(1736 - 1793)
THE SUMP.
after Jean-Baptiste HUET (1745 - 1811)
Stipple en graving, impression in colours.
(Paris 1736 - 1793)
Le Matin, de la suite Les Quatres heures du Jour
After Jean Frédéric SCHALL (1752-1825)
Crayon manner, impression in colours
(Paris 1736 - 1793)
VENUS AU BAIN.
after Jacques-Antoine BEAUFORT (1721 - 1784)
Stipple engraving, impression in colours.
(Paris 1736 - 1793)
La Basse Cour
After Jean-Baptiste HUET (1745 - 1811)
Crayon manner handcoloured
(Paris 1736 - 1793)
L'Après-Midi, de la suite Les Quatres heures du Jour
After Jean Frédéric SCHALL (1752-1825)
Crayon manner, impression in colours
(Paris 1736 - 1793)
Le Soir, de la suite Les Quatres heures du Jour
After Jean Frédéric SCHALL (1752-1825)
Crayon manner, impression in colours
(17.. - 1801)
Le trente-un, ou la maison de prêt sur nantissement.
After ean Urbain Guérin (1760 - 1836)
Stipple engraving, handcoloured.
(1755 - 1832)
Les deux baisers
Aquatint in colours
(Gerrmany 1711 - 1783)
[Commedia dell'arte : Arlequin and the frog]
after Matthias SILLER (1710 - 1790)
Etching, vintage colours
(1722 - 1776)
LA MISSIVE (SCÈNE CHAMPÊTRE)
after François BOUCHER (1703 - 1770)
Etching and aquatint, impression in colours.
(Lüttich 1750 - Paris 1802)
Bacchanale
After Jean-Jacques-François Le Barbier (Rouen 1738 - Paris 1826).
Pair of wash manner engravings, impression in colours
(1745 - ?)
"LA JEUNE VILLAGEOISE RENDUE A SES PARENTS"
Etching
(1753 - 1820)
Vue d'un pont sur l'Aar. Canton de Berne.
After Friedrich ROSENBERG (1758 - 1833)
Aquatint in colours
(1753 - 1820)
Les Espiègles
After Jean Frédéric SCHALL (1752 - 1825)
Aquatint in colours
(1753 - 1820)
Environs de Rome
after Pierre Antoine DE MACHY (1723-1807)
Two aquatints printed in colours
(1753 - 1820)
La prière interrompue
after Hubert ROBERT (1733 - 1808)
Aquatinte, impression in colours
(1753 - 1820)
L'amant surpris
After Jean Frédéric SCHALL (1752 - 1825)
Aquatint in colours
La pêche chinoise
handcoloured etching
La peinture
handcoloured etching
(18th century)
Le vigneron achalande ou ramponeau en fortune
Etching
(Active in the 18th century)
LA MERE INTERESSANTE.
after Richard COSWAY (1740 - 1821)
Stipple engraving, impression two tones.
(Active in the 18th century)
LA TENDRE MERE.
after Angelica KAUFFMAN (1741 - 1807)
Stipple engraving, impression in two tones.
(1745 – 1783)
Bathsheba during her bath.
Black maner, after Bounieu, impression in colors.