814 - 1887)
Lithography
(1806 - 1880)
CHÂTEAU DE MAULEVRIER
After Baron de Wismes (1814 - 1887)
Lithography
(1806 - 1880)
CHÂTEAU DE LA FORÊT SUR SEVRE
After Baron de Wismes (1814 - 1887)
Lithography
(1806 - 1880)
CHÂTEAU DE BEAUPREAU
After Baron de Wismes (1814 - 1887)
Lithography
(1806 - 1880)
LA VENDEE - LE BOIS CORBEAU, PRES MONTAIGU
After Baron de Wismes (1814 - 1887)
Lithography
(1806 - 1880)
LA VENDEE - CLISSON
After Baron de Wismes (1814 - 1887)
Lithography
(1806 - 1880)
BOURBON -VENDEE (La Roche sur Yon)
After Baron de Wismes (1814 - 1887)
Lithography
(1752-1794)
Vue des Ruines de l'Amphithéatre de Bordeaux. Vulgairement appelle Palais Galien
Etching
(1702 - 1760)
BORDEAUX. Ville de France capitale de GUIENNE Archeveché primat d'Aquitaine, elle ressemble a un arc dont la Garonne est la corde, a un parlement et une université fondée par Charles VII (...)
Handcolored etching
(18..-18..)
Biarritz view from Talaye
Lithograph in colors
Publisher (1806 - 1882)
Femme de Laroque
Handcolored lithograph
Publisher (1806 - 1882)
Femmes de Blaye
Handcolored lithograph
Publisher (1806 - 1882)
FEMMES DE PAUILIAC (Dépt. de la Gironde, Médoc)
Handcolored lithograph
Publisher (1806 - 1882)
Marchande de Légumes et Cuisinière de Bordeaux
Handcolored lithograph
Publisher (1806 - 1882)
Laitières de Bordeaux
Handcolored lithograph
Publisher (1806 - 1882)
Paysannes des Environs de Bordeaux
Handcolored lithograph
(1813-1890)
St Jean de Luz ( pris du côté de la plage des Baigneurs)
Lithographie impression in colours
(XIXe)
Vue du Pont Suspendu sur la Dordogne devant Cubzac
Original lithography
(Active around 1840-1850)
Portail méridional de l'église Cathédrale de St André à Bordeaux
Lithograph
(1803 - 1874)
Pont de Bordeaux
Originall lithograph impression in colours
(1823 - 1906)
EGLISE St MICHEL, BORDEAUX
Lithograph
(1783-1857)
2ème VUE DE BAYONNE
Aquatint
Editeur (1795-1859)
BORDEAUX, Vue du Quai Louis XVIII
Lithography
(1808 - 1876)
CATHEDRALE DE BORDEAUX
Lithograph
(1804 - 1868)
Biarritz
Watercoor lithograph
(1804 - 1868)
Roche Percée à Biarritz
Watercoor lithograph
French school, 19th
Eglise St.SALVI, à ALBY
Watercolor
(1718-178?)
Vue d'un moulin à foulon. Pour les Draps de Lodêve.
Etching
(Active near 1750 - 1785)
View of Bayonne
Etching handcoloured
(Active near 1750 - 1785)
Vue de la foire de Beaucaire, avec une partie de la Ville de Tarascon
Etching handcoloured
(1798-1860)
USINES DE DECAZEVILLE, Arrondissement de Villefranche (Aveyron)
Lithography
(1804 - 1868)
Grand escalier de l'église de Rocamadour. Languedoc
Lithography
(1804 - 1868)
Rue des Couteliers à Toulouse, Languedoc
Lithographie
(1804 - 1868)
Vue générale de St Nazaire, Cathédrale de Béziers
Lithographie
(French school, XIXth Century)
3me Jubilé séculaire de la Réforme, Jeudi le 26 mai 1859 Nîmes
After J. IMBERT
Lithograph
(1646 - 1720)
Partie de la capitainerie Garde coste de d'Agde
Handcolored etching
(1783 - 1857)
Vue du port de La Nouvelle
Aquatinte
(1783 - 1857)
VUE DU PORT D'AGDE, Prise de l'Embouchure de Canal du Languedoc
Aquatinte
(1805-1865)
Cathédrale de Narbonne, Languedoc
Lithographie sur chine appliqué
(active in the middle of the 19th century)
3me Jubilé séculaire de la Réforme
Jeudi le 26 mai 1859 Nîmes.
Lithograph
(Rochefort 1822 - Paris 1864)
Toulouse, Saint Sernin Interior
Original lithography, printed in colors.
Plate N°368/475 of "La France de Nos jours", published from 1853 to 1876.
(Rochefort 1822 - Paris 1864)
Toulouse, Saint Etienne Interior
Original lithography, printed in colors.
Plate N° 295/475 of "La France de Nos jours", published from 1853 to 1876.
(1822 - 1864)
TOULOUSE Abside de l'église St Sernin
Original lithograph printed in colors
(1786- 1864)
VUE DU PORCHE DE L'EGLISE SAINT-GENÈSE À THIERS, plate 122, from "Voyages Pittoresques et Romantiques dans l'Ancienne France, Auvergne" by Taylor et Nodier
Lithograph
(1814-1881)
ETABLISSEMENT THERMAL DU MONT-DORE
(1814-1881)
ETABLISSEMENT THERMAL DU MONT-DORE
Handcoloured lithography
(Guiscard 1767 - 1841 Passy)
VUE DU VILLAGE DU MONT-DORE plate 98 from "Voyages Pittoresques et Romantiques dans l'Ancienne France, Auvergne" by Taylor et Nodier
Lithograph
(1804 - 1867)
Vue de la ville de Menat, Auvergne
Lithography on applied China
(1804 - 1867)
Vue générale de la ville de Clermont-Ferrand, Auvergne
Lithography on applied China
(1804 - 1867)
EGLISE DE BESERVE, AUVERGNE
Lithography on applied China
French school XIXe
and Victor ADAM (1801 - 1866)
EGLISE DE SAINT GENES A THIERS, AUVERGNE
Lithography on applied paper
(1813- 1890)
After Charles Bour (1814-1881)
VALLEE DU MONT-DORE-Côté du Nord
(1813- 1890)
MONT-DORE- Etablissement thermal de la Bourboule
Lithograph impression in colors and handcoloured
(1813- 1890)
VALLÉE DU MONT-DORE- Côté du Sud
Lithograph impression in colors and handcoloured
(1818- 1899)
CLERMONT-FERRAND
Lithograph impression in colours and handcoloured
(1818-1899)
FONTAINE ET PLACE DU MONT DORE
Lithograph impression in colours and handcoloured
(1818- 1899)
ROYAY, Vue prise des Chataigneraies
Lithograph impression in colours and handcoloured
(1818- 1899)
After Mourton
CLERMONT-FERRAND
Lithograph in colours
(1818- 1899)
After Mourton
CLERMONT-FERRAND
Lithograph impression in colours and handcoloured
(1818- 1899)
After Charles Bour (1814-1881)
MONT-DORE (Promenade et place du Pont)
Lithograph impression in colours and handcoloured
(1818-1899)
CLERMONT-FERRAND, Eglise du Port
Lithograph impression in colours and handcoloured
(1818-1899)
ROYAT, Vue prise du Ravin
Lithograph impression in colours and handcoloured
(1818-1899)
ROYAT
Lithograph impression in colours and handcoloured
(1818-1899)
CATHÉDRALE DE CLERMONT-FERRAND, Côté du Nord
Lithograph impression in colours and handcoloured
(1818-1899)
ROYAT, Etablissement Thermal de St Marc
Lithograph impression in colours and handcoloured
(1801 - 1866)
SOUVENIRS DES CÔTES DU NORD, plate N°1
Lithograph in colours
(Quimperlé 1876 - 1960 Larmor)
La moisson près des dunes
Etching
(Quimperlé 1876 - 1960 Larmor)
Sur les quais, à Douëlan
Etching
(Quimperlé 1876 - 1960 Larmor)
Le borgne de Pont-Ar-Schutz
Etching
(1813 - c. 1880)
Eglise de Folgoet ( Britany) from du voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Lithograph
(1571 - 1638)
Map of the Brittany duchy
Etching handcoloured
(1851 - 1919)
Young breton girl, from the side
Soft ground in colors
(Nantes 1866 - 1929 Bois-Colombes)
La ronde bretonne
Woodcut
(Paris 1881 - 1962 Châtillon-sous-Bagneux)
Woman in a britain interior
Woodcut, impression in colours
(Paris 1880 - 1957)
Leaving Mass (Britain)
etching
(Paris 1880 - 1957)
[Fishing boats]
etching
(1813 - 1890)
After Léon Gaucherel (1816 -1886 )
Eglise de PLOUVENEZ (Bretagne) from " voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Lithograph
(1813 - 1890)
After Auguste Mayer (1813 - 1890 )
Dolmen près Plouescat (Bretagne) from " voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Lithograph
(1813 - 1890)
After Léon Gaucherel (1816 -1886 )
Fontaine de St JEAN DU DOIGT (Bretagne) from " voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Lithograph
(1813 - 1890)
After Auguste Mayer (1813 - 1890 )
De la Martyre à la Roche Maurice (Bretagne) from " voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Lithograph
(1813 - 1890)
After Léon Gaucherel (1816 - 1886 )
La Roche Morice (Bretagne) from " voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Lithograph
(1813 - 1890)
Men-hir et Dolmen de l'Ile MELON (Finistère) (Bretagne) from " voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Original lithograph
(1813 - 1890)
After Auguste Mayer (1813 - 1890 )
Croix de St Faou (Bretagne) from " voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Lithograph
(1813 - 1890)
D'après Léon Gaucherel (1816 - 1886 )
Croix en Pierre près de LANDERNEAU (Bretagne) from " voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Lithograph
(1813 - 1890)
After Auguste Mayer (1813 - 1890 )
Menhir près de St Renan (Bretagne) from " voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Lithograph
(1813 - 1890)
After Auguste Mayer (1813 - 1890 )
Eglise et fontaine de St Jean du Doigt (Bretagne) from " voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Lithograph
(1813 - 1890)
After Léon Gaucherel (1816 -1886 )
Clocher Kouardon à Landerneau (Bretagne) from " voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Lithograph
(1813 - 1890)
After Léon Gaucherel (1816 -1886 )
Grand Dolmen de Trègunc (Bretagne) from " voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Lithograph
(1813 - 1890)
VUE DE QUIMPER (Bretagne) from " voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Orignal lithograph
(1659 - 1733)
METZ, Capitale de l'échevé du même nom
(1659 - 1733)
La citadelle de Nancy, plan de la ville de Marsal, Moyenvic pris par Mr du Hallier, Plan de Moyenvic
Etching
(1659 - 1733)
Plan de la ville de Metz, Toul, Plan de la ville de Verdun
Etching
(1687-1761)
Façade de l'Église Primatiale de Nancy
Etching
(1808 - 1889)
CATHEDRALE DE NANCY
Lithograph
(1691-1743)
STRASBOURG
Handcolored etching
(1656-1722)
NANCEIUM, Nancy ville capitale du Duché de Lorraine
Etching handcoloured
(1571-1638)
CARTE DU PAYS MESSIN
(1610 - Ca. 1643)
MOYENVIC, Lorraine
Etching
(1725- 1781)
VEUE SEPTENTRIONALE DE LA CARRIÈRE DE NANCY
Etching
(Active in the middle of the 19th century)
Portail de l'église Saint-Martin à Pont-à-Mousson (Meurthe)After Nicolas Chapuy (1790-1858)
Lithography
(1825 - 1901)
L'Epinal prise de la route de Plombières
after Jean-Joseph BELLEL (1816-1898)
lithograph
(1809 - 1895)
FROUARD, Vue prise de la route de Nancy.
Original lithograph printed in colors
(1809 - 1895)
LEROUVILLE, Vue prise de la Prairie.
Original lithograph printed in colors
(1809 - 1895)
LUTZELBOURG, Vue prise du Chemin de fer.
Original lithograph printed in colors
(1809 - 1895)
COMMERCY, Vue prise de la Garenne
Original lithography printed in colors
(1785-1838)
VUE D'UNE CHUTE D'EAU DE LA MOSELLE, DIT LE SAUT DU BROC
Lithograph
VUE DE LA PLACE TRIANGULAIRE DU JARDIN DU NOUVEAU QUARTIER À MULHOUSE
Original lithograph
(1621 - 1691)
Veue et Perspective de la Chapelle des Bourguignons maintenant Notre Dame de bon secours, proche de Nancy ou René Duc de Loraine gaigna la Bataille contre Charles Duc le cinquième Janvier 1477
Etching
(1621 - 1691)
Veue et Perspective Veue et Perspective de la Porte Saint Louis de Nancy
Etching
(1621 - 1691)
Veue et Perspective de la Porte Saint Jean de Nancy par dehors
Etching
(XVIIIth)
Perspective view of the Carriere of Nancy from the South
Handcoloured engraving
(1659 - 1733)
AMIENS, Capitale de Picardie - CALAIS, 1. Le fort de Nieulet, 2. Le Risbanc
CALAIS, 1. Le Risbanc, 2. Fort de Nieulet
Etching
(Active middle 19 century)
Cathédrale d' Amiens (Façade)
Lithograph
(1867 - 1931)
Le port de Dunkerque
Etching
(1530 - 1583)
"LE VRAY POURTRAICT, ET FORTERESSE DE LA VILLE DE BEAUVAIS, from "Cosmographie Universelle du Monde"
(1571-1638)
Carte de la Picardie
Original handcolored print.
(1571-1638)
Carte des Comtés de Boulogne-sur-Mer et Guines
Original handcolored print.
(1803 - 1874)
L'hôtel de Ville, Arras
Chromolithograph
(1803 - 1874)
Rue du Rivage, Abbeville [France]
Chromolithograph
(1541-1622) (1535-1590)
ARRAS
Etching
(1541-1622) (1535-1590)
(Carte de Valenciennes)
Valencena Quondam Cygnorum Vallis Urbs Han Perelegas et Valde Magnifica
Etching
(18th Century)
VUE DE LA BOURSE DE DUNKERQUE
Etching handcoloured
(1517-1583) (15? - 16?)
(Carte du comté du Boulonnais et carte du comté de Vermondois)
Eau forte rehaussée à l'aquarelle, coloris d'époque.
(1517-1583)
(Carte du comté de Guines et du Boulonnais)
Caletensium et Bononiensium ditionis accurata delineatio
Eau forte rehaussée à l'aquarelle, coloris d'époque.
(1803 - 1874)
CHEVET DE LA CATHEDRALE à Amiens
Lithograph
(1783 - 1857)
Vue de St Valery sur Somme, prise du Bourg de la Ferté
Aquatint
(1783 - 1857)
Vue du Port d'Abbeville, prise du côté de la mer
Aquatint
(1806 - 1885)
After Louis DUTHOIT (1807-1889)
EGLISE DE CLERMONT, PICARDIE
Lithographie sur chine appliqué
(Active in XIXth century)
Place d'Armes de Valenciennes, Souvenir historique
D'après Paul LAUTERS et Louis-Joseph GHEMAR
Lithograph
(1595 - 1629)
Carte de l'Artois
Etching
(1595 - 1629)
Beauvaisis Comitatus Belovacium
(Carte de Beauvais, Chaumont et Senlis)
Etchinh
(1595 - 1629)
Carte de l'archevêché de Cambrai
Etching hancoloured
(1571-1638)
CARTE DE CHAMPAGNE
Copperplate engraving
(1659 - 1733)
METZ, Capitale de L'Evêché du même nom / SEDAN en Champagne
Etching
(1571-1638)
Les Souverainetés de Sedan et de Raucourt et la Prevosté de Donchery
Original handcolored print.
(1813 - 1890)
After a drawing of Monthelier.
"FONTAINE ST LOUP, CHAMPAGNE from "du voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
(1813 - 1890)
After Sagot E
ANCIEN CHÂTEAU DE CHAUMONT en champagne from "des voyages pittoresques et romantiques dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Lithograph
(1813 - 1890)
After Sagot Emile (1805 -1888)
PORTE DU MARCHÉ À LANGRES en champagne from "des voyages pittoresques et romantiques dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Lithograph
(1804 - 1868)
"FACADE DE NOTRE- DAME CATHEDRALE DE REIMS from "du voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
(1804 - 1868)
EGLISE ST URBAIN GRANDE RUE DE TROYES, Champagne fromdu voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Original lithograph
(1804 - 1868)
LA RUE DU MORTIER D'OR À TROYES, Champagne from "du voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Lithograph
(1857 - 1929)
Troyes, Church of St. John
Etching and drypoint
(1595 - 1629)
Carte de la Souveraineté de SEDAN et de RAUCOURT et la prévosté de DONCHERI
Etching
(1861 - 1932)
Rue Linard-Gontier, à Troyes
Drypoint
(1809 - 1895)
EPERNAY, Vue prise de la route de Paris.
Original lithograph printed in colors
(1593 - 1650)
TROYE
Etching
(1734 - 1799)
VUE DE LA CÉLÈBRE ABBAYE DE CLERVEAUX INSTITUÉE PAR ST BERNARD
Etching handcoloured
(1804 - 1883)
EGLISE DE DAMPIERRE LE CHÂTEAU en Champagne from" du voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
Lithograph
(1817 - 1873)
PORTAIL DE L'EGLISE ABBATIALE DE PONTIGNY, Champagne from "du voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
(1805 - 1888)
VUE LATÉRALE DE L'EGLISE ST JEAN À CHAUMONT en Champagne from " du voyage pittoresque et romantique dans l'ancienne France du Baron Isodore Taylor et Charles Nodier"
(1621 - 1691)
View of the castle of Monceaux, from the garden
Etching
(1876 - 1936)
Troyes, rue de la République
Aquatint
(1806-1880)
"Jacobins Place in Le Mans (Sarthe)"
Plate from the serie : Chemin de fer de l'ouest
Lithograph, printed in colours
(1806 - 1880)
VIADUC DE LAVAL plate from Chemin de fer de l'Ouest-Ligne de Bretagne
(1806 - 1880)
LAVAL
plate from Chemin de fer de l'Ouest-Ligne de Bretagne
(1806 - 1880)
Bonnétable Castle, station de la ferté-Bernard (Sarthe)
plate from Chemin de fer de l'Ouest-Ligne de Bretagne
(1806 - 1880)
LAVAL
plate from Chemin de fer de l'Ouest-Ligne de Bretagne
(1806 - 1880)
EVRON
plate from Chemin de fer de l'Ouest-Ligne de Bretagne
(1806 - 1880)
The gate of La Ferté-Bernard
plate from Chemin de fer de l'Ouest-Ligne de Bretagne
(1806 - 1880)
"Sillé Le Guillaume"
Chemin de fer de l'ouest - Ligne de Bretagne.
Original lithograph printed in colors
(1861 - 1932)
Les maisons sur l'eau, à Chartres
Drypoint
(1621 - 1691)
Veuë et perspective du Chasteau du Verger en Anjou demeure ordinaire des Princes de Rohan-Guemne
Etching
(1659 - 1733)
LYON
Copperplate engraving
(1659 - 1733)
LYON
Copperplate engraving
(1659 - 1733)
Carte du gouvernement de Lyonnois, suivant les nouvelles observations de Mssrs. de l'Académie royale des sciences, etc, ... augmentées de nouveau
Copperplate engraving
(1659 - 1733)
CARTE DE GOUVERNEMENT DE DAUPHINE. Suivant les Nouvelles Observations de Mess.rs de l'Academie Royale des Sciences, etc. Augmentées de Nouveau.
Copperplate engraving
(Lyon 1818 - 1898)
A gorge de Loup (Environs de Lyon)
Etching
(1656-1722)
LYON, ville capitale de la Province et du gouvernement général du Lyonois
(C-1735-1793)
After Soufflot
LOGES DES CHANGES DE LYON,
Etching
(1818 - 1896)
CHAMBERY, Vue générale prise de Lémenc (Dép. dela Savoie)
Encolored lithography
(1818 - 1896)
CHÂTEAU DE CHAMBERY (Dép. de la Savoie)
Lithography
(1818 - 1896)
CHAMBERY, Vue générale prise de Lémenc (Dép. de la Savoie)
Lithography
(1813 - c. 1880)
SAINT JEAN CATHÉDRALE DE LYON, plate from" le Moyen Age Monumental et Archéologique"
Lithograph in colours
(1541-1622) (1535-1590)
CARTE DE LION
(Active at the beginning of XIX century)
SAINT NIZIER à Lyon
Lithograph
(Active at the beginning of XIX century)
SAINT NIZIER à Lyon
Lithograph
(1718? - 1795)
View of the waterfall of the Breda canal
After Ballin
Etching
(1813 - 1890)
LE FER-A-CHEVAL ET LE MONT TENNEVERGES près de Sixt
After Félix Benoist (1818-1896)
Lithography
(1813 - 1890)
ALBY, près d'Annecy
After Félix Benoist (1818-1896)
Lithography
(1813 - 1890)
TANINGES
After Félix Benoist (1818-1896)
Lithography
(1813 - 1890)
LA PERTE DU RHÔNE
After Félix Benoist (1818-1896)
Lithography
(1813 - 1890)
TOUR DE CHAMARET - Dauphiné
After Léon Sabatier (?-1887)
Lithography
(1818 - 1899)
VALLEE DE SAMOENS, Vue prise de la Chapelle du Château (Dep.t de la H.te Savoie)
After Félix Benoist (1818-1896)
Lithography
(1725 - 1805)
DESCRIPTION HISTORIQUE ET POLITIQUE DE LA FRANCE Gouvernement de Dauphiné et Généralité de Grenoble
Watercolor print
(1740 - 1803)
VUE DE LA PARTIE DE LA MONTAGNE DU PUY APPELLEE LE FOND DES ROCHES prise aupres de la rive gauche de la Romanche, a 1/2 lieue du Bourg d'Oisans - N°4
After Ballin (French school 18th)
Etching
(Actif 1827 - 1920)
Le Pont du Diable
From a photograph by Frédéric Martens (1806-1885)
Color and varnished lithograph
(1818 - 1866)
St Denis (Ile de la Réunion)
(1800 - 1870)
Map of the Island of La Réunion
Lithograph handcoloured
(Brest 1735 - Paris 1795)
Drawing by Nicolas Marie OZANNE (Brest 1728 - Paris 1811)
"Vue du mouillage" Le fort Saint Pierre dans l'Isle de la Martinique, from collection of different harbors circa 1780
Etching and engraving
(1735 - 1795)
Le cap François dans l'isle de Saint-Domingue
after Nicolas Marie Ozanne (1728 - 1811)
Etching and engraving
(1735 - 1795)
Le Port au Prince dans l'isle de Saint-Domingue
after Nicolas Marie Ozanne (1728 - 1811)
Etching and engraving
(Perouse 1635 - Rome 1700)
Roman Figures
handcoloured etching
(1746 - before 1827)
Amores
after Vincenzo Brenna (1747 - circa1818)
Etching handcoloured
(1746 - before 1827)
Solis . Quadrigae
after Vincenzo Brenna (1747 - circa 1818)
Etching handcoloured
(1746 - before 1827)
Venus and Mars
after Vincenzo Brenna (1747 - circa1818)
Etching handcoloured
(1746 - before 1827)
Minerva victrix
after Vincenzo Brenna (1747 - circa 1818)
Etching handcoloured
(1746 - before 1827)
Genius Bacchi
after Vincenzo Brenna (1747 - circa 1818)
Etching handcoloured
(1734 - 1817)
After MANSART L'AINÉ (1705 -1779)
DÉCORATION D'UNE CHEMINÉE, plate 64
Etching
(1610 - 1664)
Ornamenti di fregi e fogliami
Etching
(1610 - 1664)
Raccolta di vasi diversi
Etching
(Active near 1750 - 1785)
New optic view representing the perspective of Jardin des Marchands at one of the Paris gates
Etching handcoloured
(1801- 1887)
PLAN GÉNÉRAL du parc paysagiste dépendant des propriétés de PETITVAUX ET GRANVDVAUX
Steel print water colours
(1801- 1887)
PLAN DU JARDIN DE LA PROPRIÉTÉ DE MONSIEUR BAXEAU À BRETONCELLES
Steel print water colours
(1801- 1887)
PLAN DU CHÂTEAU DE VIGNEAUX DE JOUY- LE CHÂTEL
Steel print water colours
(1801- 1887)
PLAN DU JARDIN PAYSAGISTE, POTAGER DE MONSIEUR PORCHÉ À SEVRAN
Steel print water colours
(19th century)
Land register of a propretry
Watercolor
(1767 - 1855)
Neptune's cave in Tivoli
Lithograph
(17? - 18?)
Follies near the Saint-Pierre-aux-Liens convent in Rome
After Jean-Baptiste Coste (1746 - 1819)
Crayon manner
(1769 - 1845?)
Folly in front of St. Ceciclia in Rome
Ruins of the Temple of Sybil in Tivoli
After Jean-Baptiste Coste (1746 - 1819)
Crayon manner
(1769 - 1845?)
Follies on the Esquilin Mount in Rome
Feuillantines Convent in Rome
After Jean-Baptiste Coste (1746 - 1819)
Crayon manner
(1769 - 1845?)
Ruins of an old castle in Civita Lavinia
Follies
After Jean-Baptiste Coste (1746 - 1819)
Crayon manner
(1769 - 1845?)
Follies of St. John and St. Paul
Follies
After Jean-Baptiste Coste (1746 - 1819)
Crayon manner
(1769 - 1845?)
Ruins of Pompey's house
Ruins of a part of Julius Caesar's palace on the Ancient Forum
After Jean-Baptiste Coste (1746 - 1819)
Crayon manner
(1769 - 1845?)
Follies near Saint-Jean-de-Latran in Rome
Ruins of an antique rampart
After Jean-Baptiste Coste (1746 - 1819)
Crayon manner
(1726 - 1788)
and Carl Wilhelm Weisbrod (1743-1806)
Vue du Temple Exastile Periptere de Pestum près de Salernes à 20 lieues de Naples
After Hubert ROBERT (1733-1808)
(1726 - 1788)
and François Allix (1752?-1794)
Vue de la Ville de Taormina, prise en dehors et aux pieds de l'Avant Scene de son ancien Théâtre
After Claude-Louis Châtelet (1753-1795)
Etching
(Active between 1771 - 1789)
Profiles and sections of architectural elements
Etching
(1737 - 1831)
Two views of Paris :
Vue intérieure de Paris représeantant le port au blé depuis l'extrémité de l'ancien Marché aux veaux jusqu'au Pont Notre-Dame
Vue intérieure du port St Paul prife du Quay des Ormes vis-a-vis l'ancien Bureau des Coches d'eau
After Louis-Nicolas Chevalier de Lespinasse (1734 - 1808)
Etching and engraving
(1737-1831)
Vue prise à l'entrée des excavations faites dans les Thermes de Catane aux frais du prince de Biscaris
After Louis-Jean Desprez (1743-1804)
Etching
(17.. - 17..?)
Drawn by Fourdrinier
PL XXII
Etching
(Paris 1751 – 17..)
Ornements de la colonne Trajane
Crayon manner, impression in blood orange
(1743 - 1804)
Architecture, Sallon. Vue perspective sur la largeur
after Charles DE WAILLY (1729-1798)
Etching
(Actives between 1551 and 1605)
Perspective view of a city entrance
after Hans Vredeman de Vries (1527 - 1606?)
Engraving
(Actives between 1551 and 1605)
Perspective view of a palace facade
after Hans Vredeman de Vries (1527 - 1606?)
Engraving
(Actives between 1551 and 1605)
Perspective view of a colonnade
after Hans Vredeman de Vries (1527 - 1606?)
Engraving
(Actives between 1551 and 1605)
Perspective view of a bulding spaning a canal
after Hans Vredeman de Vries (1527 - 1606?)
Engraving
(XIX Century)
After PAILLET ( XIX century)
Chromolithographie
1930
WARDROBE, N°2
Watercolor
1950
Shoes' shop
Watercolor
1930
WARDROBE, N°1
Watercolor
1930
IINTERIOR
Watercolor
(1761 - 1831)
FAÇADE D'UNE BOUTIQUE DE PHARMACIEN
Edited by Pierre de la Mésangère (Circa 1810), plate 35 from " Meubles et Objets de Goût"
(1761 - 1831)
FAÇADE D'UNE BOUTIQUE DE PHARMACIEN
Edited by Pierre de la Mésangère (Circa 1810), plate 218 from " Meubles et Objets de Goût"
(1714 - 1791)
PLATE 6
Edited by Pierre de la Mésangère (Circa 1810)
(1714 - 1791)
PLATE 7
Edited by Pierre de la Mésangère (Circa 1810)
(1714 - 1791)
PLATE 1
Edited by Pierre de la Mésangère (Circa 1810)
(1714 - 1791)
PLATE 9
Edited by Pierre de la Mésangère (Circa 1810)
(1714 - 1791)
PLATE 5
Edited by Pierre de la Mésangère (Circa 1810)
(1714 - 1791)
PLATE 3
Edited by Pierre de la Mésangère (Circa 1810)
(1714 - 1791)
PLATE 10
Edited by Pierre de la Mésangère (Circa 1810)
(1761 - 1831)
SALLE À MANGER DU PALAIS IMPÉRIAL DE ST CLOUD
Edited by Pierre de la Mésangère (Circa 1810), plate 24 from " Collection des maisons de commerce et intérieurs les mieux décorés "
(1761 - 1831)
CABINET DE TOILETTE DE MADAME DE M
Edited by Pierre de la Mésangère (Circa 1810)plate 34 from "Collection des maisons de commerce et intérieurs les mieux décorés "
(1761 - 1831)
SALLE DE BAIN EXÉCUTÉE DANS LA MAISON DE M
Edited by Pierre de la Mésangère (Circa 1810), plate 34 from " Collection des maisons de commerce et intérieurs les mieux décorés "
(1761 - 1831)
BIBLIOTHÈQUE EXÉCUTÉE DANS LA MAISON DE MR DE M
Edited by Pierre de la Mésangère (Circa 1810), plate 32 from " Collection des maisons de commerce et intérieurs les mieux décorés "
(1761 - 1831)
FAÇADE ET VESTIBULE D'UN MAGASIN
Edited by Pierre de la Mésangère (Circa 1810), plate 205 from " Meubles et Objets de Goût"
(1761 - 1831)
FAÇADE DE MR LESCOT, PHARMACIEN RUE DE GRAMONT
Edited by Pierre de la Mésangère (Circa 1810), plate 1 from " Meubles et Objets de Goût"
(1761 - 1831)
FAÇADE DE LA BOUTIQUE DE MR DUFAU, PHARMACIEN RUE DU MONT-BLANC N 34
Edited by Pierre de la Mésangère (Circa 1810), plate 23 from " Meubles et Objets de Goût"
(1761 - 1831)
BOUCHERIE TENUE PAR MR SHULER, RUE DE TURENNE N °45
Edited by Pierre de la Mésangère (Circa 1810), plate 31 from " Meubles et Objets de Goût"
(1761 - 1831)
BOUTIQUE DE MR MALEZIEUX, RUE ST AVOYE, N°17
Edited by Pierre de la Mésangère (Circa 1810), plate 37 from " Meubles et Objets de Goût"
(1761 - 1831)
BOUTIQUE EXECUTÉES RUE DES FOSSÉS ST GERMAIN DES PRÉS N° 17 PAR MR NEPEUX ARCHITECTE
(1731-1807)
[Azaleas and bird]
Hand colored etching
(1731-1807)
[Hibiscus and bird]
Hand colored etching
(1731-1807)
[Jasmine and bird on a rock]
Hand colored etching
(1731-1807)
[Chinese pear blossom]
Hand colored etching
(1731-1807)
[Lily and grasshopper]
Hand colored etching
(1731-1807)
[Jasmine and bird]
Hand colored etching
(1731-1807)
[Jasmine and bird]
Hand colored etching
(1731 - 1807)
Helleborine orchid of China
Hand colored etching
(1731 - 1807)
Persicaria of China
Hand colored etching
(1731 - 1807)
The yellow speckled lily of China
Hand colored etching
(19th)
Apoloderma narina
Handcolored etching
(1804–1881)
and et RICHTER Henry Constantine (1821–1902)
SOMATERIA MOLISSIMA
Handcolored lithography, arabic gum
(1804–1881)
and et RICHTER Henry Constantine (1821–1902)
Odontophorus columbianus
Handcolored lithography, arabic gum
(1804–1881)
and et RICHTER Henry Constantine (1821–1902)
COLYMBUS SEPTENTRIONALES, Linn.
Handcolored lithography, arabic gum
(1804–1881)
and et RICHTER Henry Constantine (1821–1902)
BERNICLA BRENTA
Handcolored lithography, gum arabic.
(1804–1881)
and William Mattew HART
ALCA IMPENNIS
Handcolored lithography and arabic gum
(1804–1881)
BEARDED VULTURE OR LOEMMER GEYER. Gypaëtus barbatus; (Storr)
Handcolored lithography
(1804–1881)
and et RICHTER Henry Constantine (1821–1902)
CALLIPEPLA SQUAMATA
Handcolored lithography, gum arabic
(1804–1881)
et RICHTER Henry Constantine (1821–1902)
Clytolaema Rubinea
Lithograph
(1804–1881)
and et RICHTER Henry Constantine (1821–1902)
STERCORARIUS CATARRACTES
Handcolored lithography, gum arabic.
(1804–1881)
and et RICHTER Henry Constantine (1821–1902)
CALLIPEPLA ELEGANS
Handcolored lithography, gum arabic.
French school 19th
after Jean Gabriel PRÊTRE (1768 - 1849)
1. Sittelle ponctuée (Nouv. Zélande) 2. sénégali oculé (Nouv. Zélande) 3. synallaxe grivelée (Nouv. Zélande)
Hand coloured etching.
French school 19th
after Jean Gabriel PRÊTRE (1768 - 1849)
1. Claucope cendré, mâle (Nouvelle-Zélande) 2. Son sternum vu de face.
3. Sternum vu de profil. 4. Sa patte. 5. Sa langue
Hand coloured etching.
(1799 - 1877) Author
Le vini écarlate sur un melastoma taitense, Pl.5
Hand coloured etching.
Editor (1723 - 1799)
GYMNOTUS CARAPO GYMNOTUS BRACHIURUS
Engraved by Ludewig Schmidt after Kruger
Coloured etching
French school, 19th
LE LUMP (Islande)
Handcolored etching.
(1776 - 1831?)
TURBOT A LONGS FILETS
Handcolored etching
(1745 - 1807)
A. Le saumon truite B. Le saumon des fontaines
Handcolored etching.
(1745 - 1807)
L'EGREFIN (Islande)
Handcolored etching.
Editeur (1843 - 1909)
1.2. Lotte commune 3.4. Chabot de rivière en livrée claire, en livrée foncée 5. Glowacz 6.8. Epinoche, à queue cuirassée, à queue nue, en livrée de noce 9. Epinochette commune
Lithography
Editeur (1843 - 1909)
1. Silure 2. Silure dorée 3. Loche franche 4. Loche d'étang 5. Loche de rivière
Lithography
Editeur (1843 - 1909)
1. Abramidopsis leuckarti 2. Bliccopsis abramorutilis 3. Leucaspius delineatus 4. Aspius rapax...
Lithography
Editeur (1843 - 1909)
1. Pope 2. Perch 3. Gold Perch 4. Streber 5. Cingle 6. Danube Pope
Lithography
French school, 19th
1. Le Merlan Commun (Gadus merlangus) - 2. Le Gade Verdatre (Gadus virens)
Handcolored etching.
(1818 - 1866)
The fishing of herrings in the Channel in front of the Casquets
Lithograph handcoloured
(1882 - 1958)
VIVE
Chromolithography
(1736 - 1820)
After Nicolas Maréchal (?-1803)
The Porpoise
Watercoor etching
French school, 19th
After Antoine Germaine BEVALLET (1779 - 1850)
1. Platycéphale brun. (Port-Jackson) 2. Platycéphale ponctué (Vanikoro)
3. Platycéphale de bass . (Port-Western) 4. Platycéphale lisse (Port-Western) 5. Platycéphale porte-scie (Hâvre-Dorey)
Handcolored etching with gum arabic
(XIXe)
MOLLUSQUES, PL.31
After Paul Louis OUDART (1796 - 1860)
Aquatint
(19th)
MOLLUSQUES, PL.35
After Borromée
Aquatint
(1787 - 18?)
"MOLLUSQUES, PL.19"
After Borromée
Aquatint
(1787 - 18?)
MOLLUSQUES, PL.28
after Paul Louis OUDART (1796 - 1860).
Aquatint
(Active between 1841 and 1852
MOLLUSQUES, PL.41
After Paul Louis OUDART (1796 - 1860)
Aquatint
(Active between 1841 and 1852
MOLLUSQUES, PL.34
After Paul Louis OUDART (1796 - 1860)
Aquatint
(1754-1843)
ROSE À CENT FEUILLES
Lithograph handcoloured
(D'après Melle Jouanon)
ANÉMONE DOUBLE PANACHÉE, POIX DE SENTEUR
(1731-1807)
FLEUR DE LA CHINE
Aquatint handcoloured
(1731-1807)
[Azaleas and bird]
Hand colored etching
(1731-1807)
[China's Sparmann]
Hand colored etching
(1731-1807)
[Hibiscus and bird]
Hand colored etching
(1731-1807)
[Jasmine and bird on a rock]
Hand colored etching
(1731-1807)
[Chinese pear blossom]
Hand colored etching
(1731-1807)
[Lily and grasshopper]
Hand colored etching
(1731-1807)
[Jasmine and bird]
Hand colored etching
(1731-1807)
[Jasmine and bird]
Hand colored etching
(1731 - 1807)
Helleborine orchid of China
Hand colored etching
(1731 - 1807)
Persicaria of China
Hand colored etching
(1731 - 1807)
The yellow speckled lily of China
Hand colored etching
(1749 - 1815)
And thou, divine Linnaeus, traced my reign ...
after Philip Reinagle (1749 - 1833)
Stipple printed in colours
(1749 - 1815)
Andromache weeping over the ashes of Hector
after Angelica Kauffman (1741-1807)
Mezzotint
(XiXth Century )
PINS D'ITALIE
Lithograph hancoloured, arabic gum
(XiXth Century )
SAULE
Lithograph hancoloured, arabic gum
(XiXth Century )
HÊTRE
Lithograph hancoloured, arabic gum
(1795 - 1870)
PINS D'ITALIE
Lithography
(1795 - 1870)
CHARME
Lithography
(1795 - 1870)
MARRONNIER
Lithography
(1795 - 1870)
BOULEAU
Lithography
(1795 - 1870)
SAULE PLEUREUR
Lithography
(1821 - 1859)
After Emile VAN MARCKE (1827-1890)
VACHE DE JERSEY, planche X from Les Races Bovines au Concours Universel Agricole de Paris en 1856
Heliogravure
(1821 - 1859)
After Joseph MELIN (1814-1886)
TAUREAU CHAROLAIS, plate LXIX from Les Races Bovines au Concours Universel Agricole de Paris en 1856
Heliogravure
(1821 - 1859)
After Emile VAN MARCKE (1827-1890)
TAUREAU DE SCHWITZ, plate XXXVIfrom Les Races Bovines au Concours Universel Agricole de Paris en 1856
Heliogravure hancoloured, arabic gum
(1821 - 1859)
After VILLAMIL (XIXth Century)
TAUREAU DE JERSEY, plate IX, from Les Races Bovines au Concours Universel Agricole de Paris en 1856
Heliogravure hancoloured, arabic gum
19 th
[At the chicken coop: rooster, hens and cat]
Aquatint in colors
(Active in the 19th century)
Cats playing
Aquatint
(1823 - ?)
After Emile Van Marcke (1827-1890)
TAUREAU D'AUBRAC, plate LXXI from Les Races Bovines au Concours Universel Agricole de Paris en 1856
Glymmatogravure hancoloured, arabic gum
(1823- ?)
After Joseph MELIN (1814-1886)
TAUREAU DE HEREFORD, plate V from Les Races Bovines au Concours Universel Agricole de Paris en 1856
Glymmatogravure hancoloured, arabic gum
(1823- ?)
After Joseph MELIN (1814-1886)
VACHE DE HEREFORD, plate VI from Les Races Bovines au Concours Universel Agricole de Paris en 1856
Glymmatogravure
(1823- ?)
After Joseph MELIN (1814-1886)
TAUREAU DE LENESCHITZ, plate LVII from Les Races Bovines au Concours Universel Agricole de Paris en 1856
Glymmatogravure
(1823 - ?)
After Emile Van Marcke (1827-1890)
TAUREAU D'AUBRAC, plate LXXI from Les Races Bovines au Concours Universel Agricole de Paris en 1856
Glymmatogravure
(1872 - 1926)
Dogs
Lithograph in colours
(1736 - 1810)
La Servante : Joséphine, bonne d'enfants
Etching
(Germany 1883 - 1945)
[Terrier]
Drypoint
(Germany 1883 - 1945)
[Dog and bee]
Drypoint
(Germany 1883 - 1945)
[Bulldog]
Drypoint
(Germany 1883 - 1945)
[Standing bulldog]
Drypoint
(Germany 1883 - 1945)
[Dog playing with a hedgehog]
Drypoint
(1743 - 1822)
A Grey-hound's head
after Thomas WIJCK (1616/24 - 1677) and Joseph FARINGTON (1747 - 1821)
Mezzotint with stipple and etching
(1743 - 1822)
A flower piece
Mezzotint with stipple and etching
(20th century)
Cat behind a curtain
Etching in colors
(1819 - 1882)
After Joseph MELIN (1814-1886)
TAUREAU DE MURZTHAL, plate L from Les Races Bovines au Concours Universel Agricole de Paris en 1856
Lithographie hancoloured, arabic gum
(1819 - 1882)
D'après Emile VAN MARCKE (1827-1890)
TAUREAU D'AYR, plate XII from Les Races Bovines au Concours Universel Agricole de Paris en 1856
Lithographie hancoloured, arabic gum
(1819 - 1882)
After Joseph MELIN (1814-1886)
TAUREAU DE MURZTHAL, plate L from Les Races Bovines au Concours Universel Agricole de Paris en 1856
Lithograph
(1759 - 1800)
LE MAGOT Buff, Plate 1er from " L' Histoire Naturelle des Singes et des Makis" (1792-1800)
Copper plate engraving handcoloured
(1759 - 1800)
L'Entelle. Simia entellus.
Engraving
(1759 - 1800)
LE PONGO Buff, Plate 1er from " L' Histoire Naturelle des Singes et des Makis" (1792-1800)
Copper plate engraving handcoloured
(1759 - 1800)
LE MANDRILL Buff, Plate 1er from " L' Histoire Naturelle des Singes et des Makis" (1792-1800)
Copper plate engraving handcoloured
(1759 - 1800)
LE HAKI-ROUX Plate 2 from " L' Histoire Naturelle des Singes et des Makis" (1792-1800)
Original copper plate engraving handcoloured
(1759 - 1800)
LE HOCHEUR, Plate 2 from " L' Histoire Naturelle des Singes et des Makis" (1792-1800)
Copper plate engraving handcoloured
(1921 - 2009)
Armadillo
Mezzotint
(1921 - 2009)
Owls
Mezzotint
(1796 - 1875)
Une Lionne et ses Petits
Lithograph
French school, 19th century
After Jean Baptiste HUET (1772 - 1852)
L'éléphant femelle
Etching
(Paris, 1973)
Toucan
Linocut
(Paris, 1973)
One gull
Linocut
(Paris, 1973)
Couple of elephant
Linocut
(Paris, 1973)
Walruses
Linocut
(Paris, 1973)
Dromadories
Linocut
(Paris, 1973)
Squirrel
Linocut
(Paris, 1973)
White bear
Linocut
(Paris, 1973)
Octopus
Linocut
(Paris, 1973)
Panda
Linocut
(Paris, 1973)
Sharks
Linocut
(Paris, 1973)
Owl
Linocut
(Paris, 1973)
Black horse
Linocut
(1736 - 1820)
After Nicolas Maréchal (?-1803)
Le Sajou
Watercoor etching
(1736 - 1820)
After Nicolas Maréchal (?-1803)
Elephantus indicus - L'éléphant des Indes
Etching
Histoire naturelle coléoptères
plate n°187 from the encyclopedy Bouasse-Lebel
Handcoloured etching
Mushrooms
plate from the encyclopedy Bouasse-Lebel
etching in colours
( XIXth Century)
The Pitmaston White Cluster Grape
Lithograph handcolored
( XIXth Century)
FRUITS
Lithograph handcolored
( XIXth Century)
FIGUES, PRUNES,POMMES, FRAISES, RAISINS
Lithograph handcolored
( XIXth Century)
GROSEILLES, PRUNES, PÊCHES, POIRES, ABRICOTS ET CERISES
Lithograph handcolored
(XiXth Century )
PÊCHE, RAISIN, plate 39
Lithograph
(XIX)
Terret Gris ou Terret Bourret, plate IX from "Description des cépages principaux de la région méditéranéenne de la France"
Chromolithograh handcoloured
(XIX)
Jouannen, plate XII from "Description des cépages principaux de la région méditéranéenne de la France"
Chromolithograh handcoloured
(XIX)
Brun Fourca, plate XV from "Description des cépages principaux de la région méditéranéenne de la France"
Chromolithograh handcoloured
(XIX)
Petit Bouschet, plate XXV from de "Description des cépages principaux de la région méditéranéenne de la France"
Chromolithograh handcoloured
(XIX)
Oeillade-noire, plate VII from "Description des cépages principaux de la région méditéranéenne de la France"
Chromolithograh handcoloured
(XIX)
Ugni Blanc, plate VI from "Description des cépages principaux de la région méditéranéenne de la France"
Chromolithograh handcoloured
(XIX)
Piquepoul.Rose ou gris, plate XIV from "Description des cépages principaux de la région méditéranéenne de la France"
Chromolithograh handcoloured
(XIX)
Charge-Mulet, Fouiral. Tribu des Calitors, plate XX from "Description des cépages principaux de la région méditéranéenne de la France"
Chromolithograh handcoloured
(XIX)
Furmint de Hongrie, plate XXIX from "Description des cépages principaux de la région méditéranéenne de la France"
Chromolithograh handcoloured
(XIX)
Aramon, plate V issue de "Description des cépages principaux de la région méditéranéenne de la France"
Chromolithograh handcoloured
(XIX)
Maccabéo du Roussillon, plate XVIIfrom "Description des cépages principaux de la région méditéranéenne de la France"
Chromolithograh handcoloured
(XIX)
Morrastel, plate 5 from "Description des cépages principaux de la région méditéranéenne de la France"
Chromolithograh handcoloured
(XIX)
Cinsaut, plate X from "Description des cépages principaux de la région méditéranéenne de la France"
Chromolithograh handcoloured
(XIX)
Carignane, planche1from de "Description des cépages principaux de la région méditéranéenne de la France"
Chromolithograh handcoloured
(XIX)
Malvoisie Blanche, plate XIX issue de Description des cépages principaux de la région méditéranéenne de la France"
Chromolithograh handcoloured
(XIX)
Olivette Blanche, plate XXX issue de "Description des cépages principaux de la région méditéranéenne de la France"
Chromolithograh handcoloured
(XIX)
Muscat d'hambourg, plate XXII from de "Description des cépages principaux de la région méditéranéenne de la France"
Chromolithograh handcoloured
(XIX)
Olivette noire, plate XXIV issue de "Description des cépages principaux de la région méditéranéenne de la France"
Chromolithograh handcoloured
(Marseille 1805 - 1888 Paris)
Redouté
Marie Éléonore GODEFROY (1778 - 1849)
Lithograph
(1783 - 1847)
After François Gérard ( 1770-1837)
(1759 - 1840)
OEILLET D'INDE from "Choix Des Plus Belles Fleurs"
Engraved by Bessin
Stipple engraving handcoloured
(1759 - 1840)
BIGNONIA CAPENSIS
Engraved by Langlois
Stipple engraving handcoloured
(1759 - 1840)
Engraved by Bessin
Jacinthe d'Orient, variété rose, Hyacinthus Orientalis, Plate from "Choix des plus belles fleurs"
Stipple engraving printed in colour finished by hand
(1759 - 1840)
Engraved by Gabriel
IXIA LILIAGO. IXIA FLEUR DE LIS, plate 109 from "Les Liliacées" (1802-1816)
Stipple engraving printed in colour finished by hand
(1759 - 1840)
STUARTIA PENTAGYNA
Stipple engraving handcoloured
(1759 - 1840)
DATURA Loevis - DATURA à fruit lisse
Stipple engraving handcoloured
(1759 - 1840)
GLADIOLUS cuspidatus - GLAYEUL en pointe
Stipple engraving handcoloured
(1759 - 1840)
MIMULUS
Stipple engraving handcoloured
(1759 - 1840)
MAGNOLIA Soulangiana
Stipple engraving handcoloured
(1759 - 1840)
GLAYEUL COULEURS DE LAQUE ( Gladiolus Laccatus)
Stipple engraving handcoloured
(1759 - 1840)
REDUTEA heterophylla
Stipple engraving handcoloured
(1759 - 1840)
ILEX AQUIFOLIUM. HOUX COMMUN
Stipple engraving handcoloured
(1759 - 1840)
ABRICOT PÊCHE
Aquatint handcoloured
(1759 - 1840)
Détails du Muflier à Grande Fleur, plate from "La Botanique de Jean-Jacques Rousseau" (1805)
Stipple engraving printed in colour finished by hand
(1759 - 1840)
Engraved by Chapuy
ALLIUM Carolinianum, AIL de Caroline, plate 101 from "Les Liliacées" (1802-1816)
Stipple engraving printed in colour finished by hand
(1759 - 1840)
Engraved by N. Langlois
VIEUSSEUXIA GLAUCOPIS, VIEUSSEUXIE à Taches Bleues, plate 42 from "Les Liliacées" (1802-1816)
Stipple engraving printed in colour finished by hand
(1759 - 1840)
Engraved by L.F Allais
METROSIDEROS Anomala, plate 5 from "Les Liliacées" (1802-1816)
Stipple engraving printed in colour finished by hand
(1759 - 1840)
Engraved by Langlois
CONVALLARIA Japonica, MUGUET du Japon, plate 80 from "Les Liliacées" (1802-1816)
Stipple engraving printed in colour finished by hand
(1759 - 1840)
Engraved by Chapuy
GLADIOLUS Plicatus, GLAYEUL Plissé, plate 90 from "Les Liliacées" (1802-1816)
Stipple engraving printed in colour finished by hand
(1759 - 1840)
Engraved by Chapuy
IXIA Polystachia, IXIA à plusieurs épis, plate 126 from "Les Liliacées" (1802-1816)
Stipple engraving printed in colour finished by hand
(1759 - 1840)
Engraved by L.F Allais
CENTAUREA Pumila, plate 9 from "Les Liliacées" (1802-1816)
Stipple engraving printed in colour finished by hand
(1759 - 1840)
Engraved by Chapuy
ALLIUM Scorzonerafolium, AIL à feuilles de Scozonère plate 99 from "Les Liliacées" (1802-1816)
Stipple engraving printed in colour finished by hand
(1833-1900)
Pointer (Chien d'arrêt) et Perdrix (Après le tiré, N°11)
Lithograph hancoloured
(England 1809 - 1870)
Trouble ahead
Lithograph in colours
(1813-1890)
After Walker
Hunting l'Arks
Lithograph hancoloured, arabic gum
(1835 - 1907)
Steeple chase cracks
(we add : the jolly hunters)
lithographs in colours
(Paris 1810 - 1860)
[Horsemen followed by a carriage]
Lithograph in two tones, watercolor on the horsemen.
(1810 - 1860)
Crossing the ford
Lithograph handcoloured
(19th Century)
L'arrivée au rendez-vous
Lithograph hancoloured, arabic gum
(1743 - 1822)
A Grey-hound's head
after Thomas WIJCK (1616/24 - 1677) and Joseph FARINGTON (1747 - 1821)
Mezzotint with stipple and etching
(1879 - 1942)
COSTUMES PARISIENS, PLANCHE 109
Etching and stencil.
(1834-1916)
Une première affaire
photoengraving
(1793 - 1867)
CHASSE AUX FAISANS
Lithograph hancoloured, arabic gum
(1793 - 1867)
SORTIE DE CHENIL
Lithograph hancoloured, arabic gum
(1793 - 1867)
LE RETOUR DU CHASSEUR
Lithograph hancoloured, arabic gum
(1793 - 1867)
CHASSE AU BROCHET
Lithograph hancoloured, arabic gum
(1793 - 1867)
CHASSE AU MARAIS N°8
Lithograph hancoloured, arabic gum
(1793 - 1867)
L'OISEAU DE PROIE
(1793 - 1867)
LE CHASSEUR FAUTIF
Lithograph hancoloured, arabic gum
(1793 - 1867)
L' ARRÊT
Lithograph hancoloured, arabic gum
(1793 - 1867)
LE JOUR DE GUIGNON
(1793 - 1867)
LE GARDE DES VIGNES
Lithograph hancoloured, arabic gum
(1793 - 1867)
CHASSE AUX CANARDS
Lithograph hancoloured, arabic gum
(1793 - 1867)
ENTRÉE EN CHASSE
Lithograph hancoloured, arabic gum
(1793 - 1867)
LE CHASSEUR EN JOUISSANCE
Lithograph hancoloured, arabic gum
(1793 - 1867)
LE FOSSÉ
Lithograph hancoloured, arabic gum
(1801 - 1866)
Soothsayer
Lithograph
(1801 - 1866)
Le Léopold
Lithograph
(1801 - 1866)
Adonis
Lithograph
(1801 - 1866)
Copenhagen
Lithograph
(1801 - 1866)
Phantom
Lithograph
(1801 - 1866)
Le Persan
Lithograph
(1801 - 1866)
Monitor
Lithograph
(1801 - 1866)
Moser
Lithograph
(1801 - 1866)
Primrose and her foal
Lithograph
(1801 - 1866)
Princess royal
Lithograph
(1801 - 1866)
Maringo
Lithograph
(1801 - 1866)
Cossack horse
Lithograph
(1785 - 1851)
The Foal
Etching and soft ground handcoloured
(1785 - 1851)
The Post horse
Etching and soft ground handcoloured
(1785 - 1851)
The Harness-horse
Etching and soft ground handcoloured
(1785 - 1851)
The Race horse
Etching and soft ground handcoloured
(1785 - 1851)
The Colt
Etching and soft ground handcoloured
(Century XIX)
After Alfred de Dreux (1810 - 1860)
L'ORAGE, ETALON FRANCHISSANT UNE HAIE, N°13
Lithograph hancoloured, arabic gum
(1761 - 1832)
Rentrée de Mameluks dans un fort
after Carle Vernet (1758 - 1836)
Aquatint and etching
(active c. 1840 - 1867)
Brevet de contre-pointe
handcoloured lithograph
(Paris 1885 - 1964)
The rest of the boxer
aquatint in colours
(17? - 1820)
Sandis si l'on ne me retenois, j'irois comme le Vent
Etching handcoloured
(Active of the XIXth century)
Le boxeur blessé et ses parieurs consternés
Etching handcoloured
(active c. 1861 - 1879)
Brevet de canne
handcoloured lithograph
(1882 - 1959)
Heath in his Panhard car winner of the circuit des Ardennes
Lithography in colors
(1882 - 1959)
Heath in his Mercédès car winner of the Gordon-Bennett cup
Lithograph handcolored
(active c. 1852 - 1858)
Brevet de bâton
handcoloured lithograph
(active c. 1852 - 1858)
Brevet de pointe
handcoloured lithograph
(active c. 1860)
La leçon d'escrime (the fencing lesson)
handcoloured lithograph
(active c. 1860)
Brevet de contre-pointe
handcoloured lithograph
(Active circa 1814 - 1834)
L'anglais et son maître d'escrime
Etching handcolored
(1869 - 1959)
The tennis player
pochoir
(1869 - 1959)
The tennis player
pochoir
(1717 - 1810)
Position après avoir desarmé sur le coup de quarte
sheet n° 35 after the Desseins Originaux des Attitudes Continuée dans L'École des Armes by James GWIN (1700 - 1769)
handcoloured etching
(1700 - 1769)
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.
sheet n° 47 after the Desseins Originaux des Attitudes Continuée dans L'École des Armes from James Gwin
handcoloured etching
(1754 - 1829)
Les Joueurs du bon Genre
Etching handcouloured
(1863 – 1916)
Corrida: une bonne pique
Lithograph, impression in colours. (set of 6 plates)
(Active in the 18th and 19th century)
Vue de St Denis prise du pont
Handcolored etching
(Active in the end of the 18th )
L'Etat de la Mort
Etching and engraving
(Active in the 18th and 19th century)
Cendrillon
Handcolored etching
(17.. - 18..)
Niccolò Paganini
Lithograph
(1814 - 1886)
Georges Kastner
Lithograph
(1814 - 1886)
Mme. Marie Cabel
Du théâtre impérial de l'opéra comique
Lithograph
(American)
Hand pulled prints
Lithograph
(Marseille 1860 - 1936)
N°1 La ville
Etching and aquatint
(1860 - 1936)
Bohemian
Etching, soft-ground etching and aquatint
(Rabat, Maroc 1948)
New Year's card
[to Olivier Aaron]
Etching, aquatint and open bite
(Rabat, Maroc 1948)
La place désertée
etching
(Valenciennes 1848 - Paris 1922)
L'Aveugle et Guzman d'Alfarache (détail)
after Théodule Ribot (Guingamp 1839 - Paris 1916)
Woodcut
(19th century)
Vue du théâtre italien
prise de la place
Handcoloured etching
Ikebana n°5
Woodcut in colours
Ikebana n°6
Woodcut in colours
Ikebana n°8
Woodcut in colours
Ikebana n°9
Woodcut in colours
Ikebana n°10 and 11
Woodcut in colours
(1817)
Russian general
Lithograph
(Mulhouse 1788 - 1839)
Gausserand de Pins
L'un des neuf barons de Catalogne
Lithograph
(1801 - 1863)
Jésus entre avec ses apotres
Epinal imagery
Handcolored woodcut
(1646 - c.1726)
Diana with a bow and arrow on a cloud
after Gérard DE LAIRESSE (1641 - 1711)
Etching
(1646 - c.1726)
Adoration of the kings
after Gérard DE LAIRESSE (1641 - 1711)
Etching
(1646 - c.1726)
Allegory of the Freedom of Trade
after Gérard DE LAIRESSE (1641 - 1711)
Etching
(XIXth Century)
Isabey
Lithograph
(XIXth Century)
Vernet
Lithograph
(XIXth Century)
Charlet
Lithograph
(1783 - 1821)
Portrait of Jacques-Luc Barbier (1769-1860) called Barbier-Valbonne
After Jean-Baptiste ISABEY (1767 - 1855)
Aquatint
(Nice 1787 - Paris 1858)
Girodet-Trioson, self-portrait
After Anne-Louis Girodet de Roucy Trioson, dit Girodet-Trioson (1767 - 1824)
Lithograph
(XVIIIth Century)
Portrait of Lambert Lombard
Copper engraving
(1853 - 1935)
Portrait of M. Français
After Emile-Auguste CAROLUS-DURAN (1837 - 1917)
Woodcut
(Bruxelles 1814 - Sèvres 1886)
P.KREMER
Lithograph
(Bruxelles 1814 - Sèvres 1886)
H.DECAISNE
Lithograp
(1799 - 1874)
Artist painting in landscape
Etching
(1885 - 1960)
Le peintre sur la place du village
Etching
(1800 - 1866)
Ah ! Jeune homme, quel état vous entreprenez là...!
Lithograph
(Paris 1851 - 1898)
Portrait of Daniel Vierge
after Paul RENOUARD (1845 - 1924)
Woodcut
(Paris 1882 - 1962 Méounes les Montrieux)
Han Ryner
Woodcut, impression in colours
(1846 - 1897)
Self-portrait
Etching
(1821 - 1913)
Camille Corot
Etching
(1736 - 1810)
Autoportrait
Etching
(1642 - 1711)
Gallant peintre
Etching and engraving
(1637 - 1718)
La Sculpture
Etching and engraving
(Active around 1770)
Portrait of François Boucher
After ROSLIN
Etching
(Born in Paris around 1750)
Prosper Joliot de Crebillon
After Gabriel François DOYEN (1726-1806
Engraving
(1750 - 1811)
Le tableau de famille
Etching handcoloured
(1699 - 1771)
Michel-Ange Slodtz
After Charles-Nicolas COCHIN (1715 - 1790)
Etching
(1762 - 1817)
Portrait of Jean-Baptiste Poquelin, Molière (1622 - 1673)
after Jean-François Garnerey (1755 - 1837)
Etching, engraving and aquatint in colours
(1670 - 1733)
Portrait of Anna Maria Romanus (1686 - 1713)
Etching and engraving
(c.1620-c.1664)
after Ippolito LEONI (1616-1694)
Cardinal Prosper Fagnano
Engraving
(1654 - 1726)
Marie Anne Chrétienne Victoire de Bavière Dauphine de France
Etching
(1654 - 1726)
Madame
Etching
(1637 - 1718)
La Princesse des Asturies
Etching handcoloured with rehaut gold
(1637 - 1718)
Madame la Duchesse Electoral de Bavière
Etching handcoloured with rehaut gold
(1637 - 1718)
Mademoiselle de Clermont ( Marie-Anne de Bourbon Condé née à Paris le 16 Octobbre 1697)
Etching handcoloured with rehaut gold
(1637 - 1718)
Louise Benedicte de Bourbon, Duchesse du Maine
Etching handcoloured with rehaut gold
(1637 - 1718)
Elizabeth Charlotte Palatine Duchesse d'Orléans
Etching handcoloured with rehaut gold
(1637 - 1718)
Marie-Elisabeth, Lucie, Thérèse, Josephe d'Autriche (Seconde de l'Empereur, née en 1680)
Etching handcoloured with rehaut gold
(1637 - 1718)
Louis XV, Roy de France
Etching handcoloured with rehaut gold
(1637 - 1718)
N... de Levis de Vandatour, Princesse de Rohan Soubire
Etching handcoloured with rehaut gold
(1652 - 1733)
Madame la Proncesse de Conty
Etching
(1602 - 1676) and Gilles ROUSSELET (1610 - 1686)
La Pucelle d'Orléans, plate 18 from La Galerie des Femmes fortes
After Claude VIGNON (1593 - 1670)
Etching and engraving
(1608 - c. 1680)
Portrait of Nostradamus (1503 - 1566)
Etching and engraving
(1592 - 1635)
Portrait de Charles Delorme
Etching
(1673 - 1721)
Marie Leczinski, reine de France
Etching handcoloured with rehaut gold
(1673 - 1721)
Le Prince de Conty
(1673 - 1721)
La Cérémonie du Mariage de Louis 15, Roi de France et de Navarre
Etching handcoloured with rehaut gold
(1673 - 1721)
Marie Elisabeth Archiduchesse d'Inspruck
(15? - 16?)
Portrait of the pope Gregory XIII (1502 - 1585)
Etching and engraving
(1762 - 1817)
Portrait of Georges Louis Leclerc, Comte de Buffon, Collection des Grands Hommes
After Jean-François GARNEREY (1755 - 1837)
Aquatint in colours
(Active between 1680 and 1720)
Marie Thérèse d'Autriche
Etching
(Ca.1700 - 1757)
Marie-Joseph de Saxe, Dauphine de France
After Quentin de la TOUR (1593-1652)
Engraving and etching
(1716 - 1764)
Portrait of Louis François Néel de Christot (1698 - 1775)
After Jacques André Joseph AVED (1702 - 1766)
Etching and engraving
(1716 - 1764)
Prosper Jolyot de Crebillon
After Jacques André Joseph AVED (1702 - 1766)
Etching and copper engraving
(Florence 1727 - 1815 Lisbon)
Miss Farren (Elizabeth Farren, Countess of Derby)
After Sir Thomas Lawrence (1769–1830)
Stipple engraving printed in brown
(Actif vers 1750 - 1787)
The true portrait of Marie Catherine Taperet, widow of Louis Alexandre Lescombat
Etching and engraving
(1738-1814)
Johann Gottlieb Böhme
after Anton GRAFF (1736-1813)
Engraving
(1731 - 1797)
Madame la Comtesse du Barry
After François-Hubert DROUAIS (1727 - 1775)
Copper engraving and etching
(1756 - 1822)
Gabriel Sénac de Meilhan
After Joseph-Siffrein DUPLESSIS (1725 - 1802)
Copper engraving
(1773 - 1847)
Portrait of Passewandoglu
Mezzotint
(1736 - 1810)
PORTRAIT DU SOUVERAIN PONTIF PIE VII
Etching
(active in the 17th and 18th centuries)
Louis XIV, king of France and Navarre
Engraving
(1724 - 1793)
The fair nun unmask'd
After Henry Robert MORLAND (c. 1716 - 1797)
Mezzotint
(1736 - 1819)
Montesquieu
Etching
(1717-1806)
Pierre-Victor-Joseph de Brünstatt, Baron of Besenval
etching
(active end of the 18th century - beginning of the 19th century)
La Joye tranquille
after Marie-Geneviève BOULIARD (1763 - 1825)
Crayon manner
(Paris 1739 - 1804)
Etienne François Turgot
After François-Hubert DROUAIS (1727 - 1775)
Etching and copper engraving
(Paris 1739 - 1804)
Marie Thérèse de Savoie, countess of Artois.
after François Hubert DROUAIS (1727 - 1775)
Etching and copper engraving
(1760 - 1834)
General Washington
After John TRUMBULL (1756-1843)
Stipple engraving
(1718 - 1780)
Portrait de François Ier
D'après Nicolo DELL'ABBATE (1509/16-1571)
Eau-forte
(Malines 1836 - 1894)
Portrait in two states
Etchings
(1799 - 1853)
Désirée Clary, Reine de Suède, from Collection des portraits historiques de Gérard
After François Gérard (1770 - 1837)
Etching
(Paris 19th century)
Portrait of M. Carnot
Etching and drypoint
(Active in the 19th century)
Pastor, Köhler, Goebel, Ries?, Linck et Clostoï?
Lithograph
(1833 - 1866)
Portrait of the artist
after Jean-dominique Ingres (1780-1867)
Crayon manner
(1905 - 1993)
Eduard Mörike
Lithograph
(1905 - 1993)
Dr Martin Luther
Lithograph
(1853 - ?)
Portrait of Baron Gérard
Lithograph
(1814 - 1849)
Tentoonstelling's Gravenhage 1847.
After Nicaise de KEYSER (1813 - 1887)
Lithograph
(1833 - 1914)
Doctor Tripier
Etching
(1802 - 1869)
S. A. R. M.gr le Duc d'Orléans, Prince Royal
d'après Jean-Auguste-Dominique INGRES (1780-1867)
Copper engraving anf softground engraving
(1802 - 1869)
Portrait of Georges Sand (1804 - 1876)
Engraving and etching
(1772 - 1813)
His Most Gracious Majesty George the Third
After Henry EDRIDGE (1768 - 1821)
Stipple engraving
(Nantes 1772 - 1817 Paris) and (Chaumont 1767 - 1832 Creil)
Henri IV exhumé
after Charles DE LA FOSSE (Paris 1636 - 1716)
Etching
(1761 - 1832)
Portrait of Napoléon Bonaparte (1769 - 1821)
after Hilaire Le Dru (1769 - 1840)
Mezzotint, aquatint and etching
(1769 - 1837)
Portrait of Sir John Anstruther (1753 - 1811)
after George Dance (1741 - 1825)
Soft-ground etching
(1800 - 1857)
ALPHONSE DE LAMARTINE
Lithograph
(1800 - 1857)
André-Antoine Blancheton
Lithograph
(1800 - 1857)
Bancheton (André-Antoine) docteur en médecine, chevalier de la légion d'honneur et de l'ordre impérial de St Wladimir de Russie
Original lithograph
(1800 - 1857)
Arthur du Bois de Beauchesne
Original lithograph
(1753 - 1842)
F. Chassier de D., professeur de l'Ecole de médecine de Paris
Lithograph
(1753 - 1842)
Charles-Simon Catel (1773-1830)
Sanguine
(1926 -1997)
SQUARE BOUCICAULT
Etching and aquatint, impression in colours
(1926 -1997)
MONTPARNASSE
Etching and aquatint, impression in colours
(Active between 1680 and 1720)
Femme de qualité estant a sa toilette
Etching and engraving
(Active between 1680 and 1720)
Femme de Qualité en Attendant Visitte
Etching and engraving
(Active between 1680 and 1720)
Femme de qualité habillée en Corps de Robbe
Etching and engraving
(Active between 1680 and 1720)
Fille de qualité en habit d'Esté ala Vestalle
Etching and engraving
(Active between 1680 and 1720)
Homme de qualité en habit d'espée
Etching and engraving
(Active between 1680 and 1720)
Fille de qualité en deshabillé détoffe Siamoise
Etching and engraving
(Active between 1680 and 1720)
Homme de qualité en habit Despée
Etching and engraving
(Active between 1680 and 1720)
Fille de Marchand, estant à sa toilette
Etching and engraving
(Active between 1680 and 1720)
Homme de qualité en habit d'hiver
Etching and engraving
(Active between 1680 and 1720)
Fille de qualité, en deshabillé d'esté
Etching and etching
(Active between 1680 and 1720)
Femme de qualité en habit d'Esté ala grec
Etching and engraving
(Active between 1680 and 1720)
Femme de qualité habillée en Sultane
Etching and engraving
(Active between 1680 and 1720)
Femme de Marchand en deshabillé d'Esté
Etching and engraving
(1866-1924)
COSTUMES PARISIENS, PLANCHE 73
Etching and stencil.
(1882 - 1932)
N'AYEZ PAS PEUR, PETITE !
Pochoir in colours
(1882 - 1932)
COSTUMES PARISIENS, PLANCHE 84
Etching and stencil.
(1882 - 1932)
COSTUMES PARISIENS, PLANCHE 168
Etching and stencil.
(1882 - 1932)
LE MATIN
Pochoir in colours
(1882 - 1932)
LE MODÈLE INTÉRESSANT
Pochoir in colours
(1882 - 1932)
L'OISEAU CHÉRI
Pochoir in colours
(Active near 1750 - 1785)
Le procureur zéle
Etching
(Active near 1750 - 1785)
Le paysan plaideur
Etching
(1759 - 1829)
Madame Gargantua à son grand couvert
Etching handcoloured
(1785 - 1852)
Young wine-grower of Burgundy
after Victor Olagnon (1786 - 18?)
Stipple engraving
(1602 - 1676)
[The chimney swipper]
etching
(1602 - 1676)
[The oyster man]
etching
(1602 - 1676)
[The Merchant of Rat Death]
etching
Navigation aérienne
plate n°172 from the encyclopedy Bouasse-Lebel
etching in colours
Théorie des poulies
Noeuds employés dans la Marine et dans l'Industrie
plate n°77 from the encyclopedy Bouasse-Lebel
etching in colours
(Active around 1803 - 1829)
Comment le trouvez-vous ?
Etching handcoloured
(1692 - 1765)
Carpe vive
After Edme BOUCHARDON (1698 - 1762)
Etching
(1692 - 1765)
Marchand d'images
After Edme BOUCHARDON (1698 - 1762)
Etching
(1692 - 1765)
Apprentisse couturière
After Edme BOUCHARDON (1698 - 1762)
Etching
(1692 - 1765)
Scieur de bois
After Edme BOUCHARDON (1698 - 1762)
Etching
(1692 - 1765)
Ecosseuse de Pois
After Edme BOUCHARDON (1698 - 1762)
Etching
(1793 - 1854)
Toucher en position horizontale
Stipple engraving
(1600 - c.1636)
Roast Chestnut Seller, from Six Cries of Rome
After Francesco VILLAMENA (c.1565 - 1624)
Copper engraving
(1600 - c.1636)
The Ink seller, from Six Cries of Rome
After Francesco VILLAMENA (c.1565 - 1624)
Copper engraving
(1600 - c.1636)
The gardener, from Six Cries of Rome
After Francesco VILLAMENA (c.1565 - 1624)
Copper engraving
(Beginning of the XIXth)
La voracité anglaise
Etching handcoloured
(18th century)
Le vigneron achalande ou ramponeau en fortune
Etching
(Active near 1750 - 1785)
Christ, the Redeemer
Handcolored etching
(Active near 1750 - 1785)
Je suis pauvre et exercé par le travail de mon enfance
Handcolored engraving
(Active near 1750 - 1785)
St François de Paule
Handcolored engraving
(Active near 1750 - 1785)
Mayeux's adventures
Handcolored etching
(Active near 1750 - 1785)
S. Joannes Baptista, Jesu Christi Proecursor
Handcolored engraving
(Active near 1750 - 1785)
My God have mercy on us
Etching handcoloured
HOMME DE L' ÎLE DE PÂQUES, CHEF DE L' ÎLE DE Ste CHRISTINE
Woodcut handcoloured
19th
PLANCHE D'INDIGENES, 259
Habitans des Landes... Hottentots.
Woodcut handcoloured
19th
PLANCHE D'INDIGENES, 261
Kalmoucks... Habitants de la terre de feu.
Woodcut handcoloured
19th
(active in the first part of the 19th century)
La procession de Mons
Handcoloured woodcut
(active in the first part of the 19th century)
Le Nouvel Astrologue Français
Almanach universel
utile et amusant
Pour l'année 1831
Handcoloured woodcut
(active in the first part of the 19th century)
Saint Sébastien, Martyr
Handcoloured woodcut
(active in the first part of the 19th century)
Le Saint Suaire.
Handcoloured woodcut
(active in the first part of the 19th century)
Saint Michel
Handcoloured woodcut
(active in the first part of the 19th century)
Saint Pierre
Handcoloured woodcut
(Active between 1791 and 1814)
L'excellent pourvoyeur
Handcoloured engraving
(active in the beginning of the 19th century)
San Rochus
Handcoloured woodcut
(17? - 1820)
La Mariée de Village
Etching handcoloured
(Active near 1725 - 1760)
Sainte Catherine de Sienne
Handcolored engraving
(Active near 1725 - 1760)
Winter
Handcolored engraving
(Active near 1725 - 1760)
Spring
Handcolored engraving
(Active near 1725 - 1760)
Sense of smell
Handcolored engraving
Publisher and dealer (active between 1740-1775)
La Chasteté de Joseph
Etching handcoloured
Publisher and dealer (active between 1740-1775)
Joseph explique a l'Echanson et au Pannetier leur Songe
Etching handcoloured
(1878 - 1930)
VARIATIONS -20
Pochoir in color
(1878 - 1930)
VARIATIONS - 15
Pochoir in color
(1878 - 1930)
VARIATIONS - 13
Pochoir in color
(1878 - 1930)
VARIATIONS -8
Pochoir in color
(1878 - 1930)
VARIATIONS - 17
Pochoir in color
(1878 - 1930)
VARIATIONS -7
Pochoir in color
(1878 - 1930)
VARIATIONS - 19
Pochoir in color
(1878 - 1930)
VARIATIONS - 5
Pochoir in color
(1878 - 1930)
VARIATIONS -2
Pochoir in color
(1878 - 1930)
VARIATIONS -18
Pochoir in color
(1878 - 1930)
VARIATIONS -16
Pochoir in color
(1878 - 1930)
VARIATIONS -12
Pochoir in color
(1878 - 1930)
VARIATIONS -10
Pochoir in color
(1878 - 1930)
VARIATIONS -6
Pochoir in color
(1878 - 1930)
VARIATIONS - 3
Pochoir in color
(1878 - 1930)
VARIATIONS - 4
Pochoir in color
(1810 - 1871)
VAISSEAU DE 1ER RANG A LA VOILE AU PLUS PRÈS, LES AMURES A BABORD
Original lithograph
(actif 1768 - 1801)
Mappe-Monde [...]
Handcoloured etching
(1886 - 1951)
LA DUNETTE
Wood cut engraving
(1764 - 1819)
GRAND CANOT DE VAISSEAU DE LIGNE
Original etching
(1764 - 1819)
VAISSEAU DE LIGNE ESPAGNOL APPAREILLANT
Original etching
(1787-1862)
after Joseph Wagner (1706-1780)
DIE CORVETTE ASTROBALE , navire de Dumont d'Urville pendant son expédition dans l'antartique (in gefahr an den klippen zu scheitern)
( French school at the beginning of 20 century)
A MESSAGE TO HOME FROM THE HIGH SEAS
Etching
(1710- 1777)
After Willem Van de Velde (1603-1707)
A GALE
Etching and engraving
(1710- 1777)
View of the Cape of Good Hope
After William Hirst
Etching
(1863 - 1925)
Ships at moonrise
Drypoint and aquatint printed in brown
(1835 - 1907)
Our victorious fleets in Cuban waters.
lithograph in colours
(1835 - 1907)
Vigilant and Valkyrie in a thrash to Windward
Lithograph in colors
(1859-1941)
SCARBOROUGH
Aquatint in colors
After Jean-Baptiste Durand-Brager
PAQUEBOT À VAPEUR
Litograph handcoloured
After Jean-Baptiste Durand-Brager
BRIG MARCHAND (Espérant son pilote)
Litograph handcoloured
After Jean-Baptiste Durand-Brager
LA RENTRÉE AU PORT
Litograph handcoloured
After Jean-Baptiste Durand-Brager
BRICK DE 20 CANONS A POUPE RONDE
Litograph handcoloured
After Jean-Baptiste Durand-Brager
CABOTEURS attendant le flot
Litograph handcoloured
( ? - 1903) (1814 - 1879)
L'Océan and le Souverain manoeuvring
After Jean-Baptiste Durand-Brager
Litograph handcoloured
After Jean-Baptiste Durand-Brager
"LA BOUSSOLE" ( Ras de marée, rade de Boubon)
Litograph handcoloured
(1610 - 1664)
Harbour
Etching
(1610 - 1664)
Merchants conversing
Etching
(1610 - 1664)
Marines fixing a boat
Etching
(1610 - 1664)
Moored boat
Etching
(1808 - 1879)
Distribution de vivres un jour de gala (d'extra), plate 34 from Actualités
Lithograph
(XIXth century)
Duke of Choiseul
Lithograph
(Active circa 1818 - ?)
La leçon du soir ...
Etching handcoloured
(1787 - 1854)
Monsieur et Madame Rainette de Caux...
Etching handcoloured
(Saint-Valery-en-Caux 1787 - 1854)
Le poète inspiré
Lithograph
Ah! Mam'selle qu'avez vous fait là ??? Vous le voyez cher pere j'ai déchiré tout ça
Lithograph handcoloured
Sic itur ad astra
Etching handcoloured
(Beginning of the XIXthe Century)
Camera obscura
Lithograph
(XIXthe Century)
La mort de Paillasse
Lithograph
(Beginning of the XIXthe Century)
Le Transfuge
Lithograph handcoloured
(1761 - 1847)
Toilette d'une famille espagnole
Etching
(1759 - 1829)
Les trois manières de voir
Etching handcoloured
(1759 - 1829)
Garde a vous voila l'hiver
Etching handcoloured
(1759 - 1829)
Madame Gargantua à son grand couvert
Etching handcoloured
(1759 - 1829)
Le lever des papas
Etching handcoloured
(1759 - 1829)
Les Coulisses de l'Opéra
Etching handcoloured
(1759 - 1829)
Le Cabinet Littéraire en plein Vent
Etching handcoloured
(1759 - 1829)
Le plan de campagne de 1806
Etching handcoloured
(1819 - 1879)
A la Closerie des Lilas, plate 3 from Le Pays Latin
Lithograph handcoloured
(1819 - 1879)
- Epousez donc un mari chasseur!..., plate 13 from A la Campagne
Lithograph handcoloured
(1819 - 1879)
Le sorcier du Parc d'Enghien, plate 30 from Fariboles
Lithograph handcoloured
(1819 - 1879)
Une rencontre à la porte de Mr. Arthur, plate 30 from Le quart de Monde
Lithograph handcoloured
(1819 - 1879)
- Voyez-vous pour rester jolie, y a rien d'tel que les bains d'mer..., plate 2 from Aux bains de mer
Lithograph handcoloured
(1819 - 1879)
Tiens, une botte!..., plate 20 from A la Campagne
Lithograph handcoloured
(1819 - 1879)
- Tiens, c'est un artiste!... il dort, plate 10 from A la Campagne
Lithograph handcoloured
(1863 - 1934)
Dancing couple.
White Bottoms, plate 14
Lithograph in colours
(1798 - 1863)
Don't bite my chin, darling
White Bottoms, plate 10 album 27
Lithograph in colours
(1863 - 1934)
M. Groult and Mauriçe de Rothschild
White Bottoms, plate 29 album 27
Lithograph in colours
(1863 - 1934)
Vleil-Plcard and Berry Wall
White Bottoms, plate 14 album 27
Lithograph in colours
(1863 - 1934)
Mauriçe de Rothschild and Cécile Sorel
White Bottoms, plate 5 album 27
Lithograph in colours
(1863 - 1934)
Elsa Maxwell
White Bottoms, plate 27 album 27
Lithograph in colours
(1863 - 1934)
Berry Wall (low)
White Bottoms, plate 32 album 27
Lithograph in colours
(1863 - 1934)
Do it ! Do it !
White Bottoms, plate 13 album 27
Lithograph in colours
(1863 - 1934)
Two dancing men
White Bottoms, plate 24 album 27
Lithograph in colours
(1863 - 1934)
Cécile Sorel dancing
White Bottoms, plate 11 album 27
Lithograph in colours
(1863 - 1934)
Mme Gebhart in her armchair
White Bottoms, plate 19 album 27
Lithograph in colours
(1863 - 1934)
Chanel
White Bottoms, plate 35 album 27
Lithograph in colours
(1863 - 1934)
Travesty
And why not ?
from the series White Bottoms
Lithograph in colours
(1863 - 1934)
Two dancing men
White Bottoms, plate 25 album 27
Lithograph in colours
(1863 - 1934)
M.Vieil Picard, "Mais toujours à la française"
White Bottoms, plate 30 album 27
Lithograph in colours
(1863 - 1934)
Two men
White Bottoms, plate 30 album 23
Lithograph in colours
(1863 - 1934)
Palais de Glace
Lithograph in colours
(1863 - 1934)
Illustration for Maxim's menu
Lithograph in colours
(1863 - 1934)
SEM, Yola and Henri Letellier
White Bottoms, plate 1 album 27
Lithograph in colours
(1863 - 1934)
Le barreau de Marseille est en grève
Lithograph
(1863 - 1934)
Soy un gato
Maud Loty and Aga Khan
from the series White Bottoms
Lithograph in colours
(1863 - 1934)
Abbe Mugnier and Boni de Castellane
from the series White Bottoms
Lithograph in colours
(1863 - 1934)
La danse Havas
from the series White Bottoms
Lithograph in colours
(1863 - 1934)
The brothers Lillaz
from the series White Bottoms
Lithograph in colours
(Circa 1880)
Cérès. Vatican- Rome
(Circa 1880)
Faustine. Naples
(Circa 1880)
Niobé à Florence
(Circa 1880)
Bacchus et l'Amour
(Circa 1880)
Aristide. Musée de Naples
(Circa 1880)
Méléagre (Vatican-Rome)
(Circa 1880)
Sénèque (bronze).Musée de Naples
(Circa 1880)
Faune endormi
(Circa 1880)
Jupiter.Vatican-Rome
(Circa 1880)
Le Discobole.Vatican-Rome
(Circa 1880)
Faune dansant
(Circa 1880)
Adonis-Vatican-Rome
(Circa 1880)
Antinoüs Naples
(Circa 1880)
Junon.Musée de Naples
(Circa 1880)
Vénus de Canova. Florence
(Circa 1880)
Platon (Bronze). Musée de Naples
(Circa 1880)
Les Lutteurs (Tribune, Galerie Uffizi-Florence)
(Circa 1880)
L'Arrotino ( le Rémouleur)
(Circa 1880)
Antinoüs. Vatican-Rome
(Circa 1880)
Enlèvement des Sabines. Jean de Bologne-Florence
(Circa 1880)
Mercure (bronze)-Musée de Naples
(Circa 1880)
Faune et Bacchus
(Circa 1880)
Vènus Callipyge.Musée de Naples
(Circa 1880)
Antonin le Pieux (musée de Naples)
(Meiiji era 1868-1912)
Screen
Woodcut in colours double sided
(Meiiji era 1868-1912)
Sea stars
Woodcut in colours double sided
(Meiiji era 1868-1912)
The gooses
Woodcut in colours double sided
(Meiiji era 1868-1912)
Kite
Woodcut in colours double sided
(Second half of the 20th century)
Different character
Woodcut in colours
(Second half of the 20th century)
Small Geishas
Woodcut in colours
(Second half of the 20th century)
Books
Woodcut in colours
(Second half of the 20th century)
Gardens patterns
Woodcut in colours
(Second half of the 20th century)
Children's toys
Woodcut in colours
(Second half of the 20th century)
Decoration patterns
Woodcut in colours
(Second half of the 20th century)
Flowers
Woodcut in colours
(Second half of the 20th century)
Dahlias
Woodcut in colours
(Second half of the 20th century)
Ferns
Woodcut in colours
(Second half of the 20th century)
Small cards
Woodcut in colours
(Second half of the 20th century)
Storks
Woodcut in colours
(Second half of the 20th century)
Flowers on yellow background
Woodcut in colours
(Second half of the 20th century)
Decoration
Woodcut in colours
(Second half of the 20th century)
Mauve
Woodcut in colours
(Second half of the 20th century)
Bookmark
Woodcut in colours
(Second half of the 20th century)
Inscription
Woodcut in colours
(Second half of the 20th century)
Lines
Woodcut in colours
(Second half of the 20th century)
Darts
Woodcut in colours
(Second half of the 20th century)
Greens, browns, blacks lines
Woodcut in colours
(Second half of the 20th century)
Flowers on blue and pink waves
Woodcut in colours
(1900 - 1998)
Night Scene of Kasuga Shrine (Nara)
Woodcut in colours
(1838 - 1912)
Chiyoda Castle
Woodblock print
(1838 - 1912)
Touring Okawa
Woodblock print
(Japanese Meiji 1868-1912)
[Map of Japan : the regions of Kantô and Tohokû on Honshû Island]
Woodcut in colours
[Gardener and bonsai]
Woodcut in colours circa 1880
[Lake and houses near Fuji mount]
Woodcut in colours
(1868 - 1912)
Map of Suruga province
Woodblock print
(1868 - 1912)
Map of Tokyo during the Edo period
Woodblock print
(1864 - 1936)
Traveler Moonlight
Woodblock print
(1881 - 1936)
Bamboo forest in the rain
Woodblock print
(1874 - 1897)
Beauties and hydrangeas
Woodcut in colours
(1883 - 1957)
Evening at Tagonoura (Tago no Ura no Yuu)
Woodblock print
(20th century)
Tama River in Evening
Woodblock print
(active in 1855-1865)
No. 24, Sukiya-gashi Embankment (Sukiya-gashi), from the series Comical Views of Famous Places in Edo (Edo meisho dôke zukushi)
Woodcut in colours (nishiki-e)
(active in 1855-1865)
No. 15, Distant View at Kasumigaseki (Kasumigaseki no chôbô), from the series Comical Views of Famous Places in Edo (Edo meisho dôke zukushi)
Woodcut in colours (nishiki-e)
(1797 - 1858)
Settsu Province: Sumiyoshi, Idemi Beach (Settsu, Sumiyoshi, Idemi no hama)
Woodblock print
(1797 - 1858)
Yoshiwara: Mount Fuji on the Left (Yoshiwara, hidari Fuji)
Woodblock print
(1797 - 1858)
Narumi: Arimatsu Village and Shops Selling the Famous Tie-dyed Fabric (Meibutsu shibori mise, Arimatsu sato)
Woodblock print
(1797 - 1858)
Tenmangû Shrine at Yushima, Clear Weather after Snow (Yushima Tenmangû, yukibare no zu)
Woodblock print
(1797 - 1858)
Shirasuka, plate 33 from The Fifty-Three Stations of the Tokaido (Tokaido Gojusan Tsugi Meisho Dzuye)
woodcut in colours
(1797 - 1858)
No. 52, Ishibe: Guests at the Inn (Ishibe, ryosha tomarikyaku)
Woodcut in colours
(1797 - 1858)
Shono, plate 46 from The Fifty-Three Stations of the Tokaido (Tokaido Gojusan Tsugi)
woodcut in colours
(1797 - 1858)
Silk-goods Lane, Ôdenma-chô (Ôdenma-chô gofukudana)
from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)
woodcut in colours (nishiki-e)
(Active from 1813 to 1816)
Actor Nakamura Utaemon III as the Thunder God
Woodblock print
(Active from 1816 to 1836)
Geisha
Woodblock print
(Active around 1817)
Samouraï dressed with a striped haori
Woodblock print
(Active between 1800 and 1816)
Kabuki actor
Woodblock print
(Active between 1800 and 1816)
Ichikawa Ebijuro as Yamaguchi Kurojiro
Woodblock print
(Active between 1800 and 1816)
Actor Nakamura Utaemon III as Mori no Ranmaru
Woodblock print
(Active between 1800 and 1816)
Actors Nakamura Utaemon III as Saibara Kageyu and Ichikawa Ebijûrô I as Tetsunosuke
Woodblock print
(Active between 1813 and 1833)
Samourai
Woodblock print
(Active between 1813 and 1833)
Samouraï
Woodblock print
(Active between 1813 and 1833)
Kabuki actor with a fan
Woodblock print
(Active between 1813 and 1833)
Kabuki actor as a samouraï
Woodblock print
(Active between 1813 and 1833)
Actors Nakamura Utaemon III as Funakoshi Kyûhachi and Ichikawa Ebijûrô I as Shimakawa Tahei
Woodblock print
(Active between 1891 - 1897)
The cultivation of silkworms
Woodblock print
(1823 - 1880)
Genji scene
Woodblock print
(1823 - 1880)
Genji prince (?) smoking kiseru
Woodblock print
(Active between 1836 and 1887)
Samouraï on horseback
Woodblock print
(1839 - 1892)
Soldiers on horseback
Woodblock print
1915
Actor portrait, from Shin Nigao magazine
woodcut in colours
1915
Actor portrait, from Shin Nigao magazine
woodcut in colours
(Active around 1869 - 1882)
Portrait of man
Woodcut in colours
(woman artist active c. 1880 - 1890)
Bijin with flowers and a fan
Woodcut in colours
(woman artist active c. 1880 - 1890)
Bijin with a fan and a box
Woodcut in colours
(XIXth century)
Kabuki actor as Inari, the fox spirit
Woodblock print
(XIXth century)
The Actor Nakamura Utaemon III as a Courtier in a dance pose
Woodblock print
(1924 - ?)
FLOWER ARRANGING , Ikebana
(1838 - 1912)
Plate from the series SNOW, MOON, FLOWERS
Woodcut in colours
(1838 - 1912)
Gomo, plate 22 from the series Twenty-four paragons of the filial piety (Nijushiku mitate awase)
Woodcut in colours
(1838 - 1912)
The fishing, plate from the series Twenty-four paragons of the filial piety (Nijushiku mitate awase)
Woodcut in colours (nishiki-e)
(1838 - 1912)
Bijin and birds plate from the series Twenty-four paragons of the filial piety (Nijushiku mitate awase)
Woodcut in colours (nishiki-e)
(1838 - 1912)
Bijin and waterfall
Woodcut in colours (nishiki-e)
(Active circa 1869 - 1882)
Playing with rubber bands
Woodcut in colours
(Active circa 1869 - 1882)
Bijin in a carriage
Woodcut in colours
(Active circa 1869 - 1882)
Bijin playing shamisen
Woodcut in colours
(19th)
(Whaling: towing)
Woodcut in colours (nishiki-e)
(19th)
(The preparation of tea leaves in the workshop)
Woodcut in colours (nishiki-e)
(19th)
(In a salt factory)
Woodcut in colours (nishiki-e)
(19th)
(The making of salt)
Woodcut in colours (nishiki-e)
(Meiji period)
Celebration of Kodomo no Hi (?)
Woodblock print
Sheets from an album #1
woodcut in colours (nishiki-e)
(Meiji period 1868 - 1912)
Birds imitating humans
Woodblock print
(Active circa 1850)
The Gost of the "country of the North" (Hokkoku no obake)
Woodblock print
(1868 - 1912)
Woman bringing a gift
Woodblock print
(1868 - 1912)
Drunk man
Woodblock print
(1868 - 1912)
Geisha and her cat
Woodblock print
(1868 - 1912)
Picture cards toy of cats in differents activities
Woodblock print
(1868 - 1912)
Picture cards toy of fishes, a doll, objects of a geisha and famous kabuki actors
Woodblock print
(1868 - 1912)
Geisha activities
Woodblock print
(1838 - 1912)
Grand Festival at Nikko Shrine (Nikko mi-yashiro ni taisai no)
Woodblock print
(1838 - 1912)
Buddha Festival - Ladies of Chiyoda Palace
Woodblock print
(1838 - 1912)
Bijin and waterfall
Woodcut in colours (nishiki-e)
(1838 - 1912)
Full armered samurai horse procession
Woodblock print
(1838 - 1912)
Kagami Biraki : Celebrating the New Year
Woodblock print
(1838 - 1912)
Boar and deer hunting
Woodblock print
(1838 - 1912)
Hunting Dogs from Horseback (Inuōmono)
Woodblock print
(1838 - 1912)
Kajo ceremony : the daimyo renew their allegiance to the shogun
Woodblock print
(1838 - 1912)
Shogun is visiting Zojo-ji temple at Shiba
Woodblock print
(1838 - 1912)
Archery competition
Woodblock print
(1838 - 1912)
Fishing party
Woodblock print
(1838 - 1912)
The shogun viewing a demonstration of kendo
Woodblock print
(1838 - 1912)
Samouraï ritual
Woodblock print
(1838 - 1912)
Back from a hunting party
Woodblock print
(1838 - 1912)
Royal visit and watching a Dakyu (polo)
Woodblock print
(1838 - 1912)
Depiction of a Noh play
Woodblock print
(1838 - 1912)
Depiction of an Official Hearing at Fukiage (Fukiage ni koji jocho no zu)
Woodblock print
(1838 - 1912)
Wedding
Woodblock print
(1838 - 1912)
Various Daimyo Approaching the Ote Gate of Edo Castle
Woodblock print
(active ca. 1869 - 82)
Kabuki scene between a Samouraï and a Lord
Woodcut in colours
(Active between 1854 - 1888)
Inside a palace
Woodblock print
(Osaka school, active c. 1851 - 1872)
[Samouraï (kabuki)]
Woodcut in colours
(1797 - 1858)
Three Famous Scenic Spots in Japan : Miidera, Ishiyama, Seta
Woodblock print
(1826 - 1869)
View of the Yodo River in Yamashiro Province (Yamashiro Yodo-gawa no kei)
Woodblock print
(Second half of the 19th century)
Woman with a green kimono
Woodcut in colours on strong paper
(Second half of the 19th century)
Kimono open
Woodcut in colours on strong paper
(Second half of the 19th century)
Man with a kimono
Woodcut in colours on strong paper
(Second half of the 19th century)
Clothes on
Woodcut in colours on strong paper
(Second half of the 19th century)
Naked
Woodcut in colours on strong paper
(Second half of the 19th century)
On the carpet
Woodcut in colours on strong paper
(Second half of the 19th century)
On the yellow carpet
Woodcut in colours on strong paper
(Second half of the 19th century)
Lovers entwined
Woodcut in colours on strong paper
(Second half of the 19th century)
Lovers with dark hair
Woodcut in colours on strong paper
(Second half of the 19th century)
Three characters with dark hair
Woodcut in colours on strong paper
(Second half of the 19th century)
Green comb
Woodcut in colours on strong paper
(First half of the XIXth)
Embracing couple in front a tea service
Woodblock print
(Middle of the XIXth)
Couple
Woodblock print
(Middle of the XIXth)
Three characters in front of a kanô style painting
Woodblock print
(Beginning of the XIXth)
Embraced couple
Woodblock print
(End of the XVIIIth)
Courtesan and her lover
Woodblock print
(1790 - 1848)
Young girl and her lover
Woodblock print
(1787 - 1867)
Courtesan and her lover
Woodblock print
(1786 - 1865)
Courtesan with her breasts uncovered
Woodblock print
(active c. 1780 - 1801)
[Couple embracing and folding screen]
Woodcut in colours
(1726 - 1792)
[Couple embracing next to a window]
Woodcut in colours
(1726 - 1792)
[Couple embraced under a kimono]
Woodcut in colours
(1842 - 1894)
[Cat and butterfly]
Woodcut in colours
(1817 - 1887)
[Bindweed]
Published by Ayaoka Yûshin (1846-1910)
Woodcut in colours
(1817 - 1887)
[chrysanthemums]
Published by Ayaoka Yûshin (1846-1910)
Woodcut in colours
(1844 - 1895)
Blue magpie, plate from book of birds and flowers
Woodcut in colours (nishiki-e)
(1888 - 1976)
Ikebana : autumn flowers
Woodcut in colours
[Iris]
Woodcut in colours
[Corn]
Woodcut in colours
[Wildflowers]
Woodcut in colours
[Garden flowers]
Woodcut in colours
[Field flowers and tree branch]
Woodcut in colours
Ikebana n°5
Woodcut in colours
Ikebana n°6
Woodcut in colours
Ikebana n°8
Woodcut in colours
Ikebana n°9
Woodcut in colours
Ikebana n°10 and 11
Woodcut in colours
Ikebana n°12
Woodcut in colours
Ikebana n°13
Woodcut in colours
Ikebana n°14
Woodcut in colours
Ikebana n°15
Woodcut in colours
Ikebana n°16
Woodcut in colours
Ikebana n°17
Woodcut in colours
Ikebana n°18 et 19
Woodcut in colours
Ikebana n°20
Woodcut in colours
Ikebana n°21
Woodcut in colours
(Active between 1891 - 1897)
The cultivation of silkworms
Woodblock print
(1823 - 1880)
Genji scene
Woodblock print
(1823 - 1880)
Genji prince (?) smoking kiseru
Woodblock print
(Active between 1836 and 1887)
Samouraï on horseback
Woodblock print
(1839 - 1892)
Soldiers on horseback
Woodblock print
(Meiji period 1868 - 1912)
Birds imitating humans
Woodblock print
(Active late 19th century)
Armor Butterfly (Yoroichô) and Canary (Kanariya), with Red Hollyhocks (Kôshûki), Yellow Hollyhocks (Ôshûki), and Rose Balsam (Hôsenka)
Woodblock print
(1826 - 1869)
Morning Mist at Zôjô-ji Temple (Zôjô-ji asagiri)
Woodblock print
(1826 - 1869)
Somei
Woodblock print
(Active ca. 1860 - 1870)
Nakanogo Makurabashi bridge
Woodblock print
(Active ca. 1860 - 1870)
Fireworks at Ryogoku
Woodblock print
(1835 - 1900)
Geishas
Woodblock print
(1835 - 1900)
Geishas under a blossom cherry tree
Woodblock print
(1835 - 1900)
Courtesans on a balcony
Woodblock print
(1835 - 1900)
Courtesans
Woodblock print
(1832 - 1891)
Crossing the Oi river
Woodblock print
(1823 - 1880)
Kabuki actors whom Arashi Kichiroku
Woodblock print
(1823 - 1880)
A Moonlight Evening in the Theater District (Saruwaka tsuki no yûbae)
Woodblock print
(1823 - 1880)
Genji scene
Woodblock print
(1823 - 1880)
Mother and child
Woodblock print
(1823 - 1880)
Courtesans in a interior
Woodblock print
(1823 - 1880)
Courtesans in a interior
Woodblock print
(1823 - 1880)
Young women with a lantern
Woodblock print
(1823 - 1880)
Geisha and Oiran
Woodblock print
( 17.. - 18..)
Infanterie (Armée Française)
Lithograph
(Nice 1787 - Paris 1858)
Bivouac Français
After Carle Vernet (1789-1863)
Lithograph
(French school, XVIIIth Century)
Barnave, dédié aux hommes libres
Mezzotint
(1702 - 1760)
BRETONS VOLONTAIRES, FUSSILIERS
After a work of Philibert Benoît DELARUE (1718 - 1780)
Etching
French scool of the XVIII century
VOLONTAIRES DE SAXE, DRAGONS PL.02
After a work of Philibert Benoît DELARUE (1718 - 1780)
Etching
French school of the XVIII century
BRETONS VOLONTAIRES, HUSSARTS
After a work of Philibert Benoît DELARUE (1718 - 1780)
Etching
(1807 - 1864)
Tirailleurs-Grenadiers (sergent)
Lithograph
(1792 - 1845)
Grenadiers à pied en grande tenue ( ex garde)
Lithograph
(1764 - 1799)
Le maréchal ferrant de la Vendée
after Jacques Sablet le jeune (1749-1803)
etching and engraving
(1734 - 1789)
CROATIAN, INFANTRY
After a work of Philibert Benoît DELARUE (1718 - 1780)
Etching
(XIXth century)
Milicia post (Tonkin)
Lithograph
(17? - 1771)
Coupe de la Machine Infernale
Etching and engraving
(1647 - 1733)
Cavalry battle dedicated to the Duc de Chevreuse
After Adam Frans Van der Meulen (1632 - 1690)
Etching
(1647 - 1733)
Cavalry battle dedicated to the Duc d'Enghien
After Adam Frans Van der Meulen (1632 - 1690)
Etching
(1832 - ?)
FRANCE - TAMBOUR MAJOR - 1864, plate from GALERIE MILITAIRE
Lithograph handcoloured, with arabic gum
(1832 - ?)
FRANCE - SPAHIR - 1864, plate from GALERIE MILITAIRE
Lithograph handcoloured, with arabic gum
(End of the XVIIIth century)
Père Duchesne
Engraving
(End of XVIIIth Century)
Les Arts Pa-tenté par le décret du 9 Fructidor An 5
Etching
(French School of the 18th Century)
un sans-culotte instrument de crimes dansant au milieu des horreurs
Etching
Honoré Gabriel Riquetti, count of Mirabeau
Etching in colours
(1759 - 1829)
Party for the 14th of July
Etching handcoloured
(1759 - 1820?)
Equality, patron saint of the French
after Louis Marie Sicard, dit Sicardi (1743 - 1825)
Stipple engraving
(1798 - 18?)
Jacques Cathelineau (1775 - 1793)
after Anne-Louis Girodet Trioson (1767 - 1824)
Lithograph
(1798 - 18?)
Jacques Cathelineau (1775 - 1793)
After Anne-Louis Girodet Trioson (1767 - 1824)
Lithograph
(1798 - 18?)
Louis de Lescure (1766 - 1793)
After Robert Lefebvre (1755 - 1830)
Lithograph
(1825 - 1901)
Jean-Paul Marat
etching and engraving
(17.. 17..)
Barra couronné par la Liberté : ce jeune héros agé de 13 ans, nourrissoit sa mere sur le produit de sa paye. Surpris par l'ennemi qui vouloit avoir deux chevaux dont il etoit conducteur son courage les lui fit défendre jusqu'à la mort et vive la République fut son dernier mot la Convention lui a décrété les honneurs du Panthéon
Mezzotint hancoloured
(Active at the end of the XVIIIth Century)
Raison et Prudence
Stipple engraving
(Active between 1791 and 1814)
Marie Thérèse Charlotte, fille de Louis XVI, planche issue de la série Portraits des personnages célèbres de la Révolution
Stipple engraving
(Paris 1760 - 1802)
Vue perspective du Champ de Mars, jour du serment civique... , 1790
After Jacques LE ROY (1739 - ?)
Aquatint in colours
(Paris 1760 - 1802)
Vue perspective du Champ de Mars, jour du serment civique... , 1790
After Jacques LE ROY (1739 - ?)
Aquatint in colours
(1772 - 1817)
Vue Générale de la Fédération Française, Prise à vol d'oiseau au-dessus de Chaillot
After Jean-Baptiste CLOQUET
Etching and stipple engraving
Engraver, publisher (1688 - 1776)
La Vertue
Stipple engraving, impression in two colours
(1742-1794)
Egalité
Stipple engraving in sanguine
(1764 - 1799)
The French's Jehovah
After Pieter Joseph Sauvage (1744 - 1818)
Stipple engraving
(1761 - 1832)
Portrait of Louis Charles Antoine Desaix (1768 - 1800)
after Hilaire Le Dru (1769 - 1840)
Mezzotint, aquatint and etching
(1761 - 1832)
Portrait of Barthélemy Louis Joseph Schérer (1747 - 1804)
after Hilaire Le Dru (1769 - 1840)
Mezzotint, aquatint and etching
(Active in the XVIIIth Century)
Louis XVI
Stipple engraving and copper engraving
(17.. - 1801)
La Vertu
After Louis-Simon BOIZOT (1743 - 1809)
Stipple engraving, impression en brown
(1801-1866)
CAPITULATION DE MANTOUE
Lithograph
(Active 1750-1785) rue St jacques au coin de la rue des Mathurins
FAMEUSE BATAILLE DE FRIEDLAND GAGNÉE PAR LES FRANÇAIS SUR LES RUSSES
Copperplate in color of time
(Active 1750-1785) rue St jacques N°670
SON ALTESSE IMPÉRIALE LE PRINCE LOUIS, frère de l'Empereur, grand Connétable de L'Empire
Copperplate in color of time
(1800 - 1866)
The battlefield, the Victoire in background
Lithograph
(1801 - 1850)
Combat de Montenotte, Souvenirs des armées Françaises ( Campagnes d'italie BONAPARTE, général en chef)
Lithograph
(1783 - 1846)
Louis Gabriel Suchet
Stipple engraving handcoloured
(1806 - 1867)
D'après François-Joseph Heim (1787-1865)
Arrivée à l'armée d'Italie
Lithographie
(1777 - 1838)
Monnier, from Collection des généraux en pied
After Jean-Jacques-François LE BARBIER (1738 - 1826)
Stipple engraving
(17.. - 18..)
Presa Della Citta D'Ulma, del di 20 Ottobre 1805
After Barouel
Etching
(17.. - 18..)
Combattimento e presa di Landshut, nel di 21 Aprile 1809 (fighting and taking Landshut)
After Horace Vernet (1783 - 1863)
Etching
(1792-1845)
Soldat se tenant à sa baïonnette
Lithograph
(1785-1836)
L'Intrépide Lefèbre
Lithograph
(1785 - 1836)
Cuirassier
Lithograph
(1785 - 1836)
Two cuirassiers
Lithograph
(1783 - 1839)
Je vous en ratisse
Etching handcoloured
(1783 - after 1831)
After Aubry
MARCEAU
Aquatint impression in colours (very attractive color of time)
Bataille de Villa Franca
Etching handcoloured
18th Century)
Combat de Saalfeld. Mort du Prince Louis de Prusse
Etching handcoloured
(18th Century)
Combat de Saint Vincente
Etching handcoloured
(1761 - 1832)
Portrait of Napoléon Bonaparte (1769 - 1821)
after Hilaire Le Dru (1769 - 1840)
Mezzotint, aquatint and etching
(1782 - 1849)
Moskova battle, the 7th of September 1812
Etching
(1782 - 1849)
The entry of the French into Moscow
Etching
(1762 - 1817)
Portrait of Jean-Baptiste Poquelin, Molière (1622 - 1673)
after Jean-François Garnerey (1755 - 1837)
Etching, engraving and aquatint in colours
(Paris 1736 - ?)
M. Laruette
After MONET
Etching
(1696 - c.1762)
Comédiens italiens.
After Jean-Antoine WATTEAU (1784 - 1721)
Etching and copper engraving
(1699 - 1771)
Thomassin and Mrs Silvia
After Nicolas LANCRET (1690-1743)
Etching
(17? - 1820)
Gargantua aux variétés
Etching handcoloured
(17? - 1820)
La Belle au bois dormant
Etching handcoloured
(17? - 1820)
Le Tribunal des Femmes, ou les Maris en vacances
Etching handcoloured
(1688 - 1754)
L'amour au théâtre françois
after Antoine Watteau (1684-1721)
etching and engraving
(1745 - 1810)
Joseph Ménier
Aquatint
(1745 - 1810)
Mme Julienne
Reçue à la Comédie italienne en 1781
Aquatint
(Gerrmany 1711 - 1783)
[Commedia dell'arte : Arlequin and the frog]
after Matthias SILLER (1710 - 1790)
Etching, vintage colours
(Germany 1711 – 1783)
[Commedia dell'arte : Pantalone and Pierrot]
After Matthias SILLER (1710 - 1790)
Etching, vintage colours
(1746 - 1840)
Mlle Colombe L'ainée
After Jacques Antoine LEMOINE (1751 - 1824)
Handcoloured engraving
(1668 - 1741)
[L'Abbé Prévost.]
Antoine François Prévost
Aumônier de S. A. S. Monseigneur Le Prince de Conti
Etching
(1743 - 1822)
Sakespeare / King Lea act I. scene I
after Heinrich II Füssli (1755-1829)
Handcoloured stipple engraving and etching
(Beginning of the XIXth)
L'ancien ami du Jeune Homme ou Le Secret de la Comédie
Etching and stipple engraving handcoloured
(19th century)
Vue du théâtre italien
prise de la place
Handcoloured etching
Sublime d'Hernani plat romantique
"Je crèverai dans l'oeuf ta panse impériale"
Handcoloured lithograph
Vue du théâtre italien
Aquatint
Elleviou role de d'Albrecht Daur - François 1er
Watercolour
(Beginning of the XIXth)
La Fantasmagorie de l'Odéon - Les morts, après cent ans, sortent-ils du tombeau ?
Etching handcoloured
(XVIIth/ XVIIIth)
Le pledoyer comyque
Etching and engraving
(XXe)
Scenery project for a show
Gouache and pencil
(1723 - 1797)
Ballet danced in the Théâtre de l'Opéra in the Parnassus carnival
after Gabriel de Saint-Aubin (1724 - 1780)
Etching
(1799 - 1869)
Mme Malibran-Garcia
after Jean-Pierre le Jeune DANTAN (1800-1869)
Lithograph
(1745 - 1810)
Mme Julienne
Reçue à la Comédie italienne en 1781
Aquatint
(1755 - 1832)
La manie de la danse
Handcoloured aquatint
(Abbeville 1745 - 1807 Paris)
École de Danse
Etching and engraving
(1761 - 1831)
La Dansomanie
Etching handcoloured
(1762 - 1841)
La Gigue Anglaise
Etching handcoloured
(1700 - c. 1783)
Royal palace hall set up for the masked ball party
after Vincenzo Ré (active 1737 - 1762)
Etching
(1827 - 1883)
Mabille et le Château des fleurs.
(Jardin Mabille, Soirée Musicale et Dansante, Château des Fleurs, Fête de Nuit)
Original etching
REPRÉSENTATION D'UN SUPERBE FEU D'ARTIFICE
Copper plate engraving handcoloured
(1812 - 1883)
Charles Haas
Lithograph
(1811 - 1883)
Hippolyte Monpou
After Louis MARTINET (1810 - 1894)
Lithograph
(1811 - 1883)
Gustave-Hippolyte Roger
rôle du Guittarero
Lithograph
(1811 - 1883)
Louis Antoine Ponchard
Lithograph
(1811 - 1883)
A. Marmontel.
Lithograph
(1811 - 1883)
Alexis Dupont
Lithograph
(1811 - 1883)
Mme Cinti-Damoreau
Lithograph
(1811 - 1883)
Henri Bertini
Lithograph
(1811 - 1883)
Henry Bertini
Lithograph
(1811 - 1883)
Rossin, Bellini, Mercadente, Ricci, Donizetti
Lithograph
(1811 - 1883)
Madame Catinka de Dietz.
Pianiste de LL MM la Reine de Bavière
et la reine des Français
Lithograph
(Nice 1787 - Paris 1858)
Mme Pasta
Opéra d'Othello
After François GÉRARD (1770-1837)
Lithograph
(1768 - 1822)
Jean Elleviou
Dans Maison à Vendre
After Henry François RIESENER (1767-1828)
Etching
(1768 - 1822)
Mme St Aubin
Dans "Ambroise ou voilà ma journée"
Etching
(19th)
Auguste Romagnesi.
Compositeur de musique
Lithograph
(1818 - 1880)
adame Malibran de Beriot
after Henri GREVEDON (1776-1860)
Lithograph
(Active in the 18th and 19th century)
Cendrillon
Handcolored etching
(17.. - 1775)
À quelque chose malheur est bon.
After Marc-Antoine PARELLE (active c.1766 - c.1774)
Crayon manner engraving, impression in sanguine
(1759 - 1829)
Les Coulisses de l'Opéra
Etching handcoloured
(17.. - 18..)
Niccolò Paganini
Lithograph
(1814 - 1886)
Georges Kastner
Lithograph
(1814 - 1886)
Mme. Marie Cabel
Du théâtre impérial de l'opéra comique
Lithograph
(1814 - 1886)
P. Kremer
after Gustave WAPPERS (1803-1874)
Lithograph
(1814 - 1886)
J. Faure
du théâtre impérial de l'Opéra Comique
Lithograph
(1731 - 1797) et Laurent CARS (1689 - 1771)
La comédienne Mlle Clairon dans Médée
After Carle VAN LOO (1705-1765)
Copper engraving and etching
(1741-1824)
After Karel Dujardin (1626-1678)
Scène de commedia dell Arte
Etching
(19th)
Compositeurs contemporains
1. Rossini 2. Meyerbeer 3. Auber 4. Halévy 5. Donizetti 6. Adam 7. Labarre 8. Clapisson 9. Thomas
Lithograph
(1745 - 1811)
Bastienne
Crayon manner, sanguine
(1867-1936)
THE MIME SHOW
Color lithograph
(Paris 1867 - 1936)
Les forains
plate from an album of seventeen etchings
(Paris 1867 - 1936)
Les forains
plate from an album of seventeen etchings
(Paris 1867 - 1936)
Les forains
plate from an album of seventeen etchings
(1690 - 1762)
L'allicance de la musique et de la comédie
after Jean-Antoine WATTEAU (1684-1721)
Etching
(1797 - 1849)
Myologie Aponévrologie, Plate 7. Plan Latéral (From" traité complet de l'anatomie de l'Homme")
Lithograph in colours
(? - 1741)
Etude d'homme debout, plate 6 from Livre de diverses figures d'académies, dessinées d'après le naturel
after Edme BOUCHARDON (1698 - 1762)
etching
(1680?-1741)
Standed man, left knee bent, plate 6 from the Livre de diverses figures d'académies, dessinées d'après le naturel
after Edme BOUCHARDON (1698 - 1762)
etching
(1718 - c.1780)
Etude de femme au vase, plate from Livre de diverses figures d'académies, dessinées d'après le naturel
after Edme BOUCHARDON (1698 - 1762)
etching
(1718 - c.1780)
Etude d'homme de côté, plate 5 from Livre de diverses figures d'académies, dessinées d'après le naturel
after Edme BOUCHARDON (1698 - 1762)
Etching
(1718 - c.1780)
Etude de femme asise, plate 12 from Livre de diverses figures d'académies, dessinées d'après le naturel
after Edme BOUCHARDON (1698 - 1762)
Etching
(1718 - c.1780)
Etude d'homme de dos, plate 10 from Livre de diverses figures d'académies, dessinées d'après le naturel
after Edme BOUCHARDON (1698 - 1762)
Etching
(1702-1760)
Seated man, pointing finger, plate 5 from the Livre de diverses figures d'académies, dessinées d'après le naturel
after Edme BOUCHARDON (1698 - 1762)
etching
(1702-1760)
Seated man, head on his knees, plate 12 from the Livre de diverses figures d'académies, dessinées d'après le naturel
after Edme BOUCHARDON (1698 - 1762)
etching
(c.1638 - 1711)
Statue antique de marbre d'un jeune homme, plate from a set of 43
Etching
(c.1638 - 1711)
Statue antique de marbre de Silène,, plate from a set of 43
Copper engraving
(1763-1829)
Palamedes from his back
after Antonio CANOVA (1757-1822) et Jean-Baptiste Joseph WICAR (1762-1834)
engraving
(1763-1829)
Palamedes' front view
after Antonio CANOVA (1757-1822) et Jean-Baptiste Joseph WICAR (1762-1834)
engraving
(1763 - 1829)
Germanico con parazonio in mano
after Stefano TOFANELLI (1752 - 1812)
Engraving
(1711-1753)
Woman lying on her side, plate n°6 from the Livre de diverses figures d'académies, dessinées d'après le naturel
after Edme BOUCHARDON (1698 - 1762)
etching
(1703 - 1770)
Man lying, plate 10 from the Premier livre de figures d'académies Gravées en Partie par les Professeurs de l'Académie Royale
etching
(active at the end of the 18th century)
Elio Cesare
after Agostino TOFANELLI (1770-1834)
Engraving
(Osaka, 1970)
Good question
Etching and aquatint in colours
(Osaka, 1970)
How time disappears
Etching and aquatint in colours
(Osaka, 1970)
Tenderly
Etching and aquatint in colours
(Osaka, 1970)
In your room
Etching and aquatint in colours
(Osaka, 1970)
Every single now
Etching and aquatint in colours
(Osaka, 1970)
Free fall
Etching and aquatint in colours
(Osaka, 1970)
Last call
Etching and aquatint in colours
(Osaka, 1970)
Our first song
Etching and aquatint in colours
(Osaka, 1970)
Point of departure
Etching and aquatint in colours
(Osaka, 1970)
A side of Rock' n' Roll
Etching and aquatint in colours
(Osaka, 1970)
A fragment of a memory
Etching and aquatint in colours
(Osaka, 1970)
Countless, fearless, beauties
Etching and aquatint in colours
(Osaka, 1970)
When I'm on the move
Etching and aquatint in colours
(Osaka, 1970)
Junction
Etching and aquatint in colours
(Osaka, 1970)
He steals your heart
Etching and aquatint in colours
(Osaka, 1970)
A whistle on the water
Etching and aquatint in colours
(Osaka, 1970)
Swallow
Etching and aquatint in colours
(Osaka, 1970)
A thunder
Etching and aquatint in colours
(Rodez, 1974)
Stairs (5)
Etching and aquatint, impression in blue-grey.
(Rodez, 1974)
Brocante
Linocut
(Rodez, 1974)
The Stranger
Aquatint, impression in blue-grey.
(Rodez, 1974)
L'homme en coin
Aquatint, impression in blue-grey.
(Rodez, 1974)
Silence
Etching and aquatint, impression in blue-grey.
(Rodez, 1974)
Faux Midi
Drypoint, aquatint, sandpaper, impression in blue-grey.
(Rodez, 1974)
Brooklyn
Aquatint, impression in blue-grey.
(Rodez, 1974)
Le Retour
Aquatint, impression in blue-grey.
(Rodez, 1974)
Right on!
Aquatint, impression in blue-grey.
(Rodez, 1974)
Salle des Pas perdus
Aquatint and drypoint, impression in blue-grey.
(Rodez, 1974)
Plein Soleil
Aquatint, impression in blue-grey.
(Rodez, 1974)
The printmaker
Linocut
(Rodez, 1974)
The Last Train
Linocut
(Rodez, 1974)
Stairs
Etching, aquatint and sugar, diamond tip, impression in blue-grey.
(Rodez, 1974)
Up to!
Aquatint, impression in blue-grey.
(Rodez, 1974)
Belvédère
Etching, drypoint and aquatint, impression in blue-grey.
(Rodez, 1974)
Belvédère
Etching and aquatint, impression in blue-grey.
(Rodez, 1974)
By the window
Linocut
(Rodez, 1974)
Seasons (2)
Linocut
(Rodez, 1974)
Palimpsest
Etching, aquatint, mark, sandpaper, impression in blue-grey
(Rodez, 1974)
L'oubli
Etching, aquatint and drypoint, impression in blue-grey.
(Rodez, 1974)
Alice's stairs
Etching, aquatint, impression in blue-grey.
(Rodez, 1974)
The Scratched Bench
Aquatint, printed in blue
(Rodez, 1974)
The Tempest
Etching, aquatint, impression in blue-grey
(Born in 1927)
SUR LES DOUZE COUPS DE MIDI
Lithograph in colours
(Swiss, 1942)
BOUQUET DE CLEFS
Aquatint in colours
(Born in 1949)
TEMPETE SUR HU-TU-FU
Etching, aquatint and embossing, printed in colours
(Born in 1949)
UNTITLED
Etching and drypoint heightened in colours
(American)
Hand pulled prints
Lithograph
(Né en 1933)
BLUE BEAUTY
Drypoint in colours
(Born in 1926)
DUO
Aquatint and embossing, printed in colours
(Born in 1926)
DECLIC
Aquatint and embossing, printed in colours
(Born in 1927)
ROMAN V
Etching
(Born in 1930)
PULSION A
Drypoint
(Rabat, Maroc 1948)
Précis d'horticulture
Etching and aquatint
(Rabat, Maroc 1948)
Coloquintes devant une ville
Etching
(Rabat, Maroc 1948)
Le Sac de Rome
Etching and aquatint
(American)
BLUES TRIPTYCH: MA RAINEY, BESSIE SMITH, MAMIE SMITH
Aquatint, impression in colours
(Born in 1922)
DEUX AMANDIERS
Engraving
(Born in 1923)
TASH COURGAN (Spielmann 100)
Etching and aquatint in black and grey
(Born in 1937 in Bagdad)
Women on a flowery sofa
Lithograph
(Born in 1937 in Bagdad)
Woman lengthened
Lithograph
(Born in 1929, Japan)
AYUMI
Aquatint in colours
(Boulogne Billancourt, 1954)
QUATRE FIGURES VERTICALES
Etching and aquatint in two colours
(Born in Turin in 1929)
UNTITLED
Etching and aquatint in colours
(Née en 1923)
LA COURSE AUX CHIMERES
Etching, aquatint and embossing, in colours
(Née en 1923)
LES PORTES DE L'HIVER
Aquatint and embossing, in colours
(Née en 1923)
COMPOSITION
Lithograph in colours
Deux arbres
Cardblock print
Eblouis
Cardblock print
Sixième étage
Cardblock print
Lac bleu
Cardblock print
Refuges
Cardblock print
(Australia, 1959)
Then V
Mezzotint
(Australia, 1959)
Elsewhere
Mezzotint
(Australia, 1959)
Spinning top
Mezzotint
(Australia, 1959)
Glance II
Mezzotint
(Australia, 1959)
Whale II
Mezzotint
(Australia, 1959)
Drift
Mezzotint
(Australia, 1959)
Murmur III
Mezzotint
(Australia, 1959)
Mushroom
Mezzotint
(Australia, 1959)
Whisperer
Mezzotint
(Australia, 1959)
Murmur II
Mezzotint
(Australia, 1959)
Entropia
Mezzotint
(Australia, 1959)
Vestiges
Mezzotint
(Australia, 1959)
Witness
Mezzotint
(Australia, 1959)
Threshold
Mezzotint
(Australia, 1959)
Then II
Mezzotint
(Australia, 1959)
Glance I
Mezzotint
(Australia, 1959)
Pledge
Mezzotint
(Australia, 1959)
Then III
Mezzotint
(Australia, 1959)
Prelude
Mezzotint
(Australia, 1959)
Inception III
Mezzotint
(Australia, 1959)
Beyond
Mezzotint
(Australia, 1959)
Fledgling
Mezzotint
(Australia, 1959)
Witness II
Mezzotint
(Australia, 1959)
Inception V
Mezzotint
(Sainte Foy lès Lyon, 1989)
La maison du pêcheur
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
A l'Indalo
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
Les messes basses
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
Je cherche un homme
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
Le progrès de l'énigme
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
Gauloiseries
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
U Pescarù
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
Marc & Florimond
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
Aux sources du Vénéon
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
Nursery school
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
The five friends
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
Susmiou garden
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
Pour la paix
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
Meeting by the lake
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
Islet
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
Che fare
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
The arrival of Magellan
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
La Lavey
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
Cierzo
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
Le fil d'or
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
La cloche du soir
Etching in 3 colors
(Sainte Foy lès Lyon, 1989)
Les comètes
Etching in 3 colors
(Paris, 1973)
In heaven as in Paris n°11 (Opéra)
Linocut
(Paris, 1973)
In heaven as in Paris n°02 (The hillsides of Montmartre)
Linocut
(Paris, 1973)
In heaven as in Paris n°16 (Saint-Jacques tower)
Linocut
(Paris, 1973)
In heaven as in Paris n°03 - morning geometry
Linocut
(Paris, 1973)
In heaven as in Paris n°07 - Stop running !
Linocut
(Paris, 1973)
Palm trees
Linocut
(Paris, 1973)
Pinewood
Linocut
(Paris, 1973)
Pine forest
Linocut
(Paris, 1973)
Mouflon
Linocut
(Paris, 1973)
Honey bear
Linocut
(Paris, 1973)
Penguins
Linocut
(Paris, 1973)
Chook and Pulet
Linocut
(Paris, 1973)
Diodon
Linocut
(Paris, 1973)
SELFIE n°05 - Carrelée
Linocut
(Paris, 1973)
Toucan
Linocut
(Paris, 1973)
Tribute to Christo and Jeanne-Claude
Linocut
(Paris, 1973)
One gull
Linocut
(Paris, 1973)
Couple of elephant
Linocut
(Paris, 1973)
Walruses
Linocut
(Paris, 1973)
Dromadories
Linocut
(Paris, 1973)
Squirrel
Linocut
(Paris, 1973)
White bear
Linocut
(Paris, 1973)
Octopus
Linocut
(Paris, 1973)
Panda
Linocut
(Saint-Mandé, 1968)
Passage des Princes, Paris
Aquatint
(Saint-Mandé, 1968)
Rue de la Cité, rue St Jacques Paris
Aquatint
(Saint-Mandé, 1968)
Rue de Chartres, Paris
Aquatint
(Saint-Mandé, 1968)
Aux Tuileries, Paris
Aquatint
(Saint-Mandé, 1968)
Vers la place Gustave Toudouze, Paris 9e
Aquatint
(Saint-Mandé, 1968)
Fondation Taylor, rue La Bruyère, Paris 9e
Aquatint
(Saint-Mandé, 1968)
Vers place Gustave Toudouze, rue Henri Monnier, Paris 9e
Aquatint
(Saint-Mandé, 1968)
Vers rue Laferrière, place st Georges, Paris 9e
Aquatint
(Saint-Mandé, 1968)
Vers la place Saint-Georges, rue de la Victoire, Paris 9e
Aquatint
(Saint-Mandé, 1968)
Sorbonne, Paris
Aquatint
(Saint-Mandé, 1968)
Observatoire de la Sorbonne, Paris
Aquatint
(Saint-Mandé, 1968)
Halle au Blé, Paris
Aquatint
(Saint-Mandé, 1968)
Rue Cassini, Paris
Aquatint
(Saint-Mandé, 1968)
Passage des Panoramas, Paris
Aquatint
(Saint-Mandé, 1968)
Au pied des arbres, Paris
Aquatint
(Saint-Mandé, 1968)
Galerie Vivienne, Paris
Aquatint
(Saint-Mandé, 1968)
Arquebusiers, Paris
Aquatint
(Saint-Mandé, 1968)
Balade au fil des toits, Paris
Aquatint
(Saint-Mandé, 1968)
Balade au fil des toits, Paris
Aquatint
(Saint-Mandé, 1968)
Rue Erasme, Paris
Aquatint
(Saint-Mandé, 1968)
Atelier Taylor, Paris
Aquatint
(Saint-Mandé, 1968)
L'oeil de Taylor, sur la rue, Paris
Aquatint
(Saint-Mandé, 1968)
Passage du Caire, Paris
Aquatint
(Saint-Mandé, 1968)
Sainte Opportune, Paris
Aquatint
(Pennslyvanie, 1961)
Lièvre
Aquatint
(Pennslyvanie, 1961)
Chat assis de dos
Aquatint
(Pennslyvanie, 1961)
Chat
Aquatint
(Pennslyvanie, 1961)
Panthère des neiges
Aquatint
(Pennslyvanie, 1961)
Serval
Aquatint
(Pennslyvanie, 1961)
Écureuil
Aquatint
(Pennslyvanie, 1961)
Renard
Aquatint
(Pennslyvanie, 1961)
Girafes
Aquatint
(Pennslyvanie, 1961)
Loup
Aquatint
(Pennslyvanie, 1961)
Tigreau
Aquatint
(Pennslyvanie, 1961)
Entrrance of the wild garden
Aquatint
(Pennslyvanie, 1961)
Branchages de cèdre, fruitier, lierre, érable
Aquatint
(Pennslyvanie, 1961)
Chestnut tree foliage
Aquatint
(Pennslyvanie, 1961)
Ducks and plum tree
Aquatint
(Pennslyvanie, 1961)
Dromadaire du Mali
Aquatint
(Pennslyvanie, 1961)
Ducks and plum tree
Aquatint
(Pennslyvanie, 1961)
The red-crowned crane
Aquatint
(1856 - 1943)
Les calanches ( Calanques) di Piana (Corse)
Charcoal et pastel
(1856 - 1943)
Styling
Charcoal et pastel
(1856 - 1943)
Young woman with red flowers
Charcoal et pastel
(1856 - 1943)
Coming out of the bath
Charcoal and pastel
(1856 - 1943)
Naked on a chair
Crayon, Charcoal and pastel
(1856 - 1943)
Oriental dancer
Crayon, charcoal and pastel
(1856 - 1943)
Woman and sleeping girl
Charcoal et pastel
(1856 - 1943)
Woman and the hat flew
Charcoal et pastel
(1856 - 1943)
Dancing on the beach
Charcoal et pastel
(1856 - 1943)
Woman and the flower
Charcoal et pastel
(1856 - 1943)
To be beautiful
Charcoal et pastel
(1856 - 1943)
The parfum of flowers
Charcoal et pastel
(1856 - 1943)
Young girl
Charcoal et pastel
(1856 - 1943)
The mirror
Charcoal et pastel
(1856 - 1943)
Half naked
Charcoal et pastel
(1856 - 1943)
Standing front of the sea
Charcoal et pastel
(1856 - 1943)
Les calanches ( calanques) di Piana (Corse) (2)
Charcoal et pastel
(1856 - 1943)
Cargèse. Corse
Charcoal et pastel
(1856 - 1943)
Donkeys in the calanches ( Calanques) di Piana (Corse)
Charcoal et pastel
(1856 - 1943)
Sleeping
Charcoal et pastel
(1856 - 1943)
Model in an orientalizing decor
drypoint and aquatint, brown impression
(1856 - 1943)
Le place of Diamond at Ajaccio (Corse)
Charcoal and pastel
(1856 - 1943)
Sartène ( Corse)
Crayon and chalk
(1856 - 1943)
Luxembourg's garden
Crayon, Charcoal and pastel
(1865 - 1952)
[Portrait of a man]
Pastel
(1867 - 1931)
Gentilly
Pencil
(1878 - 1941)
Mont Saint Michel
Watercolor
(1850 - 1913)
Sketches of in inhabitants of Chateaudun-du-Rhumel (Algeria)
Pen and brown ink
(1850 - 1913)
Seated women in Biskra
Pen and brown ink on pencil
(Montpellier 1823 - 1889 Paris)
[Sketch of arms]
Red chalk
(19th century)
Head of mourner
Lead pencil, charcoal, red chalk and white chalk
(1715 - 1790)
[The virtuous man]
graphite mine pencil (inside), watercolour (decorative frame)
(1879 - 1970)
[Elegant with a feathered hat]
Lead pencil, enhanced with orange
(XXe)
Composition with 4 vases in earthenware of Desvres
Gouache and watercolor
(XXe)
Composition with 6 vases in earthenware of Desvres
Gouache and watercolor
(XXe)
Composition with 10 vases in earthenware of Desvres
Gouache and watercolor
(XXe)
Composition with 9 vases in earthenware of Desvres
Gouache and watercolor
(1884 - 1974)
Landscape
Pen and lavish of black ink
(1753 - 1842)
Charles-Simon Catel (1773-1830)
Sanguine
(19th century)
[British officer and Indian sailors]
Watercolour
(19th century)
[View with three people in front of a river]
Watercolour
(1800 - 1857)
Erotic scene with three women and one man
Lithograph enhanced in colours, arabic gum
(1800 - 1857)
Lovers in a box at the theater
Lithograph enhanced in colours, arabic gum
(1800 - 1857)
Lovers in the forest
Lithograph enhanced in colours, arabic gum
(1800 - 1857)
Embracing lovers
Lithograph enhanced in colours, arabic gum
(1800 - 1857)
Erotic scene in an interior
Lithograph enhanced in colours, arabic gum
(1800 - 1857)
Lovers in the boudoir
Lithograph enhanced in colours, arabic gum
(1800 - 1857)
Picking cherries
Lithograph enhanced in colours
(1800 - 1857)
A soldier and his lover
Lithograph enhanced in colors
(1806 - 1870)
Jouissance diabolique...
Lithograph
(1806 - 1870)
Le Jet d'eau...
Lithograph
(1806 - 1870)
Une expérience...
Lithograph
(1806 - 1870)
Un Pucelage ...
Lithograph
(1806 - 1870)
Le joli Papillon ...
Lithograph
(1806 - 1870)
Grande chasse...
Lithograph