(1833-1900)
Pointer (Chien d'arrêt) et Perdrix (Après le tiré, N°11)
Lithograph hancoloured
(1870 - 1935)
Trouble ahead
Lithograph in colours
(1813- 1890)
Hare hunting
Lithograph impression in colors and handcoloured
(1813-1890)
After Walker
Hunting l'Arks
Lithograph hancoloured, arabic gum
(1835 - 1907)
Steeple chase cracks
(we add : the jolly hunters)
lithographs in colours
(1810 - 1860)
Crossing the ford
Lithograph handcoloured
(Paris 1810 - 1860)
[Horsemen followed by a carriage]
Lithograph in two tones, watercolor on the horsemen.
(Active from 1840 to 1851)
Le convoi du chasseur
Lithograph handcoloured
(19th Century)
L'arrivée au rendez-vous
Lithograph hancoloured, arabic gum
(1743 - 1822)
A Grey-hound's head
after Thomas WIJCK (1616/24 - 1677) and Joseph FARINGTON (1747 - 1821)
Mezzotint with stipple and etching
1882 - 1959
After the hunt
Chromolithography
(1879 - 1942)
COSTUMES PARISIENS, PLANCHE 109
Etching and stencil.
(1834-1916)
Une première affaire
photoengraving
(1793 - 1867)
L'OISEAU DE PROIE
(1793 - 1867)
LE CHASSEUR FAUTIF
Lithograph hancoloured, arabic gum
(1793 - 1867)
L' ARRÊT
Lithograph hancoloured, arabic gum
(1793 - 1867)
LE JOUR DE GUIGNON
(1793 - 1867)
LE CHASSEUR EN JOUISSANCE
Lithograph hancoloured, arabic gum
(1793 - 1867)
ENTRÉE EN CHASSE
Lithograph hancoloured, arabic gum
(1793 - 1867)
CHASSE AUX CANARDS
Lithograph hancoloured, arabic gum
(1793 - 1867)
LE GARDE DES VIGNES
Lithograph hancoloured, arabic gum
(1793 - 1867)
CHASSE AU MARAIS N°8
Lithograph hancoloured, arabic gum
(1793 - 1867)
CHASSE AU BROCHET
Lithograph hancoloured, arabic gum
(1793 - 1867)
LE RETOUR DU CHASSEUR
Lithograph hancoloured, arabic gum
(1793 - 1867)
SORTIE DE CHENIL
Lithograph hancoloured, arabic gum
(1793 - 1867)
CHASSE AUX FAISANS
Lithograph hancoloured, arabic gum
(1793 - 1867)
LE FOSSÉ
Lithograph hancoloured, arabic gum
(1793 - 1867)
HALTE PENDANT LA PLUIE
Lithograph hancoloured, arabic gum
(1793 - 1867)
CHASSEUR ENGRAVÉ
Lithograph hancoloured, arabic gum
(1793 - 1867)
LE TERRAIN GLISSANT
(End of the XIXth)
Le Cheval de Selle, n°1 la selle
Lithographie handcoloured
(End of the XIXth)
Le Cheval de Selle, n°2 la sangle
Lithographie handcoloured
(1801 - 1866)
Adonis
Lithograph
(1801 - 1866)
Soothsayer
Lithograph
(1801 - 1866)
Le Léopold
Lithograph
(1801 - 1866)
Monitor
Lithograph
(1801 - 1866)
Cossack horse
Lithograph
(1801 - 1866)
Le Persan
Lithograph
(1801 - 1866)
Princess royal
Lithograph
(1801 - 1866)
Moser
Lithograph
(1801 - 1866)
Phantom
Lithograph
(1801 - 1866)
Copenhagen
Lithograph
(1785 - 1851)
The Post horse
Etching and soft ground handcoloured
(1785 - 1851)
The Race horse
Etching and soft ground handcoloured
(1785 - 1851)
The Foal
Etching and soft ground handcoloured
(1785 - 1851)
The Colt
Etching and soft ground handcoloured
(1785 - 1851)
The Harness-horse
Etching and soft ground handcoloured
(1826 - 1883)
Atalanta
after Alfred de Dreux (1810 - 1860)
Handcoloured lithograph
(1826 - 1883)
The beginnings of a jockey
after Alfred de Dreux (1810 - 1860)
Handcoloured lithograph enhanced with arabic gum
(Century XIX)
After Alfred de Dreux (1810 - 1860)
L'ORAGE, ETALON FRANCHISSANT UNE HAIE, N°13
Lithograph hancoloured, arabic gum
(1886 - 1972)
L'Entrée des Champs Elysées
Woodcut in colours
(1761 - 1832)
Rentrée de Mameluks dans un fort
after Carle Vernet (1758 - 1836)
Aquatint and etching
(1824 - 1891)
Auteuil
Lithographie handcoloured
(1824 - 1891)
Vincennes
Lithographie handcoloured
(1810 - 1860)
Horserider and his dog
Lithograph in color
Brevet de danse
glazed lithography in color with gold paint highlights
(1826 - 1883)
Atalanta
after Alfred de Dreux (1810 - 1860)
Handcoloured lithograph
(active c. 1840 - 1867)
Brevet de contre-pointe
handcoloured lithograph
(1886 - 1972)
Notre-Dame par temps de pluie
Woodcut, impression in colors
(1886 - 1972)
Joute devant le Quai aux Fleurs
Woodcut, impression in colors
(Paris 1885 - 1964)
The rest of the boxer
aquatint in colours
(17? - 1820)
Sandis si l'on ne me retenois, j'irois comme le Vent
Etching handcoloured
(Active of the XIXth century)
Le boxeur blessé et ses parieurs consternés
Etching handcoloured
(active c. 1861 - 1879)
Brevet de canne
handcoloured lithograph
(1882 - 1959)
Heath in his Panhard car winner of the circuit des Ardennes
Lithography in colors
(1882 - 1959)
Heath in his Mercédès car winner of the Gordon-Bennett cup
Lithograph handcolored
(1882 - 1959)
A golf player
Lithograph colored with stencil
(1882 - 1959)
Back view of a golf player
Lithograph colored with stencil
(1882 - 1959)
A golf player
Lithograph colored with stencil
(1882 - 1959)
A golf player running his ball
Lithograph colored with stencil
(active c. 1852 - 1858)
Brevet de bâton
handcoloured lithograph
(active c. 1852 - 1858)
Brevet de pointe
handcoloured lithograph
(active c. 1860)
La leçon d'escrime (the fencing lesson)
handcoloured lithograph
(active c. 1860)
Brevet de contre-pointe
handcoloured lithograph
(Active circa 1814 - 1834)
L'anglais et son maître d'escrime
Etching handcolored
(1869 - 1959)
The tennis player
pochoir
(1869 - 1959)
The tennis player
pochoir
1869 - 1959
Tenniswoman
Stencil
(1717 - 1810)
Position après avoir desarmé sur le coup de quarte
sheet n° 35 after the Desseins Originaux des Attitudes Continuée dans L'École des Armes by James GWIN (1700 - 1769)
handcoloured etching
(1700 - 1769)
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.
sheet n° 47 after the Desseins Originaux des Attitudes Continuée dans L'École des Armes from James Gwin
handcoloured etching