(1758 - 1833)
Loth and his daughters
after a painting of Guercino (1591 - 1666) and a drawing of Stefano Tofanelli (1752 - 1812)
Engraving and etching
(1729 - 1805)
Baroque architecture project
Etching
(1663 - 1732)
Corsica breaks free from Satyre
Etching
(1663 - 1732)
Mirtillo dressed as a Nymph, from Il pastor fido
Etching
(1663 - 1732)
Silvio led in triumph to the temple of Diana (Act IV, scene 3)
Etching
(1663 - 1732)
Satire revealing Amaryllis's love affair in Diana's temple (Act IV, Scene 3)
Etching
(1663 - 1732)
Silvio killing the boar (Acte IV, Scene 2)
Etching
(1663 - 1732)
Amaryllis is imprisoned
Etching
(1663 - 1732)
Plate from Il pastor fido
Etching
(1663 - 1732)
Mirtil, disguised as a nymph, brought to Amaryllis by her sister (Act II, scene 1)
Etching
(1663 - 1732)
Dorinda and Silvio
Etching
(1663 - 1732)
Aminta sacrifices himself in Lucrina's place
Etching
(1663 - 1732)
Amaryllis, blindfolded, participates in the game of the blind man under the eyes of the nymphs and Mirtil
Etching
(c.1600 - c.1634)
Silène drunk supported by Bacchantes with Satyrs
After Pierre-Paul RUBENS (1577 - 1640)
Etching
(Anvers 1603 - 1638)
Muley-Hazen, roy de Thunes
[Muley Hacan, king ofTunis]
after Nicolaas VAN DER HORST (1598 - 1646)
Engraving
(1683 - 1761)
Bacchus
After Jan van DALEN (c. 1610 - after 1662)
Mezzotint
(1739 - 1808)
[Three-quarter head]
After Francesco TREVISANI (1656 - 1746)
Etching
(Germany 1732 - 1801)
"LE SENTIMENT"
after Jean-Baptiste Marie PIERRE (1713/14-1789)
Crayon manner, impression in blood orange
(17? - 1788)
La place laissée au pillage
Etching handcolored