(1626 - 1683)
[Palace, Naples]
after Johann Wilhelm BAUR (1607 - 1641)
Etching
(1626 - 1683)
[Palace, Naples]
after Johann Wilhelm BAUR (1607 - 1641)
Etching
(1626 - 1683)
[Port, Naples]
after Johann Wilhelm BAUR (1607 - 1641)
Etching
(1626 - 1683)
[Fishing scene, Naples]
after Johann Wilhelm BAUR (1607 - 1641)
Etching
(1626 - 1683)
[Allegory: Woman holding a ring]
after Johann Wilhelm BAUR (1607 - 1641)
Etching and engraving
(1626 - 1683)
[Old man holding a sandglass: allegory of Time?]
after Johann Wilhelm BAUR (1607 - 1641)
Etching and engraving
(1626 - 1683)
[Allegory : woman carrying fruits]
after Johann Wilhelm BAUR (1607 - 1641)
Etching and engraving
(c.1642 - 1682)
Paulus Caliary Veronensis
After Paolo VERONESE (1528 - 1588)
Etching
(c.1642 - 1682)
Paulus Caliary Veronensis
After Paolo VERONESE (1528 - 1588)
Etching
(c.1642 - 1682)
Paulus Caliary Veronensis
After Paolo VERONESE (1528 - 1588)
Etching
(1637 - 1677)
Paulus Caliary Veronensis
After Paolo VERONESE (1528 - 1588)
Etching
German school first half of the 18th century
Palais Corsini
Perspective view
Edited in Augsboug, Collection des Prospects
(Haarlem 1571 - 1631)
Three Graces
after Hendrick GOLTZIUS (1558 - 1617)
Engraving
(1635 - 1681)
La double Tentation
Printed by MENIL
Etching and stipple engraving
(1758-1833)
after a drawing of Stefano TOFANELLI (1752-1812) and a painting of Giovanni Francesco Barbieri, also called GUERCINO (1591 - 1666)
Loth and his daughters
Engraving and etching
(1663 - 1732)
Corsica breaks free from Satyre
Etching
(1663 - 1732)
Silvio led in triumph to the temple of Diana (Act IV, scene 3)
Etching
(1663 - 1732)
Satire revealing Amaryllis's love affair in Diana's temple (Act IV, Scene 3)
Etching