(17? - 17?)
Agnano lake
After Sir William Hamilton (1730 - 1803)
Etching handcoloured
(1646 - 1719)
Southern Hemisphere map
Etching handcolored
(Active between 1748 - 1770)
Portrait of Bernardo Gigli
after Millington
Engraving
(1739 - 1813)
The Virtuous Comforted by Sympathy and Attention
After Edward PENNY (1714 - 1791)
Mezzotint in colours
(1739 - 1813)
A winter's tale
after John Opie (1761 - 1807)
Mezzotint
(1759 - 1797)
Mrs. Siddons, in the character of the tragic muse
after Joshua Reynolds (1723 - 1792)
Stipple engraving
(1697 - 1764)
Hogarth painting the comic muse
Etching and engraving
(1697 - 1764)
Strolling Actresses dressing in a Barn
Etching
(c.1745 - 1797)
Ballad singers
D'après John RISING (1753 - 1817)
Mezzotint, impression in colours
(English 1747 - 1812)
Woman with a hat looking herself in the mirror
after Robert FREEBAIRN (1765 - 1808)
Etching and aquatint, impression in brown.
(United Kingdom, active c. 1743 – 1805)
"...Landing and marching the troops ... towards Fort Cojimar ..."
after Dominic SERRES (1722 – 1793)
Engraving
(v. 1748 - v. 1820)
The Cyclops in their forge
After Luca Giordano (1634 - 1705)
Mezzotint
(v. 1748 - v. 1820)
Her Royal Highness Princess of Wales, Caroline of Brunswick (1768 - 1821)
after Thomas Stothard (1755 - 1834)
Mezzotint
(1726 - 1792 )
Winter
After Philip Mercier (1689 - 1760)
Mezzotint
(1716 - 1785)
A Philosopher Giving a Lecture on the Orrery
after Joseph Wright (1756-1793)
Mezzotint
(c.1755 - 1838) et (1745 - 1812) et (1747 - 1801)
St Preux and Julia
d'après Francis Wheatley (1747 - 1801)
Engraving, etching and aquatint
(1732 - 1783)
The rest in the country
After François BOUCHER (1703 - 1770)
Etching
(1732 - 1783)
Britannia directing Painting, Sculpture, and Architecture to address themselves to Royal Munificence
after Giovanni Battista Cipriani (1727 - 1785)
Sipple and etching, impression in red
(Unigted Kingdom, active c. 1773 - 1776)
"PARIS [...]"
after Rosalba CARRIERA (1675 - 1757)
Mezzotint
(active 1780 - 1819)
The Maggot-Bearing Stapelia
after Peter Henderson (active c. 1800)
Aquatint in colours
(1721 - 1792)
After Guido Reni dit le Guide (1575-1642)
Cupid sleeping
Etching and dotted line
(1721 - 1792)
After Raphaël (1483-1520)
Justicia. Justice
Etching and dotted line
(1721-1792)
after Salvador ROSA (1615-1673)
Belisarius
Engraving and etching
(c. 1800 - 1852)
The opening of the sixth seal
after Francis DANBY (1793 - 1861)
Mezzotint
(London 1792/97 - 1867)
Portrait of the Regicide Ankarström
Etching
(1837 – 1888)
North Dock
Etching
(1837 - 1888)
A Chelsea près Londres
Etching
(1756 - 1827)
Franz Joseph Gall leading a discussion on phrenology with five colleagues
Etching handcoloured
(1863 - 1929)
Le Broc
Etching, impression in brown
(Unigted Kingdom, 1752 – 1812)
William and Margaret
after Joseph WRIGHT (1756 – 1793)
Mezzotint in colors
(1859 - 1921)
Christian loses his burden, no. 2
Etching and engraving
(1859 - 1921)
The Valley of the Shadow of Death
Etching
(1859 - 1921)
Christian is troubled
Etching
(1859 - 1921)
The Scourging of Faithful
Etching
(1859 - 1921)
Christian Fights Apollyon
Etching
(1859 - 1921)
Christian and Hopeful in the dungeon
Etching
(1859 - 1921)
Potato lifting
Etching
(1859 - 1921)
Tinkers, no. 2
Etching
(1859 - 1921)
Meal-time
Etching and engraving
(1859 - 1921)
The mother
Etching
(1859 - 1921)
Cotter's family
Etching
(1784 - 1867)
Silver Fir at Roseneath, from Sylva Britannica or Portraits of Forest Trees (1826)
Etching
(1784 - 1867)
The Swilcar Lann Oak, from Sylva Britannica or Portraits of Forest Trees (1826)
Etching
(1784 - 1867)
The King Oak in Savernake Forest, from Sylva Britannica or Portraits of Forest Trees (1826)
Etching
(1784 - 1867)
The Beggar's Oak, from Sylva Britannica or Portraits of Forest Trees (1826)
Etching
(1874/77 - 1936)
City on an hill
Etching
(England 1809 - 1870)
Trouble ahead
Lithograph in colours
(England 1809 - 1870)
[Woman and Dog approaching a Windmill]
Photolithograph
(1881 - 1966)
Westminster
Etching
(1857 - 1935)
Place nationale in Dieppe
Lithograph
(1874 – 1943)
Burgos cathedral
Drypoint
(1874 – 1943)
EDFU TEMPLE
Etchig and aquatint on wove paper, signed and numbered in pencil
(Isleworth 1891 - 1972)
The Gentleman Farmer
Woodcut